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Combat Engineer Amer Literary Pr? Jack L. Scott? AmerLiteraryPr? JackL.Scott? ジャンル別? ユーズドブック(洋書)-Biographies&Memoirs? ユーズドブック(洋書)-Engineering Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-General? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-Americas-UnitedStates-20thCentury-WorldWarII-General? Subjects-History-Americas-UnitedStates-20thCentury-WorldWarII-PersonalNarratives? Subjects-History-Americas-UnitedStates-20thCentury-WorldWarII-WesternFront? Subjects-History-Europe-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-Technology-General&Reference Technofutures How Leading-Edge Technologies Will Transform Business in the 21st Century Hay House Inc? James, Ph.D. Canton? HayHouseInc? James,Ph.D.Canton? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-Reference-General? Subjects-Computers&Internet-WebDevelopment-InternetCommerce-General? Subjects-Nonfiction-SocialSciences-Anthropology? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Science-General Subjects-Science-Technology-Futurology? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Innovations? How Things Work (Fascinating Facts) Publications Intl? PublicationsIntl? ジャンル別? Substores-UnknownASINs-36? Substores-Today sDealsinBooks-Literature&Fiction-General? Substores-Today sDealsinBooks-Science&Nature? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Science-Technology-General&Reference Inside Autocad The Complete Autocad Guide/Special Edition (Inside) New Riders Pub? Rusty Gesner? Jim Boyce? Daniel S. Raker? NewRidersPub? RustyGesner? JimBoyce? DanielS.Raker? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Engineering-ComputerTechnology-CAD&CAM? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-ComputerTechnology-CAD&CAM? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Science-Technology-General&Reference Inside Autocad Lt for Windows/Book and Disk (Inside) New Riders Pub? Tom Boersma? Rusty Gesner? Dennis Hill? Randall A. Maxey? NewRidersPub? TomBoersma? RustyGesner? DennisHill? RandallA.Maxey? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCADLT? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-Software? Subjects-Computers&Internet-Microsoft-OperatingSystems-Windows-General? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCADLT? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Computers&Internet-Home&Office-Windows-Graphics,Animation&Illustration? Subjects-Computers&Internet-Home&Office-Windows-DesktopPublishing? Subjects-Engineering-ComputerTechnology-AutoCAD? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCADLT? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Science-Technology-General&Reference Inside Autocad Lt for Windows/Book and Disk (Inside) New Riders Pub? Dennis Hill? Rusty Gesner? NewRidersPub? DennisHill? RustyGesner? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCADLT? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-Software? Subjects-Computers&Internet-Microsoft-OperatingSystems-Windows-General? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCADLT? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Computers&Internet-General? Subjects-Computers&Internet-Home&Office-Windows-Graphics,Animation&Illustration? Subjects-Computers&Internet-Home&Office-Windows-DesktopPublishing? Subjects-Engineering-ComputerTechnology-AutoCAD? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCADLT? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Science-Technology-General&Reference Drafting and Design With Autocad Lt New Riders Pub? David Dye? Paul Moore NewRidersPub? DavidDye? PaulMoore? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCADLT? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCADLT? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Computers&Internet-General? Subjects-Engineering-ComputerTechnology-AutoCAD? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCADLT? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Science-Technology-General&Reference Inside Autocad Lt for Windows 95 (Inside) Macmillan Computer Pub? Michael E. Beall? Howard Fulmer? Francis Soen? MacmillanComputerPub? MichaelE.Beall? HowardFulmer? FrancisSoen? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCADLT? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-Microsoft-OperatingSystems-Windows-General? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCADLT? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Computers&Internet-Home&Office-Windows-Graphics,Animation&Illustration? Subjects-Computers&Internet-Home&Office-Windows-DesktopPublishing? Subjects-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCADLT? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Science-Technology-General&Reference Autocad 14 Fundamentals New Riders Pub? Michael E. Beall? Howard M. Fulmer? NewRidersPub? MichaelE.Beall? HowardM.Fulmer? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD14? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-Software-Design&Development-Object-OrientedDesign? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-Microsoft-OperatingSystems-Windows-General? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD14? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Computers&Internet-Home&Office-Windows-Graphics,Animation&Illustration? Subjects-Computers&Internet-Home&Office-Windows-DesktopPublishing? Subjects-Engineering-ComputerTechnology-AutoCAD? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD14? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Science-Technology-General&Reference Inside Autocad 14 Limited Edition (Inside) New Riders Pub? Michael Todd Peterson? Michael E. Beall? NewRidersPub? MichaelToddPeterson? MichaelE.Beall? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD14? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD14? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Engineering-ComputerTechnology-AutoCAD? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-ComputerTechnology-AutoCAD? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD14? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Science-General Subjects-Science-Technology-General&Reference The Boundary Element Method for Solving Improperly Posed Problems Improperly Posed Problems (Topics in Engineering, Vol 19) Computational Mechanics? D. B. Ingham? Y. Yuan? ComputationalMechanics? D.B.Ingham? Y.Yuan? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Mathematics-Applied-Engineering-Boundary&FiniteAnalysis? Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Boundary Elements An Introductory Course Wit Pr/Computational Mechanics? C. A. Brebbia? J. Dominguez? WitPr/ComputationalMechanics? C.A.Brebbia? J.Dominguez? ジャンル別? Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? Dynamic Fracture Mechanics Displacement Discontinuity Method (Topics in Engineering, 29) Wit Pr/Computational Mechanics? P. H. Wen? WitPr/ComputationalMechanics? P.H.Wen? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? Standard Textbook for Professional Estheticians Milady? Joel Gerson? Milady? JoelGerson? ジャンル別? Subjects-Health,Mind&Body-Beauty&Fashion-General? Subjects-Science-Technology-General&Reference Carrier Sense Multiple Access With Collision Detection (Csma/Cd) Access Method and Physical Layer Specifications Inst of Elect & Electronic? InstofElect&Electronic? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-General? Subjects-Engineering-Reference? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Milady's Perm Techniques Milady Pub Corp? Zoto s Creative Designers? MiladyPubCorp? Zoto sCreativeDesigners? ジャンル別? Subjects-Health,Mind&Body-Beauty&Fashion-General? Subjects-Health,Mind&Body-Beauty&Fashion-Hair? Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown2? Milady's Nail Technology Workbook Milady Pub Corp? Linnea Lindquist? MiladyPubCorp? LinneaLindquist? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Reference? Subjects-Business&Investing-Careers-Guides? Subjects-Health,Mind&Body-Beauty&Fashion-Cosmetics? Subjects-Reference-Careers-Guides? Subjects-Science-General Subjects-Science-Technology-General&Reference Repair-Master For-- Microwave Ovens and Ranges (Master Publications, No. 3050) Rey Longhurst? Barnee Schollnick? ReyLonghurst? BarneeSchollnick? ジャンル別? Subjects-Home&Garden-How-to&HomeImprovements-SmallApplianceRepair? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Repair Master for Gas Ranges and Controls Rey Longhurst? Woody Wooldridge? ReyLonghurst? WoodyWooldridge? ジャンル別? Substores-UnknownASINs-36? Subjects-Home&Garden-How-to&HomeImprovements-HomeRepair? Subjects-Home&Garden-General? Subjects-Science-Technology-General&Reference Repair Master for Electric Ranges and Controls Rey Longhurst? Woody Wooldridge? ReyLonghurst? WoodyWooldridge? ジャンル別? Substores-UnknownASINs-36? Subjects-Home&Garden-How-to&HomeImprovements-HomeRepair? Subjects-Home&Garden-General? Subjects-Science-Technology-General&Reference Repair Master for Microwave Ovens and Ranges, Imported Models Rey Longhurst? Woody Wooldridge? ReyLonghurst? WoodyWooldridge? ジャンル別? ユーズドブック(洋書)-Reference? Subjects-Home&Garden-How-to&HomeImprovements-SmallApplianceRepair? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Repair Master for General Electric Automatic Dishwasher Vol 5 All Models Rey Longhurst? Woody Wooldridge? ReyLonghurst? WoodyWooldridge? ジャンル別? Substores-UnknownASINs-36? Subjects-Home&Garden-How-to&HomeImprovements-HomeRepair? Subjects-Home&Garden-General? Subjects-Science-Technology-General&Reference Repair Master for Kitchenaid Automatic Dishwashers Rey Longhurst? Woody Wooldridge? ReyLonghurst? WoodyWooldridge? ジャンル別? Substores-UnknownASINs-36? Subjects-Home&Garden-How-to&HomeImprovements-HomeRepair? Subjects-Home&Garden-General? Subjects-Science-Technology-General&Reference Repair Master for Whirlpool Automatic Dishwasher Rey Longhurst? Barnee Schollnick? ReyLonghurst? BarneeSchollnick? ジャンル別? Substores-UnknownASINs-36? Subjects-Home&Garden-How-to&HomeImprovements-HomeRepair? Subjects-Home&Garden-General? Subjects-Science-Technology-General&Reference How to Raise Earthworms for Profit Rey Longhurst? Jack Frost? ReyLonghurst? JackFrost? ジャンル別? Substores-UnknownASINs-36? Subjects-Science-Technology-General&Reference Information Sources in Science and Technology (Library Science Text) Libraries Unlimited Inc? C.D. Hurt? LibrariesUnlimitedInc? C.D.Hurt? ジャンル別? ユーズドブック(洋書)-Reference? Substores-UnknownASINs-36? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Science-General Subjects-Science-Technology-General&Reference The Rise of Intelligence and Culture Seti Academy Planet Project (Life in the Universe) Teacher Ideas Pr? SETI Institute? TeacherIdeasPr? SETIInstitute? ジャンル別? Substores-UnknownASINs-36? Subjects-Health,Mind&Body-Psychology&Counseling-SocialPsychology&Interactions? Subjects-Nonfiction-Education-ElementarySchool-General? Subjects-Professional&Technical-Education-ByLevel-ElementarySchool-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Astronomy? Information Sources in Science and Technology (Library Science Text Series) Libraries Unlimited Inc? Charlie Deuel Hurt? LibrariesUnlimitedInc? CharlieDeuelHurt? ジャンル別? ユーズドブック(洋書)-Reference? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Reference-General? Subjects-Science-General Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Information Sources in Science and Technology (Library and Information Science Text Series) Libraries Unlimited Inc? Charlie Deuel Hurt? LibrariesUnlimitedInc? CharlieDeuelHurt? ジャンル別? ユーズドブック(洋書)-Reference? Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Reference-General? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Teaming With Opportunity Media Programs, Community Constituencies, and Technology Libraries Unlimited Inc? Lesley S. J. Farmer? LibrariesUnlimitedInc? LesleyS.J.Farmer? ジャンル別? Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-Pedagogy? Subjects-Science-Technology-General&Reference Glues, Brews, and Goos Recipes and Formulas for Almost Any Classroom Project Teacher Ideas Pr? Diana F. Marks? TeacherIdeasPr? DianaF.Marks? ジャンル別? ユーズドブック(洋書)-Reference? Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Professional&Technical-Education-Pedagogy? Subjects-Reference-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Air Force Gunners Turner Pub Co? Turner Publishing Company? Albert E. Conder? TurnerPubCo? TurnerPublishingCompany? AlbertE.Conder? ジャンル別? ユーズドブック(洋書)-Biographies&Memoirs? ユーズドブック(洋書)-Reference? Subjects-Biographies&Memoirs-General? Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Lovable One-Niner A Complete History of the Cessna L-19 Birddog Turner Pub Co? Minard D., Jr. Thompson? TurnerPubCo? MinardD.,Jr.Thompson? ジャンル別? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Man and the Biosphere Toward a Coevolutionary Political Economy M E Sharpe Inc? Kenneth Michael Stokes? MESharpeInc? KennethMichaelStokes? ジャンル別? ユーズドブック(洋書)-Business&Investing? Subjects-Business&Investing-Economics-Theory? Subjects-Business&Investing-General? Subjects-History-HistoricalStudy-HistoryofIdeas? Subjects-Nonfiction-SocialSciences-PoliticalScience-General? Subjects-Nonfiction-Economics-Theory? Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Developing Technology Managers in the Pacific Rim Comparative Strategies M E Sharpe Inc? E. Yegin Chen? Jong-Tsong Chiang? Charles H. Davis? Dong Guilan? Ji-Soo Kim? Cornelis P. F. Luhulima? M. Rahimah Said? Richard Smith? Chatri Sripaipan? Sun Mengxin? MESharpeInc? E.YeginChen? Jong-TsongChiang? CharlesH.Davis? DongGuilan? Ji-SooKim? CornelisP.F.Luhulima? M.RahimahSaid? RichardSmith? ChatriSripaipan? SunMengxin? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Reference? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Business&Investing-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Developing Technology Managers in the Pacific Rim Comparative Strategies M E Sharpe Inc? Karen Minden? Wong Poh-Kam? E. Yegin Chen? MESharpeInc? KarenMinden? WongPoh-Kam? E.YeginChen? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Reference? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Business&Investing-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Moscow Dmz The Story of the International Effort to Convert Russian Weapons Science to Peaceful Purposes M E Sharpe Inc? Glenn E. Schweitzer? MESharpeInc? GlennE.Schweitzer? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-History-Asia-Russia? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-CurrentEvents-ArmsControl? Subjects-Nonfiction-CurrentEvents-War&Peace? Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Moscow Dmz The Story of the International Effort to Convert Russian Weapons Science to Peaceful Purposes M E Sharpe Inc? Glenn E. Schweitzer? MESharpeInc? GlennE.Schweitzer? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Industries&Professions-General? Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-History-Asia-Japan? Subjects-History-Asia-Russia? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-CurrentEvents-ArmsControl? Subjects-Nonfiction-CurrentEvents-War&Peace? Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Toyota Management System Linking the Seven Key Functional Areas Productivity Pr? Yasuhiro Monden? ProductivityPr? YasuhiroMonden? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-General? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Customize? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Demass Transforming the Dinosaur Corporation Productivity Pr? M. M. Stuckey? ProductivityPr? M.M.Stuckey? ジャンル別? ユーズドブック(洋書)-Business&Investing? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Leadership? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Leadership? Subjects-Science-Technology-General&Reference Software and the Agile Manufacturer Computer Systems and World Class Manufacturing Productivity Pr? Brian H. Maskell? ProductivityPr? BrianH.Maskell? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Science-Technology-General&Reference The Unshackled Organization Facing the Challenge of Unpredictability Through Spontaneous Reorganization Productivity Pr? Jeffrey Goldstein? ProductivityPr? JeffreyGoldstein? ジャンル別? ユーズドブック(洋書)-Business&Investing? Subjects-Business&Investing-Biographies&Primers-Strategy&Competition? Subjects-Business&Investing-Biographies&Primers-Negotiating? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Nonfiction-SocialSciences-Sociology-SocialSituations? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Negotiating? Subjects-Science-Technology-General&Reference The Toyota Management System Linking the Seven Key Functional Areas (Classics in Paperback) Productivity Pr? Yasuhiro Monden? ProductivityPr? YasuhiroMonden? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Reference? Subjects-Business&Investing-Careers-Entrepreneurship? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Business&Investing-Reference-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-Customize? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Reference-Careers-Entrepreneurship? Subjects-Science-Technology-General&Reference Make No Mistake! An Outcome-Based Approach to Mistake-Proofing Productivity Pr? C. Martin Hinckley? ProductivityPr? C.MartinHinckley? ジャンル別? ユーズドブック(洋書)-Business&Investing? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Science-General Subjects-Science-Technology-General&Reference ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-QualityEngineering-TQM? Substores-UnknownASINs-jp-unknown2? Modeling for Learning Organizations (System Dynamics Series) Productivity Pr? Arie P. de Geus? John D. W. Morecroft? John D. Sterman? ProductivityPr? ArieP.deGeus? JohnD.W.Morecroft? JohnD.Sterman? ジャンル別? ユーズドブック(洋書)-Business&Investing? Subjects-Business&Investing-Biographies&Primers-OrganizationalChange? Subjects-Business&Investing-BusinessLife-OrganizationalBehavior? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-TotalQualityManagement? Subjects-Business&Investing-Reference-General? Subjects-Professional&Technical-BusinessManagement-OrganizationalBehavior? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OrganizationalChange? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-TotalQualityManagement? Subjects-Science-Technology-General&Reference Information Technology-Portable Operating System Interface (Posix) System Application Program Interface (Api) (C Language) Inst of Elect & Electronic? IEEE? InstofElect&Electronic? IEEE? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-Networking-Standards-Posix? Subjects-Computers&Internet-Programming-APIs&OperatingEnvironments-OperatingSystemsTheory? Subjects-Computers&Internet-Programming-Languages&Tools-C&C++-General? Subjects-Computers&Internet-Programming-Languages&Tools-C&C++-Programming? Subjects-Computers&Internet-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Orbital Debris Mitigation Techniques Technical, Economic, and Legal Aspects (Special Project Report, Sp-016-1992) Amer Inst of Aeronautics &? Aiaa? AmerInstofAeronautics&? Aiaa? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-36? Subjects-Engineering-General? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Dynamic Aspects of Detonations (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? A. L. Kuhl? J. C. Leyer? A. A. Borisov? W. A. Sirignano? AmerInstofAeronautics&? A.L.Kuhl? J.C.Leyer? A.A.Borisov? W.A.Sirignano? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-36? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Engineering-Aerospace-General? Subjects-Professional&Technical-Engineering-Aerospace-General? Dynamic Aspects of Explosion Phenomena (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? A. L. Kuhl? J. C. Leyer? A. A. Borisov? W. A. Sirignano? AmerInstofAeronautics&? A.L.Kuhl? J.C.Leyer? A.A.Borisov? W.A.Sirignano? ジャンル別? Subjects-Engineering-Aerospace-Aerodynamics? Subjects-Engineering-Aerospace-Applied? Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics? Subjects-Professional&Technical-Engineering-Aerospace-Applied? Subjects-Science-General Subjects-Science-Technology-General&Reference Tactical Missile Warheads (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? Joseph Carleone? AmerInstofAeronautics&? JosephCarleone? ジャンル別? Substores-UnknownASINs-36? Subjects-History-Military-Weapons&Warfare? Subjects-History-MilitaryScience? Subjects-Literature&Fiction-GenreFiction-War? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Technology-General&Reference 洋書
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Technology and the Future of Health Care Preparing for the Next 30 Years John Wiley & Sons Inc? David Ellis? Margaret L. Campbell? Donald K. Crandall? Brian E. Peters? Craig Ruff? Kevin, L. Seitz? Marianne Udow? JohnWiley&SonsInc? DavidEllis? MargaretL.Campbell? DonaldK.Crandall? BrianE.Peters? CraigRuff? Kevin,L.Seitz? MarianneUdow? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? Subjects-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-AlliedHealthProfessions-MedicalTechnology? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthCareDelivery? Subjects-Professional&Technical-Medical-AlliedHealthProfessions-MedicalTechnology? 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SusanCasey? ジャンル別? ユーズドブック(洋書)-Teens? Subjects-Children sBooks-People&Places-Girls&Women-Nonfiction? Subjects-Children sBooks-People&Places-Biographies-Science&Technology? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Inventions&Inventors? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Teens-Science&Technology-General? Survival Skills of the North American Indians Chicago Review Pr? Peter Goodchild? ChicagoReviewPr? PeterGoodchild? ジャンル別? ユーズドブック(洋書)-History? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Sports? Subjects-History-Americas-UnitedStates? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-OutdoorRecreation-Hiking&Camping-Instructional? Subjects-Science-Nature&Ecology-General? Subjects-Science-Technology-General&Reference Subjects-Sports-Hiking&Camping-Instructional? A Field Guide to Household Technology Chicago Review Pr? Ed Sobey? ChicagoReviewPr? EdSobey? ジャンル別? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Reference? Subjects-Home&Garden-How-to&HomeImprovements-Do-It-Yourself? Subjects-Home&Garden-How-to&HomeImprovements-Reference? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Building News Electrical 98 Costbook Building News? Bni? BuildingNews? Bni? ジャンル別? Substores-UnknownASINs-35 Subjects-Science-General Subjects-Science-Technology-General&Reference The First Air Voyage in America January 9, 1793 Applewood Books? Jean-Pierre Blanchard? ApplewoodBooks? Jean-PierreBlanchard? ジャンル別? ユーズドブック(洋書)-History? ユーズドブック(洋書)-Romance? Subjects-History-Americas-UnitedStates-State&Local-Pennsylvania? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Romance-Contemporary-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The New Science of Technical Analysis Using the Statistical Techniques of Neuroscience to Uncover Order and Chaos in the Markets Probus Professional Pub? Clifford J. Sherry? ProbusProfessionalPub? CliffordJ.Sherry? ジャンル別? Subjects-Business&Investing-Finance? Subjects-Business&Investing-General? Subjects-Business&Investing-Investing-General? Subjects-Business&Investing-Management&Leadership-SystemsAnalysis? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-SystemsAnalysis? Subjects-Science-Technology-General&Reference Technical Analysis from A to Z Covers Every Trading Tool...from the Absolute Breadth Index to the Zig Zag Probus Pub Co? Steven B. Achelis? ProbusPubCo? StevenB.Achelis? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Investing-General? Subjects-Science-Technology-General&Reference The Bluejacket's Manual (Bluejackets' Manual) Naval Inst Pr? Thomas J. Cutler? NavalInstPr? ThomasJ.Cutler? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-MilitaryScience? Subjects-Nonfiction-Transportation-Ships-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference A Round Indiana Round Barns in the Hoosier State Purdue Univ Pr? John T. Hanou? PurdueUnivPr? JohnT.Hanou? ジャンル別? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? ユーズドブック(洋書)-Home&Garden? Subjects-Arts&Photography-Architecture-BuildingTypes&Styles-Residential? Subjects-Arts&Photography-Architecture-General? Subjects-Engineering-SpecialTopics-AgriculturalEngineering? Subjects-History-Americas-UnitedStates-State&Local-Indiana? Subjects-History-Americas-UnitedStates-State&Local-General? Subjects-Home&Garden-HomeDesign-General? Subjects-Professional&Technical-Engineering-SpecialTopics-AgriculturalEngineering? Subjects-Professional&Technical-Architecture-BuildingTypes&Styles-Residential? Subjects-Professional&Technical-Architecture-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Building New York's Sewers Developing Mechanisms of Urban Management (Purdue University Press History of Technology Series) Purdue Univ Pr? Joanne Abel Goldman? PurdueUnivPr? JoanneAbelGoldman? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-History-Americas-UnitedStates-19thCentury-General? Subjects-History-Americas-UnitedStates-State&Local-NewYork? Subjects-History-Americas-UnitedStates-State&Local-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Home&Garden-Crafts&Hobbies-Sewing? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-UrbanPlanning&Development-General? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Government-PublicAffairs&Administration? 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KateFoss-Mollan? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-General? Subjects-Engineering-Civil-Hydrology? Subjects-History-Americas-UnitedStates-19thCentury-General? Subjects-History-Americas-UnitedStates-20thCentury-General? Subjects-History-Americas-UnitedStates-State&Local-Wisconsin? Subjects-History-Americas-UnitedStates-State&Local-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-LocalGovernment? Subjects-Nonfiction-Government-FederalGovernment? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Outdoors&Nature-Conservation-Water? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Professional&Technical-Engineering-Civil-Hydrology? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Subjects-Science-Technology-General&Reference The Finer Thread, the Tighter Weave Essays on the Short Fiction of Henry James Purdue Univ Pr? Joseph Dewey? Brooke Horvath? PurdueUnivPr? JosephDewey? BrookeHorvath? ジャンル別? Subjects-Literature&Fiction-General-Literary? Subjects-Literature&Fiction-ShortStories-UnitedStates? Subjects-Literature&Fiction-ShortStories-British? Subjects-Literature&Fiction-WorldLiterature-British-19thCentury? Subjects-Literature&Fiction-WorldLiterature-British-20thCentury? Subjects-Science-Technology-General&Reference Heavy Gas and Risk Assessment III Proceedings of the Third Symposium on Heavy Gas and Risk Assessment, Bonn, Wissenschaftszentrum, November 12-13, D Reidel Pub Co? Sylvius Hartwig? DReidelPubCo? SylviusHartwig? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-Air? 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Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Subjects-Science-Technology-General&Reference From Pioneering to Persevering Family Farming in Indiana to 1880 Purdue Univ Pr? Paul Salstrom? PurdueUnivPr? PaulSalstrom? ジャンル別? ユーズドブック(洋書)-History? Subjects-History-Americas-UnitedStates-State&Local-Indiana? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-General? A Biographical Dictionary of People in Engineering From the Earliest Records to 2000 Purdue Univ Pr? Carl W. Hall? PurdueUnivPr? CarlW.Hall? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Publishing&Books-Bibliographies&Indexes-History? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Impact of Tablet PC's and Pen-based Technology on Education 2007 Beyond the Tipping Point Purdue Univ Pr? Dave A. Berque? Jane C. Prey? Robert H. Reed? PurdueUnivPr? DaveA.Berque? JaneC.Prey? RobertH.Reed? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-General? Subjects-Science-Technology-General&Reference Contexts of Early Intervention Systems and Settings Paul H Brookes Pub Co? S. Kenneth Thurman? Janet R., Ph.D. Cornwell? Sheryl Ridener, Ph.D. Gottwald? PaulHBrookesPubCo? S.KennethThurman? JanetR.,Ph.D.Cornwell? SherylRidener,Ph.D.Gottwald? ジャンル別? ユーズドブック(洋書)-Health,Mind&Body? ユーズドブック(洋書)-Law? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-PersonalHealth-Children sHealth-SpecialNeedsChildren? Subjects-Law-Specialties-Disability? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Education-SpecialEducation-General? Subjects-Nonfiction-Law-Specialties-Disability? Subjects-Professional&Technical-Education-SpecialEducation-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Macarthur Inventario Del Desarrollo De Habilidades Communicativas User's Guide and Technical Manual Paul H Brookes Pub Co? Donna J. Thal? Larry Fenson? Virginia A. Marchman? Donna Jackson-Maldonado? PaulHBrookesPubCo? DonnaJ.Thal? LarryFenson? VirginiaA.Marchman? DonnaJackson-Maldonado? ジャンル別? ユーズドブック(洋書)-Health,Mind&Body? ユーズドブック(洋書)-Medicine? Subjects-Health,Mind&Body-Psychology&Counseling-ChildPsychology-Development? 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Subjects-Science-General Subjects-Science-Technology-General&Reference Philosophy of Technology An Introduction (Paragon Issues in Philosophy) Paragon House? Don Ihde? ParagonHouse? DonIhde? ジャンル別? Subjects-Nonfiction-Philosophy-General? Subjects-Nonfiction-Philosophy-Modern? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-PhilosophyofTechnology? House of Invention The Secret Life of Everyday Products Lyons Pr? David Lindsay? LyonsPr? DavidLindsay? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Health,Mind&Body? Subjects-Engineering-Reference? Subjects-Health,Mind&Body-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference The Patent Files Dispatches from the Frontiers of Invention Lyons Pr? David Lindsay? LyonsPr? DavidLindsay? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Patents&Inventions? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Teach Yourself Autocad Foe Windows (Teach Yourself) Mis Pr? John W. Gibb? MisPr? JohnW.Gibb? ジャンル別? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-Software? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? 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Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-General 洋書
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CHEN MeleeWarrior ステータス Lv1 Lvup毎 Lv30 Health 1040 +240 8000 Brew 100 +0 100 スキル名 効果 Flying Kick ターゲットに飛びかかり55(+10)のダメージを与える。CD5秒 Brew10 Keg Smash 樽を叩きつけて周囲の敵に20(+5)ダメージとBrew状態にし25%スローを2.5秒間与える。CD5秒 Brew20 Breath of Fire 前方に火を吹き39(+9)ダメージを与える。相手がBrew状態の場合追加で39(+9)ダメージを3秒間かけて与える。CD5秒 Brew30 Fortyifying Brew 樽から酒を飲み1秒間にBrew30と64(+24)shieldを得る。shieldは最大で192(+72)まで付与される。shieldは樽から酒を飲むのをやめてから2秒間持続する。CD5秒 HeroicAbility 効果 Wandering Keg 樽の中に乗り込み640(+120)Shieldを得る。樽に乗っている間ぶつかった敵に35(+5)ダメージを与えノックバックさせる。5秒経過するかShieldを破壊されるまで継続する。 CD90秒 Storm,Earth,Fire 3つの属性にCHENが分裂する。それぞれがCHENのMaxHealthの50%を持ち、新しい二つのLeapスキルを使用できる。Storm Rangedで35(+5)AttackDamageを持つ Earth Meleeで23(+3)AttackDamageを持ち、25%スローにさせる。 Fire 攻撃速度が速く19(+1)AttackDamageを持つ。 CD100秒 Talent Lv1
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Red Summer Ribbon Parasol Blue + Talkative Rabbits Grey Rose Hair Corsage Black Oracle Master Dress (Blue) + Oracle Master Dress (Green) Rose Hair Corsage Purple Pinwheel Wish Maker Blue + Pinwheel Wish Maker Blue Triple Scoop Ice Cream + High Grade Alchemy Booster Purple Rose Imperial A (Red) World is Mine Top (White) + World is Mine Top (White) Rose Imperial B (Green) Holy Knight Boots (Black) + Honey Bee Waitress A (Red) Rose Magician A (Blue) Paranormal Fire Balls Red + High Grade Alchemy Booster Purple Valentine Punk Style A (Red) + Lucifer Suit and Throne (White) Jewel Thief Love Letter Red + Cosmos Stars Rose Magician A (Red) High Grade Alchemy Booster Purple + Zodiac Horse and Rooster Rose Magician Hat Black Shoulder Parrot Blue + Freshly-Picked Veggie Basket (Yellow) Rose Magician Hat Red High Grade Alchemy Booster Purple + Candy Stripe Shoes Yellow Rose Prince A (Black) Forgotten Alice Face + Cosmos Stars Rose Prince A (Red) High Grade Alchemy Booster Purple + Holiday Corset One Piece A (Black) Akuno Meshitukai Suit (Yellow) + Gabriel Noble Dress B (White) Rose Princess A (Black) Heart Rock Guitar White + High Grade Alchemy Booster Purple Happy Kokoro Balloon Blue + Sparkling Acorn Earrings Rose Princess A (Red) Prism Elf Dress A (Black) + Prism Elf Dress A (Red) Rose Princess Crown Black Modern School Door + Black Phone and Knife Rose Princess Shoes Pink Natural Top Bun (Black) + Lethal Cafe FG2 Pink Penguin Outfit (Green) + Chinese Military Helm Green Rose Princess Shoes Purple Water Drop Hair Ornament Blue and Gold + Water Drop Hair Ornament Silver and Green Rose Princess Shoes Red Heavy Metal King B (White) + Summoning Magic White Rose Tiara Blue Miracle Transformation A (Blue) + Miracle Transformation B (Yellow) Rose Tiara Blue Steampunk Capriccio Blue + Steampunk Capriccio Blue Rose Tiara Pink Vampire Queen Bag Black + Origami Festival Dream Green Letter Fairy Dress A (Red) + Letter Fairy Dress A (Red) Mystic Chinese Dragon Blue + Tranquil Deep Sea Yellow Vampire Queen Bag Black + Origami Festival Dream Green Navy Officer Suit (White) + Mystic Arts Female Ninja Outfit A (Black) Rose Tiara Red Honey Star Darts Blue + Tenshi Magical Wings Yellow Skull Cross Rosary Blue + Steampunk Capriccio Black Smiling Lady Face + Undefined Stubble Face Cantarella Miku Face with Mask + Meltdown Face Round Sakura Bag Blue Afro Duck Brown + Friendly Sparrows Brown Ryokan Landlord Hakama A (Red) Sweet Punkish Boy A (Red) + PRETTY PANTY * AKU-MARIN Outfit (Black) Sakine Meiko Top (Red) + Akuno Meshitukai Suit (Yellow) Ryokan Landlord Hakama B (Blue) 1925 Cap + 1925 BG Ryokan Landlord Hakama B (White) Magic Bunny Hat (Red) + High Grade Alchemy Booster Purple Ryokan Landlord Hakama B (White) Vapor Mesh (Green) + Honey Curly Panache Hair (Red) Ryokan Ｍａｉｄ Hakama A (Blue) Grungy Prison Suit (Black) + Grungy Prison Suit (Black) Ryokan Ｍａｉｄ Hakama A (Red) High Grade Alchemy Booster Purple + Twisted Dracula Outfit A (Black) Ryokan Ｍａｉｄ Hakama B (Blue) Vampire Prince Style A (Black) + Vampire Prince Style A (Black) Ryokan Staff Kimono A (Blue) Happy Kokoro Balloon Blue + Lucifer Suit and Throne (White) Ryokan Staff Kimono A (White) Fluttering Butterfly Pin Blue + Smooth Medium A (Blue) High Grade Alchemy Booster Purple + PRETTY PANTY * AKU-MARIN Face Ryokan Staff s Long Ribbon Blue Cyberspace Girl Idol B (White) + Cute Devilish Top B (White) Mini Miko Attire (Red) + Kintaro Top (Red) Ryokan Staff s Long Ribbon Plum Angel Asymmetric Short (White) + Angel Asymmetric Short (White)
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ZWEITER AUFZUG Erste Szene (Marta und Pedro sitzen in derselben Stellung wie am Ende des ersten Aufzugs. Morgendämmerung) NURIS STIMME (hinter der Szene, näherkommend) Die Sterne gingen zur Ruh, der Tag ist aufgewacht; reibt sich die Augen aus und lacht. Wer darf noch traurig sein im hellen Sonnenschein? (Marta ist aufgewacht. Sie wirft einen Blick auf den noch immer schlafenden Pedro und verschwindet während Nuris Gesang in ihrem Zimmer) Die Welt ist schön, die Welt ist weit, die Sonne füllt sie mit Fröhlichkeit. Ich möchte ihr küssen das goldne Gesicht, doch küssen, nein, das läßt sie sich nicht. Sie ist so weit, und ich bin so klein, ich bin nur ein dummes Mägdelein. Gott grüss dich, Pedro! PEDRO Marta! NURI Nicht Marta ist es! Ich bin s bloß. PEDRO Und wo ist Marta? NURI Das fragst du mich? Bist du denn nicht der Ehemann? Seit gestern abend bist du s schon! PEDRO Seit gestern abend! NURI Ich stricke dir hier eine schöne Jacke. Die deine ist grau und häßlich PEDRO Laß sein, mein Kind, ich werde sie nicht tragen. Und eh sie fertig, ist, bin ich weit fort. NURI Fort willst du? PEDRO Von Marta will ich fort. Es macht mich toll! Wie kam das Licht in jenes Zimmer! Wer war s? Ich will ihn töten! Ich geb nicht Ruh, bis ich ihm nicht das Messer in die Gurgel stoße! NURI Was ist dir, Pedro? PEDRO Verzeih, mein Kind! NURI Tut dir was weh? Ich weiß ja, was dir wehe tut. Ist Marta nicht lieb zu dir? Und lachen die Leute? PEDRO Die Leute lachen? NURI Sie sagen alle »Ach, der arme Pedro!« Und lachen und kichern dabei. Warum denn bloß? PEDRO Warum? Warum? Sie wissen um mein Elend. Nur ich, ich weiß nicht, wer es war Warum, ach warum kam ich herab? Herab von meinen Höhn, wo ich in Frieden lebte! NURI Du tust mir leid. Kann ich dir gar nicht helfen? Ich hab dich lieb. Ich möcht dich fröhlich sehn. PEDRO Du gutes Kind! (Er fährt ihr durch die Haare) Zweite Szene (Marta tritt langsam aus der Kammer) NURI Da ist Marta. Nun will ich gehen. PEDRO O geh nicht, bleibe! MARTA (für sich) Was hat er an dem Mädchen? Was schwätzt er nur mit ihr? Gefällt sie ihm wohl gar? (Sie schürt das Feuer, über dem ein Topf hängt) Dummes Feuer, willst du gar nicht brennen! Wovon reden sie nur? Ich will nicht! Will nicht! NURI Was gibt s denn neues? MARTA O, Nuri, weißt du, was es neues gibt? Ich will dich nicht mehr sehen! Geh fort aus diesem Haus! NURI Hörst du es, Pedro? Marta jagt mich fort. Ich wollt ihr helfen. MARTA Ich brauch dich nicht! Geh fort, sonst schlag ich dich! NURI Was hab ich denn getan? MARTA Ich will dich nicht mehr sehen! NURI Ich geh nur dann, wenn Pedro mir s befiehlt, er ist der Mann im Haus. MARTA So laß von Pedro dir es sagen. PEDRO Tu nur, was Marta dir befiehlt. Ich hab hier nichts zu reden. Sei gut, mein Kind, und geh. MARTA Nein, bleibe jetzt, ich will nicht, daß du gehst. NURI Was soll ich tun? PEDRO Geh nur, mein Kind, ich werde dich begleiten. MARTA Das darfst du nicht! Du bleibst bei mir, weil du... PEDRO Weil ich? MARTA Ich weiß nicht, weiß es nicht. (Sie sinkt weinend auf einen Stuhl) PEDRO Meinst du vielleicht, daß Marta weint? Fällt ihr nicht ein! Im Gegenteil, sie lacht. Wir lachen beide ja seit gestern, seit unserm Hochzeitstag. (Er führt Nuri, die er um die Hüfte faßt, fort) So komm, mein liebes Kind, und folge mir. Kehr nie zurück zu uns ins Haus. Was willst du hier? Hier wohnt das Unglück, hier wohnen wir. (Er geht mit Nuri ab) MARTA Er soll mit ihr nicht sprechen! Er soll mit ihr nicht gehn! Er ist ja mein! Und niemand soll mir Pedro rauben! (Wie sie auf die Tür zugeht, stößt sie mit Tommaso zusammen) Dritte Szene TOMMASO Wo willst du hin? MARTA Ich weiß es nicht! Bei Gott, ich weiß es nicht! TOMMASO Ich sah, wie Pedro von hier fortging, verzweiflungsvoll. MARTA Verzweiflungsvoll! TOMMASO Man lacht ihn aus und er weiß nicht, warum. Man spottet sein, und er kann keinen fassen. Sie alle kennen seine Schande. Nur er kennt ihren Namen nicht. Er wird mich fragen »Sag, Tommaso, wer ist s? Wie heißt der Mann? Ich schlag ihn tot!« Und ich, ich war der Fürsprech dieser Ehe. Dich aber hass ich! Schlagen möcht ich dich! MARTA So tu s! TOMMASO Nun weiß ich, was du bist. Du bist eine... MARTA Ihr dürft mich schlagen, doch beschimpfen nicht. Sagt mir, Tommaso, hattet ihr kein Kind? TOMMASO Ich hatte eine Tochter. Der Himmel nahm sie mir. MARTA Denkt Eurer Tochter, eh Ihr mich verurteilt! Wärt Ihr vor ihr gestorben, wäre sie allein gestanden in der bösen Welt, in Not, in Elend. Wer hätt sie beschützt? O Gott im Himmel, erbarme dich mein und nimm mich endlich zu dir! Nur du kannst mich retten, nur du mich erlösen! (Sie sinkt weinend auf einen Stuhl) TOMMASO Du weinst? Das sind echte Tränen! MARTA Erfahren sollt Ihr, wie alles kam. Ich lüge nicht, so wahr ich elend bin! Wollt Ihr mich hören? TOMMASO So sprich! MARTA Ich weiß nicht, wer mein Vater war. Ich sah ihn nie, weiß nichts von ihm. Die Mutter bettelte in Barcelona In Sonnenbrand und Schnee und Regen stand ich mit ihr, der blinden Frau, vor Kirchentüren und an Straßenecken. Sie sprach kein Wort. Mit ausgestreckter Hand stand sie nur da. Ich klammert mich an sie und weinte in die Falten ihres Kleides. Und eines Tages kam ein Mann zu uns, ein lahmer Alter. Und wir bettelten zu dritt. Die Mutter und der Alte, sie schlugen sich und zankten oft ganze Nächte lang. O welch ein Leben voller Qual war das! Doch eines Nachts gab s keinen lauten Lärm. Still lag die Mutter auf der Erde, stumm saß der Alte neben ihr. Am Morgen aber stand er auf und sagt zu mir sie ist gestorben. Der Worte Sinn verstand ich nicht. Und Jahre später weint ich um die Mutter erst. TOMMASO Erzähle weiter! MARTA Von Barcelona zogen wir hinaus ins flache Land, von Dorf zu Dorf. Ich wuchs heran. Wie gerne, ach, hätt Arbeit ich gesucht. Der Alte aber hielt mich fest. Er ließ mich tanzen und die Leute gafften und warfen mir die Münzen vor die Füße Er war zufrieden. Und was kümmert s ihn, daß ich die langen Nächte still durchweinte. TOMMASO Du armes Kind! MARTA So kamen wir denn eines Tags hierher. Ich tanzte vor den Bauern, und der Alte ging umher und heischte milde Gaben. Da trat ein Mann zu mir, sie nannten ihn den Herrn, und Sebastiano war s. Er strich mir übers Haar und fragte mich, wieso es komme, daß ich so schön geworden, wo ich das Tanzen gelernt? Zum erstenmal sprach einer gut mit mir. Dann wandte sich der Herr zu meinem Herrn und frug ihn, ob er hier nicht bleiben wolle, als Müller auf der Mühle. Ich sah ihn bittend an O nicht mehr betteln gehn und nicht mehr tanzen müssen auf der Straße! Der Alte sprach leise mit Sebastiano. Sie stritten und sie feilschten... und wir blieben. Ich zählte damals dreizehn Jahre. Und jeden Tag kam Sebastiano. Er brachte mir Geschenke, bat und drohte. Der Alte schlug mich, riß mich bei den Haaren. Wenn ich den Herrn nicht erhörte, wär es aus mit Ruh und Frieden. Ich sollte wieder betteln, wieder tanzen, nein, nein, nein! Und so ist es geschehn. TOMMASO Du Unglückselige! MARTA Ein Wunder geschah mir war es in der Kirche, als sprach zu mir ein Bote aus der Höh Das ist dein Mann, dein Schutz und Stab, er wird dich retten aus aller Not und Qual. Und Pedro, Pedro liebt mich, er liebt mich wirklich, die ich s nicht verdiene. TOMMASO Wenn du ihn liebst, so kenn ich deine Pflicht Du mußt ihm alles sagen. MARTA Ich soll ihm sagen? Soll ihm meine Schande sagen? Und wenn er geht? Und wenn ich ihn verliere? TOMMASO Er muss es wissen! Muss von dir es wissen. Genug der Lüge. Hab den Mut zur Wahrheit! MARTA So betet für mich! TOMMASO Das will ich tun! Ich will vom Himmel Stärke dir erflehn, als wärst du meine Tochter. Vertrau auf Gott, der Wunder tut. Der Wunder größtes aber ist die Liebe. MARTA (kniet vor ihm nieder) So segnet mich. TOMMASO In seine Arme schliess dich Gott, der Allverzeihende. Er gebe dir Stärke, er gebe dir Mut, der Allbarmherzige! Vertrau auf ihn und du bist stark, blick auf zu ihm und seine Gnade ist dein Schild. (Man hört im Hintergrund Stimmen, Lachen und Schwatzen) MARTA Die Weiber kommen, und Nuri ist mit ihnen. Ich will sie nicht sehen, lebt wohl. (Marta geht ab) Vierte Szene (Pepa, Antonia, nuri und Rosalia treten ein) PEPA Da ist Tommaso. Er muss reden! ANTONIA Wo ist Marta? Wo ist Pedro? ROSALIA Erzähl uns, was geschah. TOMMASO Ich weiß von nichts. PEPA Er will gehn! (ihn zurückhaltend) So wart doch einen Augenblick! TOMMASO Frieden sei mit euch! (Er geht ab) ANTONIA Der alte Brummbär, nicht reden will er! NURI Er weiß ja nichts. Nur ich weiß viel. PEPA, ANTONIA, ROSALIA O gute Nuri, liebes, süßes Kind, erzähl uns rasch, wie war s, was ist geschehn? NURI Macht keinen Lärm, denn Pedro kommt. Wollt ihr was erfahren, so fragt ihn selbst. Fünfte Szene (Pedro tritt ein. Alle weichen zurück. Er geht nach vorne und setzt sich nieder) PEPA Ei, so mürrisch, so verdrießlich! ROSALIA Am Morgen nach der Hochzeit! (Pepa, Antonia und Rosalia lachen Pedro aus) PEDRO Was für Recht habt ihr zu lachen? PEPA Wir lachen ja nicht. ANTONIA Nein, niemand hat gelacht. PEDRO Ich ertrag es nicht länger, ich will, daß ihr sprecht. Mit dem Lachen ist es aus! (Er faßt Pepa an) Sprich du für alle! Ihr lachtet gestern, lachtet heut. Was hab ich euch getan? Was tat euch Marta? (Er schüttelt sie mit beiden Armen) Ihr sollt mir Antwort geben, schamlose Weiber! ROSALIA Du bist ein Narr! PEDRO Ein Narr bin ich. Da hast du recht. Doch ihr treibt mich zum Wahnsinn. Ist dir dein Leben lieb, so rede jetzt! Warum habt ihr gelacht? ANTONIA So frag doch Marta! PEPA, ANTONIA, ROSALIA So frag doch Marta! PEDRO Marta? Ich soll sie fragen? PEPA, ANTONIA, ROSALIA Frag Marta! NURI Frag Marta! PEPA, ANTONIA, ROSALIA Da kommt sie selbst! (Sie gehen ab) Sechste Szene (Marta kommt herein, nimmt den Topf vom Feuer und stellt ihn auf den Tisch) MARTA Das Essen ist da. PEDRO Ich kann nicht essen, Marta, ich will mit dir sprechen. MARTA (näherkommend) Was willst du mir sagen? PEDRO Bleib mir vom Leibe, geh! Ich kehr zurück in meine Berge, woher ich kam, leb wohl! MARTA Du darfst nicht gehn, um Christi Wunden willen! Verzeihe PEDRO Ich soll dir verzeihen? Du hast mich betrogen! Verachten, verfluchen sollt ich dich! Ich sollt dich töten! MARTA Ja, töte mich, ich bitte dich darum. PEDRO Dich töten, nein. Ich gehe fort und seh dich niemals wieder. MARTA (versucht verzweifelt, ihn zurückzuhalten) Du hast den Mut nicht, mich zu töten! Ja, du hast Furcht, ein feiger Wicht bist du! PEDRO Ich, Furcht? MARTA Beschimpf mich, schlag mich, tritt mich mit Füßen! Stoß mir das Messer in die Brust, nur geh nicht fort! (Sie umklammert seine Knie) PEDRO Im Tiefland sterb ich, laß mich auf die Berge, bleib du in deinem Sumpf! Mit ihm! (Er macht sich von ihr los, stößt sie zurück und geht dem Tor zu. Sie ist auf den Boden gefallen, wo sie sich aufrichtet) MARTA (verzweiflungsvoll, fast irre) Mit ihm, den ich liebe! Ja, du sprichst wahr ich hab dich betrogen, hörst du es wohl? Du bist ein Feigling und strafst mich nicht. Geh nicht fort von mir, Pedro! Ich hab einem andern gehört. Sein war ich. Hörst du mich wohl? Sein und nicht dein! PEDRO (kehrt wütend zurück und droht ihr mit der Faust) Schweig! (Marta steht auf) MARTA Ein Dummkopf bist du. Begreifst du denn nicht? Ich hab dich betrogen und lache darob. (Sie lacht wie eine Wahnsinnige) Ich lache wie alle. Die Hochzeit war lustig! Sie lachten alle, und er, er, er lachte auch. (Sie lacht) PEDRO (stürzt auf den Tisch zu und ergreift das Messer) Gott soll mich strafen, wenn ich nicht... MARTA (hängt sich an seinen Arm) Der andere lachte. Hahaha! PEDRO (das Messer schwingend) Des Todes bist du! MARTA So hab den Mut und stoße zu! Laß sehen, ob du kein Feigling bist! PEDRO (sich wieder von ihr entfernend) Ich tu dir nichts zu Leide! MARTA Welch ein feiger Wicht bist du! Um eine Handvoll Geld hast du dich verkauft! PEDRO (außer sich, führt er einen Stoß gegen sie) Ich mich verkauft... (gesprochen) Verruchte! (verwundet sie am Arm) MARTA Ah, endlich! PEDRO (schleudert entsetzt das Messer von sich) Was hab ich getan? MARTA Mein Blut vergossen hast du, oh, wenn du wüßtest, wie selig ich bin! PEDRO Verflucht bin ich! Ich bin ein wildes Tier! (Er sinkt auf einen Stuhl. Marta nähert sich ihm, sinkt in die Knie und schlingt die Arme um ihn) MARTA Du hast nur deine Pflicht getan! Ich wollte ja den Tod durch dich! Ich bitte dich, stoß zu, hier, mitten in das Herz! PEDRO Laß mich! MARTA Siehst du denn nicht, daß mir das Leben zur Last? Ich muss ja sterben! Und ich wär selig, stürb ich durch dich! Nichts wäscht mich rein von Schuld und Sünde als nur mein Tod. Doch glaube mir, mein Pedro, glaube mir, ich war nicht schlecht, ich war nur elend. Die Menschen gingen böse mit mir um. Mein Glück zertraten sie. Nur einen Augenblick des Glücks kannst du mir geben töte mich und mach ein Ende! PEDRO (sie in seine Arme schließend) Ich soll dich töten? Dich, die ich liebe? Seitdem ich dich sah, bin ich ja toll von Liebe. Was kümmert s mich, wer du auch seist! Was kümmert s mich, was du getan! Du hast mich behext, ich kann nicht los von deines Herzens Zauber. Und wie ich mich auch wehren mag, ich komme tiefer stets in deinen Bann. Ich will dich küssen, will dich halten, will mich verbeißen in dich Ich heb dich auf und trag dich fort in meine Berge. Im Sturmgetos, im wirbelnden Schnee, in meiner Berge freier Luft, dort will ich Hochzeit mit dir halten, dort raubt dich mir niemand, niemand, dort bist du mein! Nun mögen sie kommen, ich trotze ihnen! MARTA Mein Gott! PEDRO (will sie halten) Nun bist du mein! MARTA Nein, nein! PEDRO Marta! MARTA Eh du mich küssest, sollst du wissen, ob du es darfst. Ich will dir erzählen, wie alles geschah. Dann richte mich! Dann tu, was Gottes Wille ist! PEDRO Nein, nein, nicht hier! Wir wollen hinauf in die Berge! MARTA Wir wollen hinauf in die Berge! MARTA, PEDRO An Gottes Brust uns legen! PEDRO So komm! MARTA Ich komm! PEDRO So komm! (Sie gehen dem Tore zu) Siebente Szene SEBASTIANO (tritt den beiden entgegen) Recht guten Tag! Was gibt es neues? PEDRO Gut, daß Ihr kommt. Nehmt Eure Mühle wieder. Ich kehr zurück, woher ich kam. SEBASTIANO (ohne auf ihn zu achten, zu Marta) Heut abend kommt der Vater meiner Braut. Bis dahin will ich lustig sein. Ich sah dich lang nicht tanzen! Tanz mir was vor, ich spiel dir auf. Tanz! Sag ich dir. (Bauern und Bäuerinnen treten ein. Sebastiano ergreift eine Gitarre) Hüll in die Mantilla dich fester ein, verbirg den Kopf im Schleier Nun tanze, Geliebte, nun tanze fein, mir zur Feier. Dreh dich im Takt der Melodie und wieg dich in den Hüften und heb das Knie. Nun tanze, Geliebte, nun tanze fein, mir zur Feier. BAUERN, BÄUERINNEN Dreh dich im Takt der Melodie etc. PEDRO Hör auf! Und du, Marta, komm fort! SEBASTIANO Nun zeige im Tanze, was dich bewegt, zeig mir in deinem Blicke wie laut das Herz entgegen mir schlägt, dem Liebesglücke. Ich weiß von Küssen verschwiegen und heiß und tausend Tändelein, des Sängers Preis! Wie laut das Herz entgegenschlägt dem Liebesglücke. BAUERN, BÄUERINNEN Ich weiß von Küssen etc. PEDRO Marta, komm fort! SEBASTIANO Was sagt der Mensch? MARTA Er sagt... PEDRO Wir wollen fort! MARTA Wir wollen fort! BAUERN, BÄUERINNEN Sie wollen fort! SEBASTIANO Du bist von Sinnen! Es darf nicht sein! (Er greift Marta am Arm) PEDRO O Herr, was tut Ihr denn? SEBASTIANO Ich halte, was mein ist! PEDRO Ist Marta nicht mein Weib? MARTA Ich geh mit Pedro, und Ihr habt kein Recht mir zu verbieten! SEBASTIANO Kein Recht? Das will ich sehn! (zu den Leuten) Jagt mir den Kerl hier vom Hof! (zu Marta) Und du bleibst hier! PEDRO (faßt Marta beide Hand) Mein Weib ist mein, und wir gehn fort! SEBASTIANO Da, nimm für deine Frechheit, du Lump, du Taugenichts! (Er gibt ihm eine Ohrfeige) PEDRO (wütend aufschreiend) Ah! MARTA Pedro, er hat dich geschlagen! Nimm Rache dafür! PEDRO Wie darf ich denn? Er ist der Herr! MARTA Der Herr ist er?! Er war es, der in Schand und Schmach dein Weib gestoßen hat. Er brachte Unheil über mich und dich. Er kam heut Nacht in meine Kammer! PEDRO Was sagst du da? Ihr!! (Er will sich auf Sebastiano stürzen, aber die anderen halten ihn zurück) Du Schuft! Du Dieb! SEBASTIANO Schafft ihn fort! PEDRO Ich töte dich! SEBASTIANO Was zaudert ihr? Hinaus mit ihm! PEDRO Laßt mich los! Los! sag ich! Dein Blut will ich! Dein Leben! BAUERN, BÄUERINNEN Hinaus! Fort! SEBASTIANO (Marta packend) Die aber bleibt mein für immer! MARTA Pedro, mein Pedro, hilf! PEDRO Ich helfe dir! So wahr ein Gott im Himmel ist! Ich helfe dir! (Die Männer bringen den wütenden Pedro fort, und Sebastiano wendet sich lachend und selbstbewußt Marta zu, die bewußtlos zu Boden gesunken ist. Tommaso erscheint) Achte Szene SEBASTIANO Was wollt Ihr, he? TOMMASO Den Vater Eurer Braut sprach ich soeben. SEBASTIANO Was sagt er Euch? TOMMASO Er läßt Euch grüßen und s ist alles aus! Schlagt Euch nur seine Tochter aus dem Kopf. SEBASTIANO Tod und Teufel! Wer hat ihm gesagt? TOMMASO Ich sagt ihm alles. Ja, ich selbst. SEBASTIANO Schwachsinniger Alter! (Tommaso ab) MARTA (gesprochen) Heilige Jungfrau, steh mir bei! SEBASTIANO Nun hab ich nichts als dich mehr auf der Welt Die Braut ist verloren, verloren bin ich selbst! Dich aber laß ich nicht. MARTA Du kannst mich töten, doch mich halten nicht! SEBASTIANO Ei, mein Schätzchen, du bist wild. Ich will den Trotz dir schon vertreiben. Die Mühle hier ist mein, und du bist mein! Versuchs, mir zu entrinnen! MARTA Bei welcher Macht des Himmels soll ich flehen um meine Freiheit? SEBASTIANO Der Himmel, der bleibt taub. Schrei nur zu Gott und seinen Heiligen. Ich trotze ihnen. Hier diese Mühle ist mein letzter Port. Hier will ich bleiben , vereint mit dir, mag draußen auch die Welt in Trümmer gehn! MARTA So kennst du keine Gnade? SEBASTIANO Liebe, ja, doch Gnade nicht! Ich kann nicht leben ohne dich! Ich kann nicht atmen ohne dich! MARTA Auch ich kenn eines nur die Liebe! Ich liebe Pedro! Hörst du mich?! SEBASTIANO Nenn diesen Namen nicht, verflucht sei er! MARTA Ich schreie ihn, so laut ich kann! Mein Pedro komm und hilf! SEBASTIANO Schweig, Marta, du machst mich rasend! MARTA Ich bin nicht mehr die schwache Marta von einst, das arme, hilflose Kind. Nicht mich verteidig ich. Ich kämpf um meine Liebe. Um Pedro kämpfe ich, ich kämpfe um mein Glück! Die Marta, die du kanntest, ist verschwunden. Hier steht ein Weib, bereit zum Tode um ihrer Liebe willen. SEBASTIANO Wie schön der Zorn dich kleidet! Ich will dich küssen! MARTA Laß mich! SEBASTIANO Komm! MARTA Zurück! Pedro! SEBASTIANO Ein Wille gilt s, der meine! Ich zwinge dich zu Boden! MARTA Gibt s keine Rettung? Pedro! Mein Pedro, kommst du nicht? SEBASTIANO Nein, keine Rettung! Mein bist du, mein! Mit meinen Küssen schliess ich dir den Mund. Du rufst vergebens! Nun soll er kommen und dich mir entreißen! Neunte Szene (Pedro stürzt herein und wirft sich auf Sebastiano) PEDRO Da bin ich, und ich entreiss sie dir! MARTA Mein Pedro! SEBASTIANO Wo kommst du her? PEDRO Ich komme durch dieselbe Tür, durch die du heute Nacht als Herr und Dieb gekommen bist. Nun sind wir allein, Mann gegen Mann! SEBASTIANO Mach fort, rasch! PEDRO Ich soll fort? Ich? Ich bin nicht mehr der Tölpel, den du dir von Roccabruna holen wolltest. Ich bin dein Knecht nicht mehr, wir beide stehn jetzt gleich, Mann gegen Mann! SEBASTIANO Du wagst es? Warte nur! (Er will zum Tor) MARTA Pedro! PEDRO (stellt sich mit einem Sprung zwischen Sebastiano und das Tor) Entwischen willst du, feiger Hund? Nein, du entkommst mir nicht! Wir wollen beide hier zu Ende kommen. Hier steht mein Weib! Ich hab ein Recht auf sie! Du willst es mir bestreiten! Nimm sie dir! Doch du mußt sie erkämpfen! Dem Sieger soll sie angehören. Und Sieger ist, der jetzt am Leben bleibt! SEBASTIANO Ein Messer hast du? Ich hab keines. PEDRO Ich brauch es nicht. Die Waffe, dich zu töten, trag ich im Herzen. (Er wirft das Messer weg) Komm, jetzt sind wir gleich. MARTA Was machst du, Pedro? PEDRO Bleib wo du bist und lasse mich. (zu Sebastiano) Was zauderst du? Nun sind wir gleich! SEBASTIANO Nun hüte dich! (Er stürzt sich auf das Messer) MARTA Ah! PEDRO (hat Sebastianos Absicht durchschaut, macht einen Sprung und stellt einen Fuß auf das Messer) Verräter! Glaubst du, ich schlafe? Nun hol dir das Messer! SEBASTIANO Gottverfluchter! PEDRO Du dauerst mich. Hast wirklich Pech! Vorbei ist deine Zeit und alles geht zu Ende! Ich mach ein Ende! SEBASTIANO Auch ich kann ringen! PEDRO So versuch s und wehre dich! (Sie kämpfen) MARTA O Gott im Himmel, heilige Jungfrau, Mutter der Gnaden, steh mir bei! PEDRO (faßt ihn beim Hals) Wehre dich! SEBASTIANO Hilfe! Hilfe! PEDRO Ruf sie nur! Ruf sie nur, deine Hunde! SEBASTIANO (gesprochen) Du erwürgst mich! MARTA (gesprochen) Mutter der Gnaden! PEDRO Du kannst dich nicht mehr wehren! Dein Leben lösch ich aus wie eine Kerze, die der Wind verlöscht. (Er erwürgt ihn) Da schau, nun ist er tot! Zehnte Szene (Männer und Frauen, Pepa, Rosalia, Antonia, Nuri und Tommaso treten auf) PEDRO He, Burschen, her! Ihr Weiber, kommt! Kommt alle her! BAUERN Was gibt s? BÄUERINNEN Was gibt s? PEDRO Der Herr ruft euch! PEPA (gesprochen) Tot? ROSALIA (gesprochen) O großer Gott! TOMMASO Des Himmels Strafe hat ihn gefällt! Gott sei dem Sünder gnädig! PEDRO Und nun, ihr Leute, lacht doch, lacht! Nun ist es Zeit zum Lachen! Du aber, Marta, komm! Wir wollen gehn. MARTA Ja, fort von hier! PEDRO Hinauf in meine Berge, hinauf zu Licht und Freiheit! Fort aus dem Tiefland! Macht Platz, ihr alle, gebt uns Raum! Ich hab den Wolf erwürgt, den Wolf, den Wolf hab ich getötet! (Er hebt Marta in seine Arme und trägt sie fort. Die Bauern und Bäuerinnen machen dem davoneilenden Paar Platz. Man sieht beide über das Gebirge ziehen) ZWEITER AUFZUG Erste Szene (Marta und Pedro sitzen in derselben Stellung wie am Ende des ersten Aufzugs. Morgendämmerung) NURIS STIMME (hinter der Szene, näherkommend) Die Sterne gingen zur Ruh, der Tag ist aufgewacht; reibt sich die Augen aus und lacht. Wer darf noch traurig sein im hellen Sonnenschein? (Marta ist aufgewacht. Sie wirft einen Blick auf den noch immer schlafenden Pedro und verschwindet während Nuris Gesang in ihrem Zimmer) Die Welt ist schön, die Welt ist weit, die Sonne füllt sie mit Fröhlichkeit. Ich möchte ihr küssen das goldne Gesicht, doch küssen, nein, das läßt sie sich nicht. Sie ist so weit, und ich bin so klein, ich bin nur ein dummes Mägdelein. Gott grüss dich, Pedro! PEDRO Marta! NURI Nicht Marta ist es! Ich bin s bloß. PEDRO Und wo ist Marta? NURI Das fragst du mich? Bist du denn nicht der Ehemann? Seit gestern abend bist du s schon! PEDRO Seit gestern abend! NURI Ich stricke dir hier eine schöne Jacke. Die deine ist grau und häßlich PEDRO Laß sein, mein Kind, ich werde sie nicht tragen. Und eh sie fertig, ist, bin ich weit fort. NURI Fort willst du? PEDRO Von Marta will ich fort. Es macht mich toll! Wie kam das Licht in jenes Zimmer! Wer war s? Ich will ihn töten! Ich geb nicht Ruh, bis ich ihm nicht das Messer in die Gurgel stoße! NURI Was ist dir, Pedro? PEDRO Verzeih, mein Kind! NURI Tut dir was weh? Ich weiß ja, was dir wehe tut. Ist Marta nicht lieb zu dir? Und lachen die Leute? PEDRO Die Leute lachen? NURI Sie sagen alle »Ach, der arme Pedro!« Und lachen und kichern dabei. Warum denn bloß? PEDRO Warum? Warum? Sie wissen um mein Elend. Nur ich, ich weiß nicht, wer es war Warum, ach warum kam ich herab? Herab von meinen Höhn, wo ich in Frieden lebte! NURI Du tust mir leid. Kann ich dir gar nicht helfen? Ich hab dich lieb. Ich möcht dich fröhlich sehn. PEDRO Du gutes Kind! (Er fährt ihr durch die Haare) Zweite Szene (Marta tritt langsam aus der Kammer) NURI Da ist Marta. Nun will ich gehen. PEDRO O geh nicht, bleibe! MARTA (für sich) Was hat er an dem Mädchen? Was schwätzt er nur mit ihr? Gefällt sie ihm wohl gar? (Sie schürt das Feuer, über dem ein Topf hängt) Dummes Feuer, willst du gar nicht brennen! Wovon reden sie nur? Ich will nicht! Will nicht! NURI Was gibt s denn neues? MARTA O, Nuri, weißt du, was es neues gibt? Ich will dich nicht mehr sehen! Geh fort aus diesem Haus! NURI Hörst du es, Pedro? Marta jagt mich fort. Ich wollt ihr helfen. MARTA Ich brauch dich nicht! Geh fort, sonst schlag ich dich! NURI Was hab ich denn getan? MARTA Ich will dich nicht mehr sehen! NURI Ich geh nur dann, wenn Pedro mir s befiehlt, er ist der Mann im Haus. MARTA So laß von Pedro dir es sagen. PEDRO Tu nur, was Marta dir befiehlt. Ich hab hier nichts zu reden. Sei gut, mein Kind, und geh. MARTA Nein, bleibe jetzt, ich will nicht, daß du gehst. NURI Was soll ich tun? PEDRO Geh nur, mein Kind, ich werde dich begleiten. MARTA Das darfst du nicht! Du bleibst bei mir, weil du... PEDRO Weil ich? MARTA Ich weiß nicht, weiß es nicht. (Sie sinkt weinend auf einen Stuhl) PEDRO Meinst du vielleicht, daß Marta weint? Fällt ihr nicht ein! Im Gegenteil, sie lacht. Wir lachen beide ja seit gestern, seit unserm Hochzeitstag. (Er führt Nuri, die er um die Hüfte faßt, fort) So komm, mein liebes Kind, und folge mir. Kehr nie zurück zu uns ins Haus. Was willst du hier? Hier wohnt das Unglück, hier wohnen wir. (Er geht mit Nuri ab) MARTA Er soll mit ihr nicht sprechen! Er soll mit ihr nicht gehn! Er ist ja mein! Und niemand soll mir Pedro rauben! (Wie sie auf die Tür zugeht, stößt sie mit Tommaso zusammen) Dritte Szene TOMMASO Wo willst du hin? MARTA Ich weiß es nicht! Bei Gott, ich weiß es nicht! TOMMASO Ich sah, wie Pedro von hier fortging, verzweiflungsvoll. MARTA Verzweiflungsvoll! TOMMASO Man lacht ihn aus und er weiß nicht, warum. Man spottet sein, und er kann keinen fassen. Sie alle kennen seine Schande. Nur er kennt ihren Namen nicht. Er wird mich fragen »Sag, Tommaso, wer ist s? Wie heißt der Mann? Ich schlag ihn tot!« Und ich, ich war der Fürsprech dieser Ehe. Dich aber hass ich! Schlagen möcht ich dich! MARTA So tu s! TOMMASO Nun weiß ich, was du bist. Du bist eine... MARTA Ihr dürft mich schlagen, doch beschimpfen nicht. Sagt mir, Tommaso, hattet ihr kein Kind? TOMMASO Ich hatte eine Tochter. Der Himmel nahm sie mir. MARTA Denkt Eurer Tochter, eh Ihr mich verurteilt! Wärt Ihr vor ihr gestorben, wäre sie allein gestanden in der bösen Welt, in Not, in Elend. Wer hätt sie beschützt? O Gott im Himmel, erbarme dich mein und nimm mich endlich zu dir! Nur du kannst mich retten, nur du mich erlösen! (Sie sinkt weinend auf einen Stuhl) TOMMASO Du weinst? Das sind echte Tränen! MARTA Erfahren sollt Ihr, wie alles kam. Ich lüge nicht, so wahr ich elend bin! Wollt Ihr mich hören? TOMMASO So sprich! MARTA Ich weiß nicht, wer mein Vater war. Ich sah ihn nie, weiß nichts von ihm. Die Mutter bettelte in Barcelona In Sonnenbrand und Schnee und Regen stand ich mit ihr, der blinden Frau, vor Kirchentüren und an Straßenecken. Sie sprach kein Wort. Mit ausgestreckter Hand stand sie nur da. Ich klammert mich an sie und weinte in die Falten ihres Kleides. Und eines Tages kam ein Mann zu uns, ein lahmer Alter. Und wir bettelten zu dritt. Die Mutter und der Alte, sie schlugen sich und zankten oft ganze Nächte lang. O welch ein Leben voller Qual war das! Doch eines Nachts gab s keinen lauten Lärm. Still lag die Mutter auf der Erde, stumm saß der Alte neben ihr. Am Morgen aber stand er auf und sagt zu mir sie ist gestorben. Der Worte Sinn verstand ich nicht. Und Jahre später weint ich um die Mutter erst. TOMMASO Erzähle weiter! MARTA Von Barcelona zogen wir hinaus ins flache Land, von Dorf zu Dorf. Ich wuchs heran. Wie gerne, ach, hätt Arbeit ich gesucht. Der Alte aber hielt mich fest. Er ließ mich tanzen und die Leute gafften und warfen mir die Münzen vor die Füße Er war zufrieden. Und was kümmert s ihn, daß ich die langen Nächte still durchweinte. TOMMASO Du armes Kind! MARTA So kamen wir denn eines Tags hierher. Ich tanzte vor den Bauern, und der Alte ging umher und heischte milde Gaben. Da trat ein Mann zu mir, sie nannten ihn den Herrn, und Sebastiano war s. Er strich mir übers Haar und fragte mich, wieso es komme, daß ich so schön geworden, wo ich das Tanzen gelernt? Zum erstenmal sprach einer gut mit mir. Dann wandte sich der Herr zu meinem Herrn und frug ihn, ob er hier nicht bleiben wolle, als Müller auf der Mühle. Ich sah ihn bittend an O nicht mehr betteln gehn und nicht mehr tanzen müssen auf der Straße! Der Alte sprach leise mit Sebastiano. Sie stritten und sie feilschten... und wir blieben. Ich zählte damals dreizehn Jahre. Und jeden Tag kam Sebastiano. Er brachte mir Geschenke, bat und drohte. Der Alte schlug mich, riß mich bei den Haaren. Wenn ich den Herrn nicht erhörte, wär es aus mit Ruh und Frieden. Ich sollte wieder betteln, wieder tanzen, nein, nein, nein! Und so ist es geschehn. TOMMASO Du Unglückselige! MARTA Ein Wunder geschah mir war es in der Kirche, als sprach zu mir ein Bote aus der Höh Das ist dein Mann, dein Schutz und Stab, er wird dich retten aus aller Not und Qual. Und Pedro, Pedro liebt mich, er liebt mich wirklich, die ich s nicht verdiene. TOMMASO Wenn du ihn liebst, so kenn ich deine Pflicht Du mußt ihm alles sagen. MARTA Ich soll ihm sagen? Soll ihm meine Schande sagen? Und wenn er geht? Und wenn ich ihn verliere? TOMMASO Er muss es wissen! Muss von dir es wissen. Genug der Lüge. Hab den Mut zur Wahrheit! MARTA So betet für mich! TOMMASO Das will ich tun! Ich will vom Himmel Stärke dir erflehn, als wärst du meine Tochter. Vertrau auf Gott, der Wunder tut. Der Wunder größtes aber ist die Liebe. MARTA (kniet vor ihm nieder) So segnet mich. TOMMASO In seine Arme schliess dich Gott, der Allverzeihende. Er gebe dir Stärke, er gebe dir Mut, der Allbarmherzige! Vertrau auf ihn und du bist stark, blick auf zu ihm und seine Gnade ist dein Schild. (Man hört im Hintergrund Stimmen, Lachen und Schwatzen) MARTA Die Weiber kommen, und Nuri ist mit ihnen. Ich will sie nicht sehen, lebt wohl. (Marta geht ab) Vierte Szene (Pepa, Antonia, nuri und Rosalia treten ein) PEPA Da ist Tommaso. Er muss reden! ANTONIA Wo ist Marta? Wo ist Pedro? ROSALIA Erzähl uns, was geschah. TOMMASO Ich weiß von nichts. PEPA Er will gehn! (ihn zurückhaltend) So wart doch einen Augenblick! TOMMASO Frieden sei mit euch! (Er geht ab) ANTONIA Der alte Brummbär, nicht reden will er! NURI Er weiß ja nichts. Nur ich weiß viel. PEPA, ANTONIA, ROSALIA O gute Nuri, liebes, süßes Kind, erzähl uns rasch, wie war s, was ist geschehn? NURI Macht keinen Lärm, denn Pedro kommt. Wollt ihr was erfahren, so fragt ihn selbst. Fünfte Szene (Pedro tritt ein. Alle weichen zurück. Er geht nach vorne und setzt sich nieder) PEPA Ei, so mürrisch, so verdrießlich! ROSALIA Am Morgen nach der Hochzeit! (Pepa, Antonia und Rosalia lachen Pedro aus) PEDRO Was für Recht habt ihr zu lachen? PEPA Wir lachen ja nicht. ANTONIA Nein, niemand hat gelacht. PEDRO Ich ertrag es nicht länger, ich will, daß ihr sprecht. Mit dem Lachen ist es aus! (Er faßt Pepa an) Sprich du für alle! Ihr lachtet gestern, lachtet heut. Was hab ich euch getan? Was tat euch Marta? (Er schüttelt sie mit beiden Armen) Ihr sollt mir Antwort geben, schamlose Weiber! ROSALIA Du bist ein Narr! PEDRO Ein Narr bin ich. Da hast du recht. Doch ihr treibt mich zum Wahnsinn. Ist dir dein Leben lieb, so rede jetzt! Warum habt ihr gelacht? ANTONIA So frag doch Marta! PEPA, ANTONIA, ROSALIA So frag doch Marta! PEDRO Marta? Ich soll sie fragen? PEPA, ANTONIA, ROSALIA Frag Marta! NURI Frag Marta! PEPA, ANTONIA, ROSALIA Da kommt sie selbst! (Sie gehen ab) Sechste Szene (Marta kommt herein, nimmt den Topf vom Feuer und stellt ihn auf den Tisch) MARTA Das Essen ist da. PEDRO Ich kann nicht essen, Marta, ich will mit dir sprechen. MARTA (näherkommend) Was willst du mir sagen? PEDRO Bleib mir vom Leibe, geh! Ich kehr zurück in meine Berge, woher ich kam, leb wohl! MARTA Du darfst nicht gehn, um Christi Wunden willen! Verzeihe PEDRO Ich soll dir verzeihen? Du hast mich betrogen! Verachten, verfluchen sollt ich dich! Ich sollt dich töten! MARTA Ja, töte mich, ich bitte dich darum. PEDRO Dich töten, nein. Ich gehe fort und seh dich niemals wieder. MARTA (versucht verzweifelt, ihn zurückzuhalten) Du hast den Mut nicht, mich zu töten! Ja, du hast Furcht, ein feiger Wicht bist du! PEDRO Ich, Furcht? MARTA Beschimpf mich, schlag mich, tritt mich mit Füßen! Stoß mir das Messer in die Brust, nur geh nicht fort! (Sie umklammert seine Knie) PEDRO Im Tiefland sterb ich, laß mich auf die Berge, bleib du in deinem Sumpf! Mit ihm! (Er macht sich von ihr los, stößt sie zurück und geht dem Tor zu. Sie ist auf den Boden gefallen, wo sie sich aufrichtet) MARTA (verzweiflungsvoll, fast irre) Mit ihm, den ich liebe! Ja, du sprichst wahr ich hab dich betrogen, hörst du es wohl? Du bist ein Feigling und strafst mich nicht. Geh nicht fort von mir, Pedro! Ich hab einem andern gehört. Sein war ich. Hörst du mich wohl? Sein und nicht dein! PEDRO (kehrt wütend zurück und droht ihr mit der Faust) Schweig! (Marta steht auf) MARTA Ein Dummkopf bist du. Begreifst du denn nicht? Ich hab dich betrogen und lache darob. (Sie lacht wie eine Wahnsinnige) Ich lache wie alle. Die Hochzeit war lustig! Sie lachten alle, und er, er, er lachte auch. (Sie lacht) PEDRO (stürzt auf den Tisch zu und ergreift das Messer) Gott soll mich strafen, wenn ich nicht... MARTA (hängt sich an seinen Arm) Der andere lachte. Hahaha! PEDRO (das Messer schwingend) Des Todes bist du! MARTA So hab den Mut und stoße zu! Laß sehen, ob du kein Feigling bist! PEDRO (sich wieder von ihr entfernend) Ich tu dir nichts zu Leide! MARTA Welch ein feiger Wicht bist du! Um eine Handvoll Geld hast du dich verkauft! PEDRO (außer sich, führt er einen Stoß gegen sie) Ich mich verkauft... (gesprochen) Verruchte! (verwundet sie am Arm) MARTA Ah, endlich! PEDRO (schleudert entsetzt das Messer von sich) Was hab ich getan? MARTA Mein Blut vergossen hast du, oh, wenn du wüßtest, wie selig ich bin! PEDRO Verflucht bin ich! Ich bin ein wildes Tier! (Er sinkt auf einen Stuhl. Marta nähert sich ihm, sinkt in die Knie und schlingt die Arme um ihn) MARTA Du hast nur deine Pflicht getan! Ich wollte ja den Tod durch dich! Ich bitte dich, stoß zu, hier, mitten in das Herz! PEDRO Laß mich! MARTA Siehst du denn nicht, daß mir das Leben zur Last? Ich muss ja sterben! Und ich wär selig, stürb ich durch dich! Nichts wäscht mich rein von Schuld und Sünde als nur mein Tod. Doch glaube mir, mein Pedro, glaube mir, ich war nicht schlecht, ich war nur elend. Die Menschen gingen böse mit mir um. Mein Glück zertraten sie. Nur einen Augenblick des Glücks kannst du mir geben töte mich und mach ein Ende! PEDRO (sie in seine Arme schließend) Ich soll dich töten? Dich, die ich liebe? Seitdem ich dich sah, bin ich ja toll von Liebe. Was kümmert s mich, wer du auch seist! Was kümmert s mich, was du getan! Du hast mich behext, ich kann nicht los von deines Herzens Zauber. Und wie ich mich auch wehren mag, ich komme tiefer stets in deinen Bann. Ich will dich küssen, will dich halten, will mich verbeißen in dich Ich heb dich auf und trag dich fort in meine Berge. Im Sturmgetos, im wirbelnden Schnee, in meiner Berge freier Luft, dort will ich Hochzeit mit dir halten, dort raubt dich mir niemand, niemand, dort bist du mein! Nun mögen sie kommen, ich trotze ihnen! MARTA Mein Gott! PEDRO (will sie halten) Nun bist du mein! MARTA Nein, nein! PEDRO Marta! MARTA Eh du mich küssest, sollst du wissen, ob du es darfst. Ich will dir erzählen, wie alles geschah. Dann richte mich! Dann tu, was Gottes Wille ist! PEDRO Nein, nein, nicht hier! Wir wollen hinauf in die Berge! MARTA Wir wollen hinauf in die Berge! MARTA, PEDRO An Gottes Brust uns legen! PEDRO So komm! MARTA Ich komm! PEDRO So komm! (Sie gehen dem Tore zu) Siebente Szene SEBASTIANO (tritt den beiden entgegen) Recht guten Tag! Was gibt es neues? PEDRO Gut, daß Ihr kommt. Nehmt Eure Mühle wieder. Ich kehr zurück, woher ich kam. SEBASTIANO (ohne auf ihn zu achten, zu Marta) Heut abend kommt der Vater meiner Braut. Bis dahin will ich lustig sein. Ich sah dich lang nicht tanzen! Tanz mir was vor, ich spiel dir auf. Tanz! Sag ich dir. (Bauern und Bäuerinnen treten ein. Sebastiano ergreift eine Gitarre) Hüll in die Mantilla dich fester ein, verbirg den Kopf im Schleier Nun tanze, Geliebte, nun tanze fein, mir zur Feier. Dreh dich im Takt der Melodie und wieg dich in den Hüften und heb das Knie. Nun tanze, Geliebte, nun tanze fein, mir zur Feier. BAUERN, BÄUERINNEN Dreh dich im Takt der Melodie etc. PEDRO Hör auf! Und du, Marta, komm fort! SEBASTIANO Nun zeige im Tanze, was dich bewegt, zeig mir in deinem Blicke wie laut das Herz entgegen mir schlägt, dem Liebesglücke. Ich weiß von Küssen verschwiegen und heiß und tausend Tändelein, des Sängers Preis! Wie laut das Herz entgegenschlägt dem Liebesglücke. BAUERN, BÄUERINNEN Ich weiß von Küssen etc. PEDRO Marta, komm fort! SEBASTIANO Was sagt der Mensch? MARTA Er sagt... PEDRO Wir wollen fort! MARTA Wir wollen fort! BAUERN, BÄUERINNEN Sie wollen fort! SEBASTIANO Du bist von Sinnen! Es darf nicht sein! (Er greift Marta am Arm) PEDRO O Herr, was tut Ihr denn? SEBASTIANO Ich halte, was mein ist! PEDRO Ist Marta nicht mein Weib? MARTA Ich geh mit Pedro, und Ihr habt kein Recht mir zu verbieten! SEBASTIANO Kein Recht? Das will ich sehn! (zu den Leuten) Jagt mir den Kerl hier vom Hof! (zu Marta) Und du bleibst hier! PEDRO (faßt Marta beide Hand) Mein Weib ist mein, und wir gehn fort! SEBASTIANO Da, nimm für deine Frechheit, du Lump, du Taugenichts! (Er gibt ihm eine Ohrfeige) PEDRO (wütend aufschreiend) Ah! MARTA Pedro, er hat dich geschlagen! Nimm Rache dafür! PEDRO Wie darf ich denn? Er ist der Herr! MARTA Der Herr ist er?! Er war es, der in Schand und Schmach dein Weib gestoßen hat. Er brachte Unheil über mich und dich. Er kam heut Nacht in meine Kammer! PEDRO Was sagst du da? Ihr!! (Er will sich auf Sebastiano stürzen, aber die anderen halten ihn zurück) Du Schuft! Du Dieb! SEBASTIANO Schafft ihn fort! PEDRO Ich töte dich! SEBASTIANO Was zaudert ihr? Hinaus mit ihm! PEDRO Laßt mich los! Los! sag ich! Dein Blut will ich! Dein Leben! BAUERN, BÄUERINNEN Hinaus! Fort! SEBASTIANO (Marta packend) Die aber bleibt mein für immer! MARTA Pedro, mein Pedro, hilf! PEDRO Ich helfe dir! So wahr ein Gott im Himmel ist! Ich helfe dir! (Die Männer bringen den wütenden Pedro fort, und Sebastiano wendet sich lachend und selbstbewußt Marta zu, die bewußtlos zu Boden gesunken ist. Tommaso erscheint) Achte Szene SEBASTIANO Was wollt Ihr, he? TOMMASO Den Vater Eurer Braut sprach ich soeben. SEBASTIANO Was sagt er Euch? TOMMASO Er läßt Euch grüßen und s ist alles aus! Schlagt Euch nur seine Tochter aus dem Kopf. SEBASTIANO Tod und Teufel! Wer hat ihm gesagt? TOMMASO Ich sagt ihm alles. Ja, ich selbst. SEBASTIANO Schwachsinniger Alter! (Tommaso ab) MARTA (gesprochen) Heilige Jungfrau, steh mir bei! SEBASTIANO Nun hab ich nichts als dich mehr auf der Welt Die Braut ist verloren, verloren bin ich selbst! Dich aber laß ich nicht. MARTA Du kannst mich töten, doch mich halten nicht! SEBASTIANO Ei, mein Schätzchen, du bist wild. Ich will den Trotz dir schon vertreiben. Die Mühle hier ist mein, und du bist mein! Versuchs, mir zu entrinnen! MARTA Bei welcher Macht des Himmels soll ich flehen um meine Freiheit? SEBASTIANO Der Himmel, der bleibt taub. Schrei nur zu Gott und seinen Heiligen. Ich trotze ihnen. Hier diese Mühle ist mein letzter Port. Hier will ich bleiben , vereint mit dir, mag draußen auch die Welt in Trümmer gehn! MARTA So kennst du keine Gnade? SEBASTIANO Liebe, ja, doch Gnade nicht! Ich kann nicht leben ohne dich! Ich kann nicht atmen ohne dich! MARTA Auch ich kenn eines nur die Liebe! Ich liebe Pedro! Hörst du mich?! SEBASTIANO Nenn diesen Namen nicht, verflucht sei er! MARTA Ich schreie ihn, so laut ich kann! Mein Pedro komm und hilf! SEBASTIANO Schweig, Marta, du machst mich rasend! MARTA Ich bin nicht mehr die schwache Marta von einst, das arme, hilflose Kind. Nicht mich verteidig ich. Ich kämpf um meine Liebe. Um Pedro kämpfe ich, ich kämpfe um mein Glück! Die Marta, die du kanntest, ist verschwunden. Hier steht ein Weib, bereit zum Tode um ihrer Liebe willen. SEBASTIANO Wie schön der Zorn dich kleidet! Ich will dich küssen! MARTA Laß mich! SEBASTIANO Komm! MARTA Zurück! Pedro! SEBASTIANO Ein Wille gilt s, der meine! Ich zwinge dich zu Boden! MARTA Gibt s keine Rettung? Pedro! Mein Pedro, kommst du nicht? SEBASTIANO Nein, keine Rettung! Mein bist du, mein! Mit meinen Küssen schliess ich dir den Mund. Du rufst vergebens! Nun soll er kommen und dich mir entreißen! Neunte Szene (Pedro stürzt herein und wirft sich auf Sebastiano) PEDRO Da bin ich, und ich entreiss sie dir! MARTA Mein Pedro! SEBASTIANO Wo kommst du her? PEDRO Ich komme durch dieselbe Tür, durch die du heute Nacht als Herr und Dieb gekommen bist. Nun sind wir allein, Mann gegen Mann! SEBASTIANO Mach fort, rasch! PEDRO Ich soll fort? Ich? Ich bin nicht mehr der Tölpel, den du dir von Roccabruna holen wolltest. Ich bin dein Knecht nicht mehr, wir beide stehn jetzt gleich, Mann gegen Mann! SEBASTIANO Du wagst es? Warte nur! (Er will zum Tor) MARTA Pedro! PEDRO (stellt sich mit einem Sprung zwischen Sebastiano und das Tor) Entwischen willst du, feiger Hund? Nein, du entkommst mir nicht! Wir wollen beide hier zu Ende kommen. Hier steht mein Weib! Ich hab ein Recht auf sie! Du willst es mir bestreiten! Nimm sie dir! Doch du mußt sie erkämpfen! Dem Sieger soll sie angehören. Und Sieger ist, der jetzt am Leben bleibt! SEBASTIANO Ein Messer hast du? Ich hab keines. PEDRO Ich brauch es nicht. Die Waffe, dich zu töten, trag ich im Herzen. (Er wirft das Messer weg) Komm, jetzt sind wir gleich. MARTA Was machst du, Pedro? PEDRO Bleib wo du bist und lasse mich. (zu Sebastiano) Was zauderst du? Nun sind wir gleich! SEBASTIANO Nun hüte dich! (Er stürzt sich auf das Messer) MARTA Ah! PEDRO (hat Sebastianos Absicht durchschaut, macht einen Sprung und stellt einen Fuß auf das Messer) Verräter! Glaubst du, ich schlafe? Nun hol dir das Messer! SEBASTIANO Gottverfluchter! PEDRO Du dauerst mich. Hast wirklich Pech! Vorbei ist deine Zeit und alles geht zu Ende! Ich mach ein Ende! SEBASTIANO Auch ich kann ringen! PEDRO So versuch s und wehre dich! (Sie kämpfen) MARTA O Gott im Himmel, heilige Jungfrau, Mutter der Gnaden, steh mir bei! PEDRO (faßt ihn beim Hals) Wehre dich! SEBASTIANO Hilfe! Hilfe! PEDRO Ruf sie nur! Ruf sie nur, deine Hunde! SEBASTIANO (gesprochen) Du erwürgst mich! MARTA (gesprochen) Mutter der Gnaden! PEDRO Du kannst dich nicht mehr wehren! Dein Leben lösch ich aus wie eine Kerze, die der Wind verlöscht. (Er erwürgt ihn) Da schau, nun ist er tot! Zehnte Szene (Männer und Frauen, Pepa, Rosalia, Antonia, Nuri und Tommaso treten auf) PEDRO He, Burschen, her! Ihr Weiber, kommt! Kommt alle her! BAUERN Was gibt s? BÄUERINNEN Was gibt s? PEDRO Der Herr ruft euch! PEPA (gesprochen) Tot? ROSALIA (gesprochen) O großer Gott! TOMMASO Des Himmels Strafe hat ihn gefällt! Gott sei dem Sünder gnädig! PEDRO Und nun, ihr Leute, lacht doch, lacht! Nun ist es Zeit zum Lachen! Du aber, Marta, komm! Wir wollen gehn. MARTA Ja, fort von hier! PEDRO Hinauf in meine Berge, hinauf zu Licht und Freiheit! Fort aus dem Tiefland! Macht Platz, ihr alle, gebt uns Raum! Ich hab den Wolf erwürgt, den Wolf, den Wolf hab ich getötet! (Er hebt Marta in seine Arme und trägt sie fort. Die Bauern und Bäuerinnen machen dem davoneilenden Paar Platz. Man sieht beide über das Gebirge ziehen) Albert,Eugen d /Tiefland
https://w.atwiki.jp/monosepia/pages/10705.html
COVID-19ワクチン接種後の有害事象・死亡例 ■ WORLDWIDE SURGE OF SPORTS PEOPLE SUFFERING SUDDEN HEALTH ISSUES AND DEATH 「notonthebeeb（2021.11.4頃）」より ※ 下記記事を知らせるツイート ※ 「Alzhacker@Alzhacker」さんがツイートで詳細を翻訳してくださっているツイートスレッド マーク・プレイン 3日前（※日本時間2021.11.7 19 24基準で） 7分前 世界的に急増するスポーツ選手の突然の体調不良と死 更新日：1日前 世界で最も健康な人々の間で起こる突然の「出来事」のリストは、日々増え続けています。 注：私たちが見逃している記事を発見された方は、こちらのコメント欄または専用のテレグラムグループに追加してください。スポーツ選手 https //t.me/joinchat/M1FOq7bXdjA4YjY0 ノルウェイ - 2021年11月2日 ストックホルム：アイスランド人のMFエミール・パルソンは、月曜日の夜、ノルウェー2部リーグのサッカーの試合中に心停止を起こして倒れたと、所属のサッカークラブであるソグンダルが発表しました。 28歳のMFは、ノルウェー西部のフォッショーガネ・キャンパス・スタジアムで行われたStjordals-Blinkとの試合の12分に突然倒れました。 "エミール・パルソンは、試合開始から12分目に心停止を起こしました。蘇生に成功したパルソンは、その後ハウクランド病院に搬送され、さらなる検査と治療を受けました」とクラブのSogndal Fotballは声明を発表しました。 試合はすぐに中断され、選手たちはドレッシングルームに戻され、医療スタッフがパルソンを取り囲んで蘇生作業を開始しました。 詳しくはこちらをご覧ください。 https //www.nst.com.my/sports/football/2021/11/741933/footballer-collapses-heart-attack-during-game-norway ーー イギリス - 2021年11月3日 ロングリッジ・タウンFCは今朝、ツイートして発表しました。「今朝、元選手の@jordantucker117が亡くなったことを聞いて、@LongridgeTownFCのみんなはとてもショックを受けています。 https //www.lep.co.uk/news/people/a-great-player-and-more-importantly-a-great-lad-tributes-flood-in-for-former-longridge-town-captain-jordan-tucker-3443212 ーー 米国 29歳のプロのマウンテンバイクレーサーであるカイル・ワーナーは、ファイザー社のCOVID-19注射の2回目の投与後に、心膜炎、体位性頻脈症候群、反応性関節炎を発症しました。 注射の約2週間後、ワーナー選手は心拍数が極端に上昇しましたが、ERの医師はこれを注射の副作用とは認めず、「精神病エピソード」のせいにしました。 さらに心臓の異常を感じて別の病院を受診したワーナーは、心臓専門医に紹介され、心膜炎（心臓の外側の膜に起こる炎症）と診断されました。 https //childrenshealthdefense.org/defender/kyle-warner-vaccine-injuries-pfizer-covid-shot/?utm_source=salsa eType=EmailBlastContent eId=6bd95175-d91d-4171-891d-b4dac87f455a ーー インド 2021年10月16日 元インドUnder-19キャプテンで、2019-20シーズンのランジ・トロフィー優勝チームのメンバーでもあるサウラシュトラの打者アヴィ・バロットが、29歳という衝撃的な若さで心停止を起こし、亡くなりました。 詳しくはこちらをご覧ください... https //www.thehindu.com/sport/cricket/young-saurashtra-cricket-player-avi-barot-dies-after-suffering-cardiac-arrest/article37015873.ece) ーー アンティグア 西インド諸島の2人の選手-チネル・ヘンリー、チェディアン・ネイションがフィールド上で倒れました。 金曜日にアンティグアで行われたパキスタン女子とのT20I第2戦で、西インド諸島の選手であるオールラウンダーのチネル・ヘンリーとバッツウーマンのチェディアン・ネイションが、それぞれグラウンドで倒れるという異常事態が発生しました。クリケット・ウェスト・インディーズの広報担当者によると、ヘンリーとネーションはすぐに病院に搬送されましたが、意識は安定していました。どちらの事件も10分以内に起こったもので、それにもかかわらず、試合は没収されませんでした。突然倒れた理由はまだ不明ですが、両選手とも現在は安定しているとのことです。 https //www.india.com/sports/cricket-two-west-indies-players-chinelle-henry-chedean-nation-collapse-on-field-during-2nd-t20i-against-pakistan-women-watch-video-4785827/ ーー 世界的に有名なフリーダイバーが心筋炎を発症 2021年10月6日 現在、世界トップのスタティック・ブレスホールド・フリーダイバーであるフロリアン・ダグーリ氏が、ファイザー社製ワクチンの2回目の接種から40日後に心筋炎と心膜炎と診断されました。彼は公式に10分30秒も息を止めていたことで知られています。フランス出身でタイを拠点とするこのエリート・フリーダイバーは、息止め能力の著しい低下を経験し、心臓専門医に相談したところ、ファイザー・ワクチンの一般的な副作用であると言われました。 彼の言葉を借りれば QUOTE 「...心筋炎、心膜炎、そして些細な僧帽弁閉鎖不全症！？ありがとう、ファイザー。 ワクチン接種後の私の迷惑な経験を共有したいだけで、おそらく同じような経験をしたフリーダイバーからの証言もあるでしょう。良くなりましたか？ 2回目の接種後、私は心拍数が通常よりはるかに高く、息止め能力が著しく低下していることに気づきました。睡眠中の心拍数は37～45bpmではなく、65～70bpmです。日中は、座ってリラックスしていても、65bpmではなく、常に100bpmを超えています。友人と食事をしているときに177bpmに達したこともあります。!!!! 2回目のワクチン接種から10日後、心臓専門医に診てもらったところ、ファイザー社のワクチンの一般的な副作用であり、心配することはない、ただ安静にしていれば過ぎ去るだろうと言われました。2回目のワクチン接種から40日後、私は何の進展もなかったので、別の心臓専門医に診てもらったところ、心筋炎、心膜炎、三叉神経弁閉鎖不全症と診断されました。心筋炎、心膜炎、三尖弁閉鎖不全症と診断されました。基本的には、免疫系による心臓の筋肉の炎症と、正常に閉じなくなった弁からのわずかな血液の漏れです。今では150mのダイブで8分間の息止めをするのに苦労し、40mのダイブでは強い息切れを感じるようになりました。およそ30％のダイビングパフォーマンスの低下です。 https //www.instagram.com/p/CUrJkJ-FuFd/ ーー ゴールドコーストのサッカーコミュニティは、フィールドで心臓発作を起こした少女（14歳）の周りに集まった 2021年10月18日 サッカーの試合中に心臓発作を起こしたゴールドコーストの健康で活発な少女が、昏睡状態から脱しましたが、回復には長い時間がかかりそうです。 14歳のアヴァ・アゾパルディは、金曜日の夜、14歳以下の15歳以下のグランド・ファイナルでマジック・ユナイテッドと対戦したランナウェイ・ベイでプレーしていましたが、フィールド上で倒れ、心停止状態に陥りました。 https //www.google.com.au/amp/s/7news.com.au/sport/soccer/gold-coast-soccer-community-rallies-around-girl-14-after-suffering-heart-attack-on-field-c-4269085.amp リストはまだまだ続きます.... デンベレ（29歳）、アトレティコ・マドリードのストライカーがトレーニング中に倒れ、医師の手当てが必要 https //www.youtube.com/watch?v=-R2_5LMobXc https //www.youtube.com/watch?v=-R2_5LMobXc%C2%A0) アレックス・アポリナリオ、24歳、ブラジルのサッカー選手が試合中にピッチで倒れて死亡。 https //www.cbssports.com/soccer/news/brazilian-soccer-player-alex-apolinario-dies-after-collapsing-on-pitch-during-match-in-portugal/ イギリスのジャック・ドレイパー（19歳）がマイアミ・オープンで倒れる。 https //www.youtube.com/watch?v=VDuOP0V1nUw https //www.youtube.com/watch?v=VDuOP0V1nUw%C2%A0) ミルコ・キド（36歳）、オリンピック金メダリスト、試合中に心臓発作で死亡： https //www.reuters.com/lifestyle/sports/indonesian-doubles-star-kido-dies-heart-attack-36-2021-06-14/ ガーナのレフリーがAFCONの試合中に倒れる。 https //www.youtube.com/watch?v=cvPQO44NzN4 https //www.youtube.com/watch?v=cvPQO44NzN4%C2%A0 ゴンザガ対USCの男子エリート8の試合中、バート・スミス主審が血栓のためコート上で倒れる。 https //www.espn.com/mens-college-basketball/story/_/id/31222546/referee-bert-smith-says-blood-clot-lung-caused-fall-ncaa-tourney https //www.espn.com/mens-college-basketball/story/_/id/31222546/referee-bert-smith-says-blood-clot-lung-caused-fall-ncaa-tourney%C2%A0) ジョシュ・ダウニー（24歳、クリケット選手）が練習中の心臓発作で死亡https //www.bbc.co.uk/news/uk-england-nottinghamshire-57058626 ジュゼッペ・ペリーノ（29歳）、元パルマのサッカー選手、追悼試合で倒れて死亡https //www.thesun.co.uk/sport/football/15151824/giuseppe-perrino-dead-29-parma-brother/ レイモンド・ヴァン・バーネベルドがPDC選手権中に倒れ、救急隊員の手当てを受ける。 https //www.dailystar.co.uk/sport/darts/pdc-players-championship-8-suspended-23759939 Devaraj Anchan（33歳）、バレーボール選手が試合中に倒れ、死亡。 https //www.thehindu.com/news/cities/Mangalore/volleyball-player-collapses-during-game-dies/article34185430.ece ガリソン・イノセント（20歳）、試合中に心臓の異常な電気インパルスのために倒れ、意識不明に。 https //www.thesun.co.uk/sport/football/13901939/goalkeepers-rushed-hospital-collapsing/ Ethan Jovani Trejo, 16歳のサッカー選手がトレーニング中にフィールドで倒れる。 https //eu.cincinnati.com/story/news/2021/06/25/teen-dies-after-medical-incident-princeton-high-school-field/5344293001/ Samuel Kalu（24歳）、ボルドーのスター選手、サッカーの試合開始数分後に倒れる： https //www.bbc.com/sport/football/58228778 ロイ・バトラー（23歳、アイルランドのサッカー選手ワトフォードFC）がジャンセンの後に死亡。 https //twitter.com/NewsForAllIre/status/1428301909715296263?s=20 Dylan Rich, 19, FA Youth Cup - player suffered sudden cardiac arrest on the field, pass away https //www.bbc.com/news/uk-england-nottinghamshire-58496077 Vinny Curry, 33, 血栓のためシーズン終了。 https //nypost.com/2021/08/25/jets-vinny-curry-out-after-rare-blood-disorder-diagnosis/ キャメロン・デール（29歳）、記録を更新中のオーストラリア人セーラー、壊滅的な脳卒中により死去 2021年9月1日 QUOTE "...ジェシカ・ワトソン（最年少単独セーラーとして世界一周を達成したオーストラリア人）の長年のパートナーが、「壊滅的な」脳卒中に見舞われた後、数週間後に病院で亡くなった。 キャメロン・デール（29歳）が月曜日にゴールドコースト大学病院で亡くなったことを、ワトソンはInstagramで確認しました。 "2021年8月30日（月）、私たちはカムを失いました。人生のあらゆる面で、そして計画された将来において、私の長期的なパートナーです。" と彼女は書いています。 続きはこちらから... https //7news.com.au/sport/sailing/australian-sailor-jessica-watson-reveals-sudden-death-of-partner-cameron-dale-c-3845979 コロンビア高校の若いサッカー選手2人が死亡。 https //www.wistv.com/2021/09/04/he-would-love-it-donadrian-robinsons-family-reacts-tribute-wj-keenan-high-school/?outputType=apps ボリウッドのスター、40歳が心臓発作で死亡 https //www.dailymail.co.uk/news/article-9950385/Indian-TV-film-star-Siddharth-Shukla-40-dies-heart-attack.html#reader-comments トム・フェルトン（34）がゴルフ中に倒れる。 https //bbc.in/3i4YpI5?fbclid=IwAR0aZBaXpiX9ky34g3eLiG3pcMs5r2udih4kRGUIi7GOBK3iciefX1-qoXk フランシス・ペロン（25歳）、オタワのサッカー選手、試合後に死亡https //www.cbc.ca/news/canada/ottawa/usports-ottawa-gee-gees-francis-perron-dies-1.6182332 パリス・ハラルソン（37歳）、元セインツのラインバッカーが死去https //www.usatoday.com/story/sports/nfl/2021/09/13/parys-haralson-former-49-ers-and-saints-lb-dies-37/8328669002/ ジミー・ヘイズ（31歳）、元ブルーインズの選手、突然死：https //www.bostonglobe.com/2021/08/23/sports/jimmy-hayes-former-bruin-boston-college-hockey-champ-dies-31/ ヌイス、31 歳、オランダのプロスケーター、心臓の炎症で入院： https //www.rtlboulevard.nl/entertainment/news/artikel/5243606/kjeld-nuis-vaccinatie-ziek-update John Stokes, 21, Tennessee Uni のアスリート、心臓の炎症で入院。 https //www.yahoo.com/lifestyle/student-athlete-john-stokes-myocarditis-covid-vaccine-002451374.html?guccounter=1 Jake Ehlinger, 20, 死体で発見-原因不明。 https //usdaynews.com/celebrities/celebrity-death/sam-ehlinger-brother-death-cause/ Jeremy Chardy, 34, テニスプロ、ワクチン接種後、トレーニングやプレーができない。 https //www.tennisworldusa.org/tennis/news/Tennis_Interviews/102836/jeremy-chardy-i-regret-getting-vaccinated-i-have-series-of-problems-now/ フランチェスカ・マルコン（38）、バレーボールのプロ選手、ワクチン接種後に心膜炎を発症し、プレーできず。 https //www.lapressa.it/notiziario/sport/la-campionessa-di-volley-ho-una-pericardite-post-vaccino 木下雄介、27歳、野球のプロ選手、ワクチン接種後7週間で死亡： https //thecovidworld.com/yusuke-kinoshita-27-year-old-japanese-professional-baseball-player-dies-7-weeks-after-covid-19-vaccine/ アレックス・スタロック（34歳）、NHLオイラーズのゴールキーパー、心臓疾患のため今シーズンは欠場： https //ca.sports.yahoo.com/news/nhl-oilers-goalie-alex-stalock-miss-entire-season-with-heart-condition-covid-19-related-191817673.html Ceylin Alvarado（23歳）、プロサイクリスト、血液の合併症のためシーズンを終了。 https //www.nu.nl/sport-overig/6160296/veldrijdster-alvarado-voorlopig-niet-in-actie-door-verstoord-bloedbeeld.html Greg van Aevermat（36歳）、プロサイクリスト、ワクチン以降のフォームの喪失：https //www.indeleiderstrui.nl/wielrennen/van-avermaet-wijst-naar-vaccin-als-oorzaak-vormdip-op-deze-manier-heeft-wk-geen-zin/amp?__twitter_impression=true ベルギーの若手サイクリスト3名、レース後に心臓疾患を発症。 https //rtv.be/artikels/jonge-kempense-wielrenners-krijgen-hartklachten-na-vaccinatie-a102612 Kamila Label-Farrel, 19, ユニ・バスケットボール・スター、突然の死。 https //www.baytoday.ca/obituaries/lebel-farrell-kamila-3884874 ジェイコブ・ダウニー（19歳）、クイーンズ大学のホッケー選手が緊急事態の後に死去。 https //www.kawartha411.ca/2021/10/01/local-teen-queens-university-student-passed-away-suddenly-after-medical-emergency/ Christian Eriksen, 29, ユーロ大会で心臓疾患のために倒れるhttps //youtu.be/s0B03LSzXvo Josh Archibald, 28, オイラーズのホッケーフォワード、心筋炎のため無期限離脱。 https //www.si.com/hockey/.amp/news/oilers-forward-josh-archibald-out-indefinitely-with-myocarditis ジェン・グーヴェイア（38歳）、ランニング中に心停止。 https //toronto.ctvnews.ca/husband-of-toronto-mother-who-died-suddenly-on-run-says-he-lost-his-everything-1.5501767 カイル・ワーナー（プロBMXサイクリスト）、ワクチン接種後に心膜炎を発症。 https //youtu.be/aebtcTi7EaA 16歳の若者がウェイトリフティングの後に心停止。 https //www.straitstimes.com/singapore/health/16-year-old-suffers-cardiac-arrest-following-strenuous-weightlifting-session-six アトランタ・ホークスのスター選手、ブランドン・グッドウィン（26歳）が、血栓によりキャリアを終えた。 https //www.peachtreehoops.com/2021/10/3/22706769/former-atlanta-hawks-guard-brandon-goodwin-claims-covid-19-vaccine-ended-his-season グラスゴーのホッケー選手、Ewan Fraser（30歳）が心停止に陥り、逝去。 https //www.thescottishsun.co.uk/news/7832060/glasgow-hockey-player-died-collapse-life/amp/?__twitter_impression=true デビッド・ジェンキンス（31）、オリンピック銀メダリストのダイバー、突然の死。 https //metro.co.uk/2021/10/12/david-jenkins-dead-at-31-tributes-pour-in-for-team-gb-olympic-diving-coach-15404658/amp/?__twitter_impression=true ポール・ジスパー（27歳、ミュンヘンのバスケットボール・プロ）、JとJに関連した脳出血で緊急手術を受ける。 https //www.fr.de/sport/drama-um-zipser-90801217.html ノルウェーのランナー、Filip Ingebrigsten（28歳）は、ワクチン接種後にフォームが崩れてしまう。 https //norwaytoday.info/sport/filip-ingebrigtsen-is-back-in-training-after-experiencing-long-corona-vaccination-side-effects/ Avi Barot（29歳）、サウラシュトラ州のクリケット選手が心停止を起こし、亡くなる。 https //www.thehindu。(https //www.thehindu.com/sport/cricket/young-saurashtra-cricket-player-avi-barot-dies-after-suffering-cardiac-arrest/article37015873.ece) 若いクリケット選手が死亡。 https //www.thehindu.com/sport/cricket/young-saurashtra-cricket-player-avi-barot-dies-after-suffering-cardiac-arrest/article37015873.ece Abou Ali, 22, プロサッカー選手、試合中にピッチ上で倒れる：https //www.thesun.co.uk/sport/football/16118079/footballer-wessam-abou-ali-awake-hospital-collapse/ ファブリス・ナサカラ、31歳、ベシクタスのディフェンダーが試合中にピッチ上で倒れる： https //www.theguardian.com/football/2021/aug/22/fabrice-nsakala-besiktas-collapse Jens De Smet, 27, サッカー選手が試合中に倒れ、心臓発作で逝去 https //newswep.com/jens-27-collapses-on-the-football-field-and-dies-this-is-not-maldegem/ Jente van Genechten, 25, サッカー選手、心臓発作のためフィールド上で倒れる： https //www.sudinfo.be/id411745/article/2021-08-18/25-ans-un-joueur-belge-de-football-fait-un-arret-cardiaque-sur-le-terrain-avant Frederic Lartillot, フランスのサッカー選手が、試合後に更衣室で倒れ、心臓発作のために亡くなる。 https //www.leprogres.fr/culture-loisirs/2021/09/11/deces-d-un-joueur-de-foot-apres-un-match-ses-coequipiers-ont-tout-tente-pour-le-sauver ベンジャミン・タフト（31歳）、ドイツ人サッカー選手が試合後に倒れ、心臓発作のため逝去。 https //www.anpfiff.info/mobile/sites/cms/artikel.aspx?SK=2 amp;amp;amp;amp;amp;Btr=96044 amp;amp;amp;amp;amp;Rub=390 (自動翻訳されています) 人気者のベンジャミン・"ベニー"・タフトの死に、彼のガールフレンド、家族、友人、サッカー選手たちは大きな悲しみを持って反応しました。33歳の彼は、先週、ベルンガウで、彼がシーズン初めから選手コーチとして率いていたSVウンターフェライデンの試合後、突然の失神、そして最後には心臓発作を起こし、病院での改善を何度も求められました。集中治療室での治療の後、早期に退院の見通しが立ち、リハビリテーション対策のために通常の病棟に移されました。しかし、月曜日の朝、まったく驚くべき、あまりにも悲しいニュースが続きました。 https //www.anpfiff.info/mobile/sites/cms/artikel.aspx?SK=2 Btr=96044 Rub=390 ルーン・コーゲ選手（18歳、ベルギー人サッカー選手）がピッチ上で心停止しました。 https //www.sudinfo.be/id409738/article/2021-08-07/rune-jeune-joueur-de-18-ans-secroule-sur-le-terrain-du-rds-plus-le-temps-passe ヘレン・エドワーズさん、ワールドカップ予選中に心臓の問題でコートから退出した主審。 https //www.rtl.de/cms/dfb-spiel-unterbrochen-linienrichterin-vom-platz-getragen-4834888.html Dimitri Lienard, 33, FC Strasbourgのミッドフィールダーが試合中に倒れる。 https //madeinfoot.ouest-france.fr/infos/article-rc-strasbourg-dimitri-lienard-a-ete-victime-d-un-malaise-354221.html セルヒオ・アグエロ（33歳）、バレセロナのスターストライカー、試合後に心臓検査のため病院に入院。 https //www.cnn.com/2021/10/31/football/sergio-aguero-barcelona-chest-pain-spt-intl/index.html エミール・パルソン（28歳）、ソグナルのミッドフィールダーが試合中に心停止で倒れる。 https //www.independent.co.uk/sport/football/norway-footballer-emil-palsson-cardiac-arrest-b1949583.html アントワン・メシャン（31歳）、フランスのトライアスロン選手、モデナの試合後に肺塞栓症を発症。 https //www.sudouest.fr/sport/course-pedestre/triathlon/le-triathlete-saintais-antoine-mechin-met-un-terme-a-sa-saison-et-ne-se-referait-pas-vacciner-si-c-etait-a-refaire-6234090.php ルイス・オヘーダ（20歳）、アルゼンチンのサッカー選手、突然の死。 https //www.antena3.com/noticias/deportes/futbol/emotiva-carta-lola-ortiz-muerte-novio-futbolista-luis-ojeda-soporto-idea-volver-ver-verte-nunca-mas_20210426608696616e5d5b0001eb20e9.html Greg Luyssen, 22, ベルギーのプロサイクリスト、心臓疾患のためキャリアを終える。 https //kw.be/sport/wielrennen/wielerbelofte-greg-luyssen-22-uit-de-panne-over-gedwongen-afscheid-door-hartprobleem-dat-akelig-gevoel-wil-ik-nooit-meer/ ペドロ・オビアン（29歳）、元ウェストハムのスター選手、ワクチン接種後に心筋炎を発症。 https //thecovidworld.com/pedro-obiang-29-year-old-professional-footballer-suffers-myocarditis-after-covid-19-vaccine/ Cienna Knowles（19歳）、馬術のスター選手が血栓のために入院。 https //www.news.com.au/lifestyle/health/health-problems/teen-equestrian-star-cienna-knowles-hospitalised-with-blood-clots-after-pfizer-vaccine/news-story/286e7cd42e896b091e4b257322296a05 Boris Sadecky, 24, スロバキアのホッケー選手、ホッケーの試合中に心臓発作で死亡： https //www.rt.com/sport/539312-bruno-sadecki-hockey-player-khl-death/ ウィキペディア アソシエーション・フットボール選手の死亡に関するウィキペディアの記事 https //en.m.wikipedia.org/wiki/List_of_association_footballers_who_died_while_playing 注：私たちが見逃した記事をさらに発見された場合は、こちらのコメント欄または専用のテレグラムグループに追加してください。 スポーツ関係者 https //t.me/joinchat/M1FOq7bXdjA4YjY0 .
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【登録タグ BLUE BUTTERFLY Espressivo S T.Piacere U.N.オーエンは彼女なのか？ 曲 黒崎朔夜】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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youtube-dl - download videos from youtube.com or other video platforms INSTALLATION DESCRIPTION OPTIONS CONFIGURATION OUTPUT TEMPLATE FORMAT SELECTION VIDEO SELECTION FAQ DEVELOPER INSTRUCTIONS EMBEDDING YOUTUBE-DL BUGS COPYRIGHT INSTALLATION To install it right away for all UNIX users (Linux, macOS, etc.), type sudo curl -L https //yt-dl.org/downloads/latest/youtube-dl -o /usr/local/bin/youtube-dl sudo chmod a+rx /usr/local/bin/youtube-dl If you do not have curl, you can alternatively use a recent wget sudo wget https //yt-dl.org/downloads/latest/youtube-dl -O /usr/local/bin/youtube-dl sudo chmod a+rx /usr/local/bin/youtube-dl Windows users can download an .exe file and place it in any location on their PATH except for %SYSTEMROOT%\System32 (e.g. do not put in C \Windows\System32). You can also use pip sudo -H pip install --upgrade youtube-dl This command will update youtube-dl if you have already installed it. See the pypi page for more information. macOS users can install youtube-dl with Homebrew brew install youtube-dl Or with MacPorts sudo port install youtube-dl Alternatively, refer to the developer instructions for how to check out and work with the git repository. For further options, including PGP signatures, see the youtube-dl Download Page. DESCRIPTION youtube-dl is a command-line program to download videos from YouTube.com and a few more sites. It requires the Python interpreter, version 2.6, 2.7, or 3.2+, and it is not platform specific. It should work on your Unix box, on Windows or on macOS. It is released to the public domain, which means you can modify it, redistribute it or use it however you like. youtube-dl [OPTIONS] URL [URL...] OPTIONS -h, --help Print this help text and exit --version Print program version and exit -U, --update Update this program to latest version. Make sure that you have sufficient permissions (run with sudo if needed) -i, --ignore-errors Continue on download errors, for example to skip unavailable videos in a playlist --abort-on-error Abort downloading of further videos (in the playlist or the command line) if an error occurs --dump-user-agent Display the current browser identification --list-extractors List all supported extractors --extractor-descriptions Output descriptions of all supported extractors --force-generic-extractor Force extraction to use the generic extractor --default-search PREFIX Use this prefix for unqualified URLs. For example gvsearch2 downloads two videos from google videos for youtube-dl large apple . Use the value auto to let youtube-dl guess ( auto_warning to emit a warning when guessing). error just throws an error. The default value fixup_error repairs broken URLs, but emits an error if this is not possible instead of searching. --ignore-config Do not read configuration files. When given in the global configuration file /etc/youtube-dl.conf Do not read the user configuration in ~/.config/youtube- dl/config (%APPDATA%/youtube-dl/config.txt on Windows) --config-location PATH Location of the configuration file; either the path to the config or its containing directory. --flat-playlist Do not extract the videos of a playlist, only list them. --mark-watched Mark videos watched (YouTube only) --no-mark-watched Do not mark videos watched (YouTube only) --no-color Do not emit color codes in output Network Options --proxy URL Use the specified HTTP/HTTPS/SOCKS proxy. To enable SOCKS proxy, specify a proper scheme. For example socks5 //127.0.0.1 1080/. Pass in an empty string (--proxy ) for direct connection --socket-timeout SECONDS Time to wait before giving up, in seconds --source-address IP Client-side IP address to bind to -4, --force-ipv4 Make all connections via IPv4 -6, --force-ipv6 Make all connections via IPv6 Geo Restriction --geo-verification-proxy URL Use this proxy to verify the IP address for some geo-restricted sites. The default proxy specified by --proxy (or none, if the option is not present) is used for the actual downloading. --geo-bypass Bypass geographic restriction via faking X-Forwarded-For HTTP header --no-geo-bypass Do not bypass geographic restriction via faking X-Forwarded-For HTTP header --geo-bypass-country CODE Force bypass geographic restriction with explicitly provided two-letter ISO 3166-2 country code --geo-bypass-ip-block IP_BLOCK Force bypass geographic restriction with explicitly provided IP block in CIDR notation Video Selection --playlist-start NUMBER Playlist video to start at (default is 1) --playlist-end NUMBER Playlist video to end at (default is last) --playlist-items ITEM_SPEC Playlist video items to download. Specify indices of the videos in the playlist separated by commas like --playlist-items 1,2,5,8 if you want to download videos indexed 1, 2, 5, 8 in the playlist. You can specify range --playlist-items 1-3,7,10-13 , it will download the videos at index 1, 2, 3, 7, 10, 11, 12 and 13. --match-title REGEX Download only matching titles (regex or caseless sub-string) --reject-title REGEX Skip download for matching titles (regex or caseless sub-string) --max-downloads NUMBER Abort after downloading NUMBER files --min-filesize SIZE Do not download any videos smaller than SIZE (e.g. 50k or 44.6m) --max-filesize SIZE Do not download any videos larger than SIZE (e.g. 50k or 44.6m) --date DATE Download only videos uploaded in this date --datebefore DATE Download only videos uploaded on or before this date (i.e. inclusive) --dateafter DATE Download only videos uploaded on or after this date (i.e. inclusive) --min-views COUNT Do not download any videos with less than COUNT views --max-views COUNT Do not download any videos with more than COUNT views --match-filter FILTER Generic video filter. Specify any key (see the OUTPUT TEMPLATE for a list of available keys) to match if the key is present, !key to check if the key is not present, key NUMBER (like comment_count 12 , also works with =, , =, !=, =) to compare against a number, key = LITERAL (like uploader = Mike Smith , also works with !=) to match against a string literal and to require multiple matches. Values which are not known are excluded unless you put a question mark (?) after the operator. For example, to only match videos that have been liked more than 100 times and disliked less than 50 times (or the dislike functionality is not available at the given service), but who also have a description, use --match-filter like_count 100 dislike_count ? 50 description . --no-playlist Download only the video, if the URL refers to a video and a playlist. --yes-playlist Download the playlist, if the URL refers to a video and a playlist. --age-limit YEARS Download only videos suitable for the given age --download-archive FILE Download only videos not listed in the archive file. Record the IDs of all downloaded videos in it. --include-ads Download advertisements as well (experimental) Download Options -r, --limit-rate RATE Maximum download rate in bytes per second (e.g. 50K or 4.2M) -R, --retries RETRIES Number of retries (default is 10), or infinite . --fragment-retries RETRIES Number of retries for a fragment (default is 10), or infinite (DASH, hlsnative and ISM) --skip-unavailable-fragments Skip unavailable fragments (DASH, hlsnative and ISM) --abort-on-unavailable-fragment Abort downloading when some fragment is not available --keep-fragments Keep downloaded fragments on disk after downloading is finished; fragments are erased by default --buffer-size SIZE Size of download buffer (e.g. 1024 or 16K) (default is 1024) --no-resize-buffer Do not automatically adjust the buffer size. By default, the buffer size is automatically resized from an initial value of SIZE. --http-chunk-size SIZE Size of a chunk for chunk-based HTTP downloading (e.g. 10485760 or 10M) (default is disabled). May be useful for bypassing bandwidth throttling imposed by a webserver (experimental) --playlist-reverse Download playlist videos in reverse order --playlist-random Download playlist videos in random order --xattr-set-filesize Set file xattribute ytdl.filesize with expected file size --hls-prefer-native Use the native HLS downloader instead of ffmpeg --hls-prefer-ffmpeg Use ffmpeg instead of the native HLS downloader --hls-use-mpegts Use the mpegts container for HLS videos, allowing to play the video while downloading (some players may not be able to play it) --external-downloader COMMAND Use the specified external downloader. Currently supports aria2c,avconv,axel,curl,ffmpeg,httpie,wget --external-downloader-args ARGS Give these arguments to the external downloader Filesystem Options -a, --batch-file FILE File containing URLs to download ( - for stdin), one URL per line. Lines starting with # , ; or ] are considered as comments and ignored. --id Use only video ID in file name -o, --output TEMPLATE Output filename template, see the OUTPUT TEMPLATE for all the info --autonumber-start NUMBER Specify the start value for %(autonumber)s (default is 1) --restrict-filenames Restrict filenames to only ASCII characters, and avoid and spaces in filenames -w, --no-overwrites Do not overwrite files -c, --continue Force resume of partially downloaded files. By default, youtube-dl will resume downloads if possible. --no-continue Do not resume partially downloaded files (restart from beginning) --no-part Do not use .part files - write directly into output file --no-mtime Do not use the Last-modified header to set the file modification time --write-description Write video description to a .description file --write-info-json Write video metadata to a .info.json file --write-annotations Write video annotations to a .annotations.xml file --load-info-json FILE JSON file containing the video information (created with the --write-info-json option) --cookies FILE File to read cookies from and dump cookie jar in --cache-dir DIR Location in the filesystem where youtube-dl can store some downloaded information permanently. By default $XDG_CACHE_HOME/youtube-dl or ~/.cache/youtube-dl . At the moment, only YouTube player files (for videos with obfuscated signatures) are cached, but that may change. --no-cache-dir Disable filesystem caching --rm-cache-dir Delete all filesystem cache files Thumbnail images --write-thumbnail Write thumbnail image to disk --write-all-thumbnails Write all thumbnail image formats to disk --list-thumbnails Simulate and list all available thumbnail formats Verbosity / Simulation Options -q, --quiet Activate quiet mode --no-warnings Ignore warnings -s, --simulate Do not download the video and do not write anything to disk --skip-download Do not download the video -g, --get-url Simulate, quiet but print URL -e, --get-title Simulate, quiet but print title --get-id Simulate, quiet but print id --get-thumbnail Simulate, quiet but print thumbnail URL --get-description Simulate, quiet but print video description --get-duration Simulate, quiet but print video length --get-filename Simulate, quiet but print output filename --get-format Simulate, quiet but print output format -j, --dump-json Simulate, quiet but print JSON information. See the OUTPUT TEMPLATE for a description of available keys. -J, --dump-single-json Simulate, quiet but print JSON information for each command-line argument. If the URL refers to a playlist, dump the whole playlist information in a single line. --print-json Be quiet and print the video information as JSON (video is still being downloaded). --newline Output progress bar as new lines --no-progress Do not print progress bar --console-title Display progress in console titlebar -v, --verbose Print various debugging information --dump-pages Print downloaded pages encoded using base64 to debug problems (very verbose) --write-pages Write downloaded intermediary pages to files in the current directory to debug problems --print-traffic Display sent and read HTTP traffic -C, --call-home Contact the youtube-dl server for debugging --no-call-home Do NOT contact the youtube-dl server for debugging Workarounds --encoding ENCODING Force the specified encoding (experimental) --no-check-certificate Suppress HTTPS certificate validation --prefer-insecure Use an unencrypted connection to retrieve information about the video. (Currently supported only for YouTube) --user-agent UA Specify a custom user agent --referer URL Specify a custom referer, use if the video access is restricted to one domain --add-header FIELD VALUE Specify a custom HTTP header and its value, separated by a colon . You can use this option multiple times --bidi-workaround Work around terminals that lack bidirectional text support. Requires bidiv or fribidi executable in PATH --sleep-interval SECONDS Number of seconds to sleep before each download when used alone or a lower bound of a range for randomized sleep before each download (minimum possible number of seconds to sleep) when used along with --max-sleep-interval. --max-sleep-interval SECONDS Upper bound of a range for randomized sleep before each download (maximum possible number of seconds to sleep). Must only be used along with --min-sleep-interval. Video Format Options -f, --format FORMAT Video format code, see the FORMAT SELECTION for all the info --all-formats Download all available video formats --prefer-free-formats Prefer free video formats unless a specific one is requested -F, --list-formats List all available formats of requested videos --youtube-skip-dash-manifest Do not download the DASH manifests and related data on YouTube videos --merge-output-format FORMAT If a merge is required (e.g. bestvideo+bestaudio), output to given container format. One of mkv, mp4, ogg, webm, flv. Ignored if no merge is required Subtitle Options --write-sub Write subtitle file --write-auto-sub Write automatically generated subtitle file (YouTube only) --all-subs Download all the available subtitles of the video --list-subs List all available subtitles for the video --sub-format FORMAT Subtitle format, accepts formats preference, for example srt or ass/srt/best --sub-lang LANGS Languages of the subtitles to download (optional) separated by commas, use --list- subs for available language tags Authentication Options -u, --username USERNAME Login with this account ID -p, --password PASSWORD Account password. If this option is left out, youtube-dl will ask interactively. -2, --twofactor TWOFACTOR Two-factor authentication code -n, --netrc Use .netrc authentication data --video-password PASSWORD Video password (vimeo, smotri, youku) Adobe Pass Options --ap-mso MSO Adobe Pass multiple-system operator (TV provider) identifier, use --ap-list-mso for a list of available MSOs --ap-username USERNAME Multiple-system operator account login --ap-password PASSWORD Multiple-system operator account password. If this option is left out, youtube-dl will ask interactively. --ap-list-mso List all supported multiple-system operators Post-processing Options -x, --extract-audio Convert video files to audio-only files (requires ffmpeg or avconv and ffprobe or avprobe) --audio-format FORMAT Specify audio format best , aac , flac , mp3 , m4a , opus , vorbis , or wav ; best by default; No effect without -x --audio-quality QUALITY Specify ffmpeg/avconv audio quality, insert a value between 0 (better) and 9 (worse) for VBR or a specific bitrate like 128K (default 5) --recode-video FORMAT Encode the video to another format if necessary (currently supported mp4|flv|ogg|webm|mkv|avi) --postprocessor-args ARGS Give these arguments to the postprocessor -k, --keep-video Keep the video file on disk after the post- processing; the video is erased by default --no-post-overwrites Do not overwrite post-processed files; the post-processed files are overwritten by default --embed-subs Embed subtitles in the video (only for mp4, webm and mkv videos) --embed-thumbnail Embed thumbnail in the audio as cover art --add-metadata Write metadata to the video file --metadata-from-title FORMAT Parse additional metadata like song title / artist from the video title. The format syntax is the same as --output. Regular expression with named capture groups may also be used. The parsed parameters replace existing values. Example --metadata-from- title %(artist)s - %(title)s matches a title like Coldplay - Paradise . Example (regex) --metadata-from-title (?P artist .+?) - (?P title .+) --xattrs Write metadata to the video file s xattrs (using dublin core and xdg standards) --fixup POLICY Automatically correct known faults of the file. One of never (do nothing), warn (only emit a warning), detect_or_warn (the default; fix file if we can, warn otherwise) --prefer-avconv Prefer avconv over ffmpeg for running the postprocessors --prefer-ffmpeg Prefer ffmpeg over avconv for running the postprocessors (default) --ffmpeg-location PATH Location of the ffmpeg/avconv binary; either the path to the binary or its containing directory. --exec CMD Execute a command on the file after downloading and post-processing, similar to find s -exec syntax. Example --exec adb push {} /sdcard/Music/ rm {} --convert-subs FORMAT Convert the subtitles to other format (currently supported srt|ass|vtt|lrc) CONFIGURATION You can configure youtube-dl by placing any supported command line option to a configuration file. On Linux and macOS, the system wide configuration file is located at /etc/youtube-dl.conf and the user wide configuration file at ~/.config/youtube-dl/config. On Windows, the user wide configuration file locations are %APPDATA%\youtube-dl\config.txt or C \Users\ user name \youtube-dl.conf. Note that by default configuration file may not exist so you may need to create it yourself. For example, with the following configuration file youtube-dl will always extract the audio, not copy the mtime, use a proxy and save all videos under Movies directory in your home directory # Lines starting with # are comments # Always extract audio -x # Do not copy the mtime --no-mtime # Use this proxy --proxy 127.0.0.1 3128 # Save all videos under Movies directory in your home directory -o ~/Movies/%(title)s.%(ext)s Note that options in configuration file are just the same options aka switches used in regular command line calls thus there must be no whitespace after - or --, e.g. -o or --proxy but not - o or -- proxy. You can use --ignore-config if you want to disable the configuration file for a particular youtube-dl run. You can also use --config-location if you want to use custom configuration file for a particular youtube-dl run. Authentication with .netrc file You may also want to configure automatic credentials storage for extractors that support authentication (by providing login and password with --username and --password) in order not to pass credentials as command line arguments on every youtube-dl execution and prevent tracking plain text passwords in the shell command history. You can achieve this using a .netrc file on a per extractor basis. For that you will need to create a .netrc file in your $HOME and restrict permissions to read/write by only you touch $HOME/.netrc chmod a-rwx,u+rw $HOME/.netrc After that you can add credentials for an extractor in the following format, where extractor is the name of the extractor in lowercase machine extractor login login password password For example machine youtube login myaccount@gmail.com password my_youtube_password machine twitch login my_twitch_account_name password my_twitch_password To activate authentication with the .netrc file you should pass --netrc to youtube-dl or place it in the configuration file. On Windows you may also need to setup the %HOME% environment variable manually. For example set HOME=%USERPROFILE% OUTPUT TEMPLATE The -o option allows users to indicate a template for the output file names. tl;dr navigate me to examples. The basic usage is not to set any template arguments when downloading a single file, like in youtube-dl -o funny_video.flv https //some/video . However, it may contain special sequences that will be replaced when downloading each video. The special sequences may be formatted according to python string formatting operations. For example, %(NAME)s or %(NAME)05d. To clarify, that is a percent symbol followed by a name in parentheses, followed by formatting operations. Allowed names along with sequence type are id (string) Video identifier title (string) Video title url (string) Video URL ext (string) Video filename extension alt_title (string) A secondary title of the video display_id (string) An alternative identifier for the video uploader (string) Full name of the video uploader license (string) License name the video is licensed under creator (string) The creator of the video release_date (string) The date (YYYYMMDD) when the video was released timestamp (numeric) UNIX timestamp of the moment the video became available upload_date (string) Video upload date (YYYYMMDD) uploader_id (string) Nickname or id of the video uploader channel (string) Full name of the channel the video is uploaded on channel_id (string) Id of the channel location (string) Physical location where the video was filmed duration (numeric) Length of the video in seconds view_count (numeric) How many users have watched the video on the platform like_count (numeric) Number of positive ratings of the video dislike_count (numeric) Number of negative ratings of the video repost_count (numeric) Number of reposts of the video average_rating (numeric) Average rating give by users, the scale used depends on the webpage comment_count (numeric) Number of comments on the video age_limit (numeric) Age restriction for the video (years) is_live (boolean) Whether this video is a live stream or a fixed-length video start_time (numeric) Time in seconds where the reproduction should start, as specified in the URL end_time (numeric) Time in seconds where the reproduction should end, as specified in the URL format (string) A human-readable description of the format format_id (string) Format code specified by --format format_note (string) Additional info about the format width (numeric) Width of the video height (numeric) Height of the video resolution (string) Textual description of width and height tbr (numeric) Average bitrate of audio and video in KBit/s abr (numeric) Average audio bitrate in KBit/s acodec (string) Name of the audio codec in use asr (numeric) Audio sampling rate in Hertz vbr (numeric) Average video bitrate in KBit/s fps (numeric) Frame rate vcodec (string) Name of the video codec in use container (string) Name of the container format filesize (numeric) The number of bytes, if known in advance filesize_approx (numeric) An estimate for the number of bytes protocol (string) The protocol that will be used for the actual download extractor (string) Name of the extractor extractor_key (string) Key name of the extractor epoch (numeric) Unix epoch when creating the file autonumber (numeric) Five-digit number that will be increased with each download, starting at zero playlist (string) Name or id of the playlist that contains the video playlist_index (numeric) Index of the video in the playlist padded with leading zeros according to the total length of the playlist playlist_id (string) Playlist identifier playlist_title (string) Playlist title playlist_uploader (string) Full name of the playlist uploader playlist_uploader_id (string) Nickname or id of the playlist uploader Available for the video that belongs to some logical chapter or section chapter (string) Name or title of the chapter the video belongs to chapter_number (numeric) Number of the chapter the video belongs to chapter_id (string) Id of the chapter the video belongs to Available for the video that is an episode of some series or programme series (string) Title of the series or programme the video episode belongs to season (string) Title of the season the video episode belongs to season_number (numeric) Number of the season the video episode belongs to season_id (string) Id of the season the video episode belongs to episode (string) Title of the video episode episode_number (numeric) Number of the video episode within a season episode_id (string) Id of the video episode Available for the media that is a track or a part of a music album track (string) Title of the track track_number (numeric) Number of the track within an album or a disc track_id (string) Id of the track artist (string) Artist(s) of the track genre (string) Genre(s) of the track album (string) Title of the album the track belongs to album_type (string) Type of the album album_artist (string) List of all artists appeared on the album disc_number (numeric) Number of the disc or other physical medium the track belongs to release_year (numeric) Year (YYYY) when the album was released Each aforementioned sequence when referenced in an output template will be replaced by the actual value corresponding to the sequence name. Note that some of the sequences are not guaranteed to be present since they depend on the metadata obtained by a particular extractor. Such sequences will be replaced with NA. For example for -o %(title)s-%(id)s.%(ext)s and an mp4 video with title youtube-dl test video and id BaW_jenozKcj, this will result in a youtube-dl test video-BaW_jenozKcj.mp4 file created in the current directory. For numeric sequences you can use numeric related formatting, for example, %(view_count)05d will result in a string with view count padded with zeros up to 5 characters, like in 00042. Output templates can also contain arbitrary hierarchical path, e.g. -o %(playlist)s/%(playlist_index)s - %(title)s.%(ext)s which will result in downloading each video in a directory corresponding to this path template. Any missing directory will be automatically created for you. To use percent literals in an output template use %%. To output to stdout use -o -. The current default template is %(title)s-%(id)s.%(ext)s. In some cases, you don t want special characters such as 中, spaces, or , such as when transferring the downloaded filename to a Windows system or the filename through an 8bit-unsafe channel. In these cases, add the --restrict-filenames flag to get a shorter title Output template and Windows batch files If you are using an output template inside a Windows batch file then you must escape plain percent characters (%) by doubling, so that -o %(title)s-%(id)s.%(ext)s should become -o %%(title)s-%%(id)s.%%(ext)s . However you should not touch % s that are not plain characters, e.g. environment variables for expansion should stay intact -o C \%HOMEPATH%\Desktop\%%(title)s.%%(ext)s . Output template examples Note that on Windows you may need to use double quotes instead of single. $ youtube-dl --get-filename -o %(title)s.%(ext)s BaW_jenozKc youtube-dl test video _ä↭𝕐.mp4 # All kinds of weird characters $ youtube-dl --get-filename -o %(title)s.%(ext)s BaW_jenozKc --restrict-filenames youtube-dl_test_video_.mp4 # A simple file name # Download YouTube playlist videos in separate directory indexed by video order in a playlist $ youtube-dl -o %(playlist)s/%(playlist_index)s - %(title)s.%(ext)s https //www.youtube.com/playlist?list=PLwiyx1dc3P2JR9N8gQaQN_BCvlSlap7re # Download all playlists of YouTube channel/user keeping each playlist in separate directory $ youtube-dl -o %(uploader)s/%(playlist)s/%(playlist_index)s - %(title)s.%(ext)s https //www.youtube.com/user/TheLinuxFoundation/playlists # Download Udemy course keeping each chapter in separate directory under MyVideos directory in your home $ youtube-dl -u user -p password -o ~/MyVideos/%(playlist)s/%(chapter_number)s - %(chapter)s/%(title)s.%(ext)s https //www.udemy.com/java-tutorial/ # Download entire series season keeping each series and each season in separate directory under C /MyVideos $ youtube-dl -o C /MyVideos/%(series)s/%(season_number)s - %(season)s/%(episode_number)s - %(episode)s.%(ext)s https //videomore.ru/kino_v_detalayah/5_sezon/367617 # Stream the video being downloaded to stdout $ youtube-dl -o - BaW_jenozKc FORMAT SELECTION By default youtube-dl tries to download the best available quality, i.e. if you want the best quality you don t need to pass any special options, youtube-dl will guess it for you by default. But sometimes you may want to download in a different format, for example when you are on a slow or intermittent connection. The key mechanism for achieving this is so-called format selection based on which you can explicitly specify desired format, select formats based on some criterion or criteria, setup precedence and much more. The general syntax for format selection is --format FORMAT or shorter -f FORMAT where FORMAT is a selector expression, i.e. an expression that describes format or formats you would like to download. tl;dr navigate me to examples. The simplest case is requesting a specific format, for example with -f 22 you can download the format with format code equal to 22. You can get the list of available format codes for particular video using --list-formats or -F. Note that these format codes are extractor specific. You can also use a file extension (currently 3gp, aac, flv, m4a, mp3, mp4, ogg, wav, webm are supported) to download the best quality format of a particular file extension served as a single file, e.g. -f webm will download the best quality format with the webm extension served as a single file. You can also use special names to select particular edge case formats best Select the best quality format represented by a single file with video and audio. worst Select the worst quality format represented by a single file with video and audio. bestvideo Select the best quality video-only format (e.g. DASH video). May not be available. worstvideo Select the worst quality video-only format. May not be available. bestaudio Select the best quality audio only-format. May not be available. worstaudio Select the worst quality audio only-format. May not be available. For example, to download the worst quality video-only format you can use -f worstvideo. If you want to download multiple videos and they don t have the same formats available, you can specify the order of preference using slashes. Note that slash is left-associative, i.e. formats on the left hand side are preferred, for example -f 22/17/18 will download format 22 if it s available, otherwise it will download format 17 if it s available, otherwise it will download format 18 if it s available, otherwise it will complain that no suitable formats are available for download. If you want to download several formats of the same video use a comma as a separator, e.g. -f 22,17,18 will download all these three formats, of course if they are available. Or a more sophisticated example combined with the precedence feature -f 136/137/mp4/bestvideo,140/m4a/bestaudio. You can also filter the video formats by putting a condition in brackets, as in -f best[height=720] (or -f [filesize 10M] ). The following numeric meta fields can be used with comparisons , =, , =, = (equals), != (not equals) filesize The number of bytes, if known in advance width Width of the video, if known height Height of the video, if known tbr Average bitrate of audio and video in KBit/s abr Average audio bitrate in KBit/s vbr Average video bitrate in KBit/s asr Audio sampling rate in Hertz fps Frame rate Also filtering work for comparisons = (equals), ^= (starts with), $= (ends with), *= (contains) and following string meta fields ext File extension acodec Name of the audio codec in use vcodec Name of the video codec in use container Name of the container format protocol The protocol that will be used for the actual download, lower-case (http, https, rtsp, rtmp, rtmpe, mms, f4m, ism, http_dash_segments, m3u8, or m3u8_native) format_id A short description of the format Any string comparison may be prefixed with negation ! in order to produce an opposite comparison, e.g. !*= (does not contain). Note that none of the aforementioned meta fields are guaranteed to be present since this solely depends on the metadata obtained by particular extractor, i.e. the metadata offered by the video hoster. Formats for which the value is not known are excluded unless you put a question mark (?) after the operator. You can combine format filters, so -f [height =? 720][tbr 500] selects up to 720p videos (or videos where the height is not known) with a bitrate of at least 500 KBit/s. You can merge the video and audio of two formats into a single file using -f video-format + audio-format (requires ffmpeg or avconv installed), for example -f bestvideo+bestaudio will download the best video-only format, the best audio-only format and mux them together with ffmpeg/avconv. Format selectors can also be grouped using parentheses, for example if you want to download the best mp4 and webm formats with a height lower than 480 you can use -f (mp4,webm)[height 480] . Since the end of April 2015 and version 2015.04.26, youtube-dl uses -f bestvideo+bestaudio/best as the default format selection (see #5447, #5456). If ffmpeg or avconv are installed this results in downloading bestvideo and bestaudio separately and muxing them together into a single file giving the best overall quality available. Otherwise it falls back to best and results in downloading the best available quality served as a single file. best is also needed for videos that don t come from YouTube because they don t provide the audio and video in two different files. If you want to only download some DASH formats (for example if you are not interested in getting videos with a resolution higher than 1080p), you can add -f bestvideo[height =?1080]+bestaudio/best to your configuration file. Note that if you use youtube-dl to stream to stdout (and most likely to pipe it to your media player then), i.e. you explicitly specify output template as -o -, youtube-dl still uses -f best format selection in order to start content delivery immediately to your player and not to wait until bestvideo and bestaudio are downloaded and muxed. If you want to preserve the old format selection behavior (prior to youtube-dl 2015.04.26), i.e. you want to download the best available quality media served as a single file, you should explicitly specify your choice with -f best. You may want to add it to the configuration file in order not to type it every time you run youtube-dl. Format selection examples Note that on Windows you may need to use double quotes instead of single. # Download best mp4 format available or any other best if no mp4 available $ youtube-dl -f bestvideo[ext=mp4]+bestaudio[ext=m4a]/best[ext=mp4]/best # Download best format available but no better than 480p $ youtube-dl -f bestvideo[height =480]+bestaudio/best[height =480] # Download best video only format but no bigger than 50 MB $ youtube-dl -f best[filesize 50M] # Download best format available via direct link over HTTP/HTTPS protocol $ youtube-dl -f (bestvideo+bestaudio/best)[protocol^=http] # Download the best video format and the best audio format without merging them $ youtube-dl -f bestvideo,bestaudio -o %(title)s.f%(format_id)s.%(ext)s Note that in the last example, an output template is recommended as bestvideo and bestaudio may have the same file name. VIDEO SELECTION Videos can be filtered by their upload date using the options --date, --datebefore or --dateafter. They accept dates in two formats Absolute dates Dates in the format YYYYMMDD. Relative dates Dates in the format (now|today)[+-][0-9](day|week|month|year)(s)? Examples # Download only the videos uploaded in the last 6 months $ youtube-dl --dateafter now-6months # Download only the videos uploaded on January 1, 1970 $ youtube-dl --date 19700101 $ # Download only the videos uploaded in the 200x decade $ youtube-dl --dateafter 20000101 --datebefore 20091231 FAQ How do I update youtube-dl? If you ve followed our manual installation instructions, you can simply run youtube-dl -U (or, on Linux, sudo youtube-dl -U). If you have used pip, a simple sudo pip install -U youtube-dl is sufficient to update. If you have installed youtube-dl using a package manager like apt-get or yum, use the standard system update mechanism to update. Note that distribution packages are often outdated. As a rule of thumb, youtube-dl releases at least once a month, and often weekly or even daily. Simply go to https //yt-dl.org to find out the current version. Unfortunately, there is nothing we youtube-dl developers can do if your distribution serves a really outdated version. You can (and should) complain to your distribution in their bugtracker or support forum. As a last resort, you can also uninstall the version installed by your package manager and follow our manual installation instructions. For that, remove the distribution s package, with a line like sudo apt-get remove -y youtube-dl Afterwards, simply follow our manual installation instructions sudo wget https //yt-dl.org/downloads/latest/youtube-dl -O /usr/local/bin/youtube-dl sudo chmod a+rx /usr/local/bin/youtube-dl hash -r Again, from then on you ll be able to update with sudo youtube-dl -U. youtube-dl is extremely slow to start on Windows Add a file exclusion for youtube-dl.exe in Windows Defender settings. I m getting an error Unable to extract OpenGraph title on YouTube playlists YouTube changed their playlist format in March 2014 and later on, so you ll need at least youtube-dl 2014.07.25 to download all YouTube videos. If you have installed youtube-dl with a package manager, pip, setup.py or a tarball, please use that to update. Note that Ubuntu packages do not seem to get updated anymore. Since we are not affiliated with Ubuntu, there is little we can do. Feel free to report bugs to the Ubuntu packaging people - all they have to do is update the package to a somewhat recent version. See above for a way to update. I m getting an error when trying to use output template error using output template conflicts with using title, video ID or auto number Make sure you are not using -o with any of these options -t, --title, --id, -A or --auto-number set in command line or in a configuration file. Remove the latter if any. Do I always have to pass -citw? By default, youtube-dl intends to have the best options (incidentally, if you have a convincing case that these should be different, please file an issue where you explain that). Therefore, it is unnecessary and sometimes harmful to copy long option strings from webpages. In particular, the only option out of -citw that is regularly useful is -i. Can you please put the -b option back? Most people asking this question are not aware that youtube-dl now defaults to downloading the highest available quality as reported by YouTube, which will be 1080p or 720p in some cases, so you no longer need the -b option. For some specific videos, maybe YouTube does not report them to be available in a specific high quality format you re interested in. In that case, simply request it with the -f option and youtube-dl will try to download it. I get HTTP error 402 when trying to download a video. What s this? Apparently YouTube requires you to pass a CAPTCHA test if you download too much. We re considering to provide a way to let you solve the CAPTCHA, but at the moment, your best course of action is pointing a web browser to the youtube URL, solving the CAPTCHA, and restart youtube-dl. Do I need any other programs? youtube-dl works fine on its own on most sites. However, if you want to convert video/audio, you ll need avconv or ffmpeg. On some sites - most notably YouTube - videos can be retrieved in a higher quality format without sound. youtube-dl will detect whether avconv/ffmpeg is present and automatically pick the best option. Videos or video formats streamed via RTMP protocol can only be downloaded when rtmpdump is installed. Downloading MMS and RTSP videos requires either mplayer or mpv to be installed. I have downloaded a video but how can I play it? Once the video is fully downloaded, use any video player, such as mpv, vlc or mplayer. I extracted a video URL with -g, but it does not play on another machine / in my web browser. It depends a lot on the service. In many cases, requests for the video (to download/play it) must come from the same IP address and with the same cookies and/or HTTP headers. Use the --cookies option to write the required cookies into a file, and advise your downloader to read cookies from that file. Some sites also require a common user agent to be used, use --dump-user-agent to see the one in use by youtube-dl. You can also get necessary cookies and HTTP headers from JSON output obtained with --dump-json. It may be beneficial to use IPv6; in some cases, the restrictions are only applied to IPv4. Some services (sometimes only for a subset of videos) do not restrict the video URL by IP address, cookie, or user-agent, but these are the exception rather than the rule. Please bear in mind that some URL protocols are not supported by browsers out of the box, including RTMP. If you are using -g, your own downloader must support these as well. If you want to play the video on a machine that is not running youtube-dl, you can relay the video content from the machine that runs youtube-dl. You can use -o - to let youtube-dl stream a video to stdout, or simply allow the player to download the files written by youtube-dl in turn. ERROR no fmt_url_map or conn information found in video info YouTube has switched to a new video info format in July 2011 which is not supported by old versions of youtube-dl. See above for how to update youtube-dl. ERROR unable to download video YouTube requires an additional signature since September 2012 which is not supported by old versions of youtube-dl. See above for how to update youtube-dl. Video URL contains an ampersand and I m getting some strange output [1] 2839 or v is not recognized as an internal or external command That s actually the output from your shell. Since ampersand is one of the special shell characters it s interpreted by the shell preventing you from passing the whole URL to youtube-dl. To disable your shell from interpreting the ampersands (or any other special characters) you have to either put the whole URL in quotes or escape them with a backslash (which approach will work depends on your shell). For example if your URL is https //www.youtube.com/watch?t=4 v=BaW_jenozKc you should end up with following command youtube-dl https //www.youtube.com/watch?t=4 v=BaW_jenozKc or youtube-dl https //www.youtube.com/watch?t=4\ v=BaW_jenozKc For Windows you have to use the double quotes youtube-dl https //www.youtube.com/watch?t=4 v=BaW_jenozKc ExtractorError Could not find JS function u OF In February 2015, the new YouTube player contained a character sequence in a string that was misinterpreted by old versions of youtube-dl. See above for how to update youtube-dl. HTTP Error 429 Too Many Requests or 402 Payment Required These two error codes indicate that the service is blocking your IP address because of overuse. Usually this is a soft block meaning that you can gain access again after solving CAPTCHA. Just open a browser and solve a CAPTCHA the service suggests you and after that pass cookies to youtube-dl. Note that if your machine has multiple external IPs then you should also pass exactly the same IP you ve used for solving CAPTCHA with --source-address. Also you may need to pass a User-Agent HTTP header of your browser with --user-agent. If this is not the case (no CAPTCHA suggested to solve by the service) then you can contact the service and ask them to unblock your IP address, or - if you have acquired a whitelisted IP address already - use the --proxy or --source-address options to select another IP address. SyntaxError Non-ASCII character The error File youtube-dl , line 2 SyntaxError Non-ASCII character \x93 ... means you re using an outdated version of Python. Please update to Python 2.6 or 2.7. What is this binary file? Where has the code gone? Since June 2012 (#342) youtube-dl is packed as an executable zipfile, simply unzip it (might need renaming to youtube-dl.zip first on some systems) or clone the git repository, as laid out above. If you modify the code, you can run it by executing the __main__.py file. To recompile the executable, run make youtube-dl. The exe throws an error due to missing MSVCR100.dll To run the exe you need to install first the Microsoft Visual C++ 2010 Redistributable Package (x86). On Windows, how should I set up ffmpeg and youtube-dl? Where should I put the exe files? If you put youtube-dl and ffmpeg in the same directory that you re running the command from, it will work, but that s rather cumbersome. To make a different directory work - either for ffmpeg, or for youtube-dl, or for both - simply create the directory (say, C \bin, or C \Users\ User name \bin), put all the executables directly in there, and then set your PATH environment variable to include that directory. From then on, after restarting your shell, you will be able to access both youtube-dl and ffmpeg (and youtube-dl will be able to find ffmpeg) by simply typing youtube-dl or ffmpeg, no matter what directory you re in. How do I put downloads into a specific folder? Use the -o to specify an output template, for example -o /home/user/videos/%(title)s-%(id)s.%(ext)s . If you want this for all of your downloads, put the option into your configuration file. How do I download a video starting with a -? Either prepend https //www.youtube.com/watch?v= or separate the ID from the options with -- youtube-dl -- -wNyEUrxzFU youtube-dl https //www.youtube.com/watch?v=-wNyEUrxzFU How do I pass cookies to youtube-dl? Use the --cookies option, for example --cookies /path/to/cookies/file.txt. In order to extract cookies from browser use any conforming browser extension for exporting cookies. For example, cookies.txt (for Chrome) or cookies.txt (for Firefox). Note that the cookies file must be in Mozilla/Netscape format and the first line of the cookies file must be either # HTTP Cookie File or # Netscape HTTP Cookie File. Make sure you have correct newline format in the cookies file and convert newlines if necessary to correspond with your OS, namely CRLF (\r\n) for Windows and LF (\n) for Unix and Unix-like systems (Linux, macOS, etc.). HTTP Error 400 Bad Request when using --cookies is a good sign of invalid newline format. Passing cookies to youtube-dl is a good way to workaround login when a particular extractor does not implement it explicitly. Another use case is working around CAPTCHA some websites require you to solve in particular cases in order to get access (e.g. YouTube, CloudFlare). How do I stream directly to media player? You will first need to tell youtube-dl to stream media to stdout with -o -, and also tell your media player to read from stdin (it must be capable of this for streaming) and then pipe former to latter. For example, streaming to vlc can be achieved with youtube-dl -o - https //www.youtube.com/watch?v=BaW_jenozKcj | vlc - How do I download only new videos from a playlist? Use download-archive feature. With this feature you should initially download the complete playlist with --download-archive /path/to/download/archive/file.txt that will record identifiers of all the videos in a special file. Each subsequent run with the same --download-archive will download only new videos and skip all videos that have been downloaded before. Note that only successful downloads are recorded in the file. For example, at first, youtube-dl --download-archive archive.txt https //www.youtube.com/playlist?list=PLwiyx1dc3P2JR9N8gQaQN_BCvlSlap7re will download the complete PLwiyx1dc3P2JR9N8gQaQN_BCvlSlap7re playlist and create a file archive.txt. Each subsequent run will only download new videos if any youtube-dl --download-archive archive.txt https //www.youtube.com/playlist?list=PLwiyx1dc3P2JR9N8gQaQN_BCvlSlap7re Should I add --hls-prefer-native into my config? When youtube-dl detects an HLS video, it can download it either with the built-in downloader or ffmpeg. Since many HLS streams are slightly invalid and ffmpeg/youtube-dl each handle some invalid cases better than the other, there is an option to switch the downloader if needed. When youtube-dl knows that one particular downloader works better for a given website, that downloader will be picked. Otherwise, youtube-dl will pick the best downloader for general compatibility, which at the moment happens to be ffmpeg. This choice may change in future versions of youtube-dl, with improvements of the built-in downloader and/or ffmpeg. In particular, the generic extractor (used when your website is not in the list of supported sites by youtube-dl cannot mandate one specific downloader. If you put either --hls-prefer-native or --hls-prefer-ffmpeg into your configuration, a different subset of videos will fail to download correctly. Instead, it is much better to file an issue or a pull request which details why the native or the ffmpeg HLS downloader is a better choice for your use case. Can you add support for this anime video site, or site which shows current movies for free? As a matter of policy (as well as legality), youtube-dl does not include support for services that specialize in infringing copyright. As a rule of thumb, if you cannot easily find a video that the service is quite obviously allowed to distribute (i.e. that has been uploaded by the creator, the creator s distributor, or is published under a free license), the service is probably unfit for inclusion to youtube-dl. A note on the service that they don t host the infringing content, but just link to those who do, is evidence that the service should not be included into youtube-dl. The same goes for any DMCA note when the whole front page of the service is filled with videos they are not allowed to distribute. A "fair use" note is equally unconvincing if the service shows copyright-protected videos in full without authorization. Support requests for services that do purchase the rights to distribute their content are perfectly fine though. If in doubt, you can simply include a source that mentions the legitimate purchase of content. How can I speed up work on my issue? (Also known as Help, my important issue not being solved!) The youtube-dl core developer team is quite small. While we do our best to solve as many issues as possible, sometimes that can take quite a while. To speed up your issue, here s what you can do First of all, please do report the issue at our issue tracker. That allows us to coordinate all efforts by users and developers, and serves as a unified point. Unfortunately, the youtube-dl project has grown too large to use personal email as an effective communication channel. Please read the bug reporting instructions below. A lot of bugs lack all the necessary information. If you can, offer proxy, VPN, or shell access to the youtube-dl developers. If you are able to, test the issue from multiple computers in multiple countries to exclude local censorship or misconfiguration issues. If nobody is interested in solving your issue, you are welcome to take matters into your own hands and submit a pull request (or coerce/pay somebody else to do so). Feel free to bump the issue from time to time by writing a small comment ("Issue is still present in youtube-dl version ...from France, but fixed from Belgium"), but please not more than once a month. Please do not declare your issue as important or urgent. How can I detect whether a given URL is supported by youtube-dl? For one, have a look at the list of supported sites. Note that it can sometimes happen that the site changes its URL scheme (say, from https //example.com/video/1234567 to https //example.com/v/1234567 ) and youtube-dl reports an URL of a service in that list as unsupported. In that case, simply report a bug. It is not possible to detect whether a URL is supported or not. That s because youtube-dl contains a generic extractor which matches all URLs. You may be tempted to disable, exclude, or remove the generic extractor, but the generic extractor not only allows users to extract videos from lots of websites that embed a video from another service, but may also be used to extract video from a service that it s hosting itself. Therefore, we neither recommend nor support disabling, excluding, or removing the generic extractor. If you want to find out whether a given URL is supported, simply call youtube-dl with it. If you get no videos back, chances are the URL is either not referring to a video or unsupported. You can find out which by examining the output (if you run youtube-dl on the console) or catching an UnsupportedError exception if you run it from a Python program. Why do I need to go through that much red tape when filing bugs? Before we had the issue template, despite our extensive bug reporting instructions, about 80% of the issue reports we got were useless, for instance because people used ancient versions hundreds of releases old, because of simple syntactic errors (not in youtube-dl but in general shell usage), because the problem was already reported multiple times before, because people did not actually read an error message, even if it said "please install ffmpeg", because people did not mention the URL they were trying to download and many more simple, easy-to-avoid problems, many of whom were totally unrelated to youtube-dl. youtube-dl is an open-source project manned by too few volunteers, so we d rather spend time fixing bugs where we are certain none of those simple problems apply, and where we can be reasonably confident to be able to reproduce the issue without asking the reporter repeatedly. As such, the output of youtube-dl -v YOUR_URL_HERE is really all that s required to file an issue. The issue template also guides you through some basic steps you can do, such as checking that your version of youtube-dl is current. DEVELOPER INSTRUCTIONS Most users do not need to build youtube-dl and can download the builds or get them from their distribution. To run youtube-dl as a developer, you don t need to build anything either. Simply execute python -m youtube_dl To run the test, simply invoke your favorite test runner, or execute a test file directly; any of the following work python -m unittest discover python test/test_download.py nosetests See item 6 of new extractor tutorial for how to run extractor specific test cases. If you want to create a build of youtube-dl yourself, you ll need python make (only GNU make is supported) pandoc zip nosetests Adding support for a new site If you want to add support for a new site, first of all make sure this site is not dedicated to copyright infringement. youtube-dl does not support such sites thus pull requests adding support for them will be rejected. After you have ensured this site is distributing its content legally, you can follow this quick list (assuming your service is called yourextractor) Fork this repository Check out the source code with git clone git@github.com YOUR_GITHUB_USERNAME/youtube-dl.git Start a new git branch with cd youtube-dl git checkout -b yourextractor Start with this simple template and save it to youtube_dl/extractor/yourextractor.py # coding utf-8 from __future__ import unicode_literals from .common import InfoExtractor class YourExtractorIE(InfoExtractor) _VALID_URL = r https? //(? www\.)?yourextractor\.com/watch/(?P id [0-9]+) _TEST = { url https //yourextractor.com/watch/42 , md5 TODO md5 sum of the first 10241 bytes of the video file (use --test) , info_dict { id 42 , ext mp4 , title Video title goes here , thumbnail r re ^https? //.*\.jpg$ , # TODO more properties, either as # * A value # * MD5 checksum; start the string with md5 # * A regular expression; start the string with re # * Any Python type (for example int or float) } } def _real_extract(self, url) video_id = self._match_id(url) webpage = self._download_webpage(url, video_id) # TODO more code goes here, for example ... title = self._html_search_regex(r h1 (.+?) /h1 , webpage, title ) return { id video_id, title title, description self._og_search_description(webpage), uploader self._search_regex(r div[^ ]+id= uploader [^ ]* ([^ ]+) , webpage, uploader , fatal=False), # TODO more properties (see youtube_dl/extractor/common.py) } Add an import in youtube_dl/extractor/extractors.py. Run python test/test_download.py TestDownload.test_YourExtractor. This should fail at first, but you can continually re-run it until you re done. If you decide to add more than one test, then rename _TEST to _TESTS and make it into a list of dictionaries. The tests will then be named TestDownload.test_YourExtractor, TestDownload.test_YourExtractor_1, TestDownload.test_YourExtractor_2, etc. Note that tests with only_matching key in test s dict are not counted in. Have a look at youtube_dl/extractor/common.py for possible helper methods and a detailed description of what your extractor should and may return. Add tests and code for as many as you want. Make sure your code follows youtube-dl coding conventions and check the code with flake8 $ flake8 youtube_dl/extractor/yourextractor.py Make sure your code works under all Python versions claimed supported by youtube-dl, namely 2.6, 2.7, and 3.2+. When the tests pass, add the new files and commit them and push the result, like this $ git add youtube_dl/extractor/extractors.py $ git add youtube_dl/extractor/yourextractor.py $ git commit -m [yourextractor] Add new extractor $ git push origin yourextractor Finally, create a pull request. We ll then review and merge it. In any case, thank you very much for your contributions! youtube-dl coding conventions This section introduces a guide lines for writing idiomatic, robust and future-proof extractor code. Extractors are very fragile by nature since they depend on the layout of the source data provided by 3rd party media hosters out of your control and this layout tends to change. As an extractor implementer your task is not only to write code that will extract media links and metadata correctly but also to minimize dependency on the source s layout and even to make the code foresee potential future changes and be ready for that. This is important because it will allow the extractor not to break on minor layout changes thus keeping old youtube-dl versions working. Even though this breakage issue is easily fixed by emitting a new version of youtube-dl with a fix incorporated, all the previous versions become broken in all repositories and distros packages that may not be so prompt in fetching the update from us. Needless to say, some non rolling release distros may never receive an update at all. Mandatory and optional metafields For extraction to work youtube-dl relies on metadata your extractor extracts and provides to youtube-dl expressed by an information dictionary or simply info dict. Only the following meta fields in the info dict are considered mandatory for a successful extraction process by youtube-dl id (media identifier) title (media title) url (media download URL) or formats In fact only the last option is technically mandatory (i.e. if you can t figure out the download location of the media the extraction does not make any sense). But by convention youtube-dl also treats id and title as mandatory. Thus the aforementioned metafields are the critical data that the extraction does not make any sense without and if any of them fail to be extracted then the extractor is considered completely broken. Any field apart from the aforementioned ones are considered optional. That means that extraction should be tolerant to situations when sources for these fields can potentially be unavailable (even if they are always available at the moment) and future-proof in order not to break the extraction of general purpose mandatory fields. Example Say you have some source dictionary meta that you ve fetched as JSON with HTTP request and it has a key summary meta = self._download_json(url, video_id) Assume at this point meta s layout is { ... summary some fancy summary text , ... } Assume you want to extract summary and put it into the resulting info dict as description. Since description is an optional meta field you should be ready that this key may be missing from the meta dict, so that you should extract it like description = meta.get( summary ) # correct and not like description = meta[ summary ] # incorrect The latter will break extraction process with KeyError if summary disappears from meta at some later time but with the former approach extraction will just go ahead with description set to None which is perfectly fine (remember None is equivalent to the absence of data). Similarly, you should pass fatal=False when extracting optional data from a webpage with _search_regex, _html_search_regex or similar methods, for instance description = self._search_regex( r span[^ ]+id= title [^ ]* ([^ ]+) , webpage, description , fatal=False) With fatal set to False if _search_regex fails to extract description it will emit a warning and continue extraction. You can also pass default= some fallback value , for example description = self._search_regex( r span[^ ]+id= title [^ ]* ([^ ]+) , webpage, description , default=None) On failure this code will silently continue the extraction with description set to None. That is useful for metafields that may or may not be present. Provide fallbacks When extracting metadata try to do so from multiple sources. For example if title is present in several places, try extracting from at least some of them. This makes it more future-proof in case some of the sources become unavailable. Example Say meta from the previous example has a title and you are about to extract it. Since title is a mandatory meta field you should end up with something like title = meta[ title ] If title disappears from meta in future due to some changes on the hoster s side the extraction would fail since title is mandatory. That s expected. Assume that you have some another source you can extract title from, for example og title HTML meta of a webpage. In this case you can provide a fallback scenario title = meta.get( title ) or self._og_search_title(webpage) This code will try to extract from meta first and if it fails it will try extracting og title from a webpage. Regular expressions Don t capture groups you don t use Capturing group must be an indication that it s used somewhere in the code. Any group that is not used must be non capturing. Example Don t capture id attribute name here since you can t use it for anything anyway. Correct r (? id|ID)=(?P id \d+) Incorrect r (id|ID)=(?P id \d+) Make regular expressions relaxed and flexible When using regular expressions try to write them fuzzy, relaxed and flexible, skipping insignificant parts that are more likely to change, allowing both single and double quotes for quoted values and so on. Example Say you need to extract title from the following HTML code span style= position absolute; left 910px; width 90px; float right; z-index 9999; class= title some fancy title /span The code for that task should look similar to title = self._search_regex( r span[^ ]+class= title [^ ]* ([^ ]+) , webpage, title ) Or even better title = self._search_regex( r span[^ ]+class=([ \ ])title\1[^ ]* (?P title [^ ]+) , webpage, title , group= title ) Note how you tolerate potential changes in the style attribute s value or switch from using double quotes to single for class attribute The code definitely should not look like title = self._search_regex( r span style= position absolute; left 910px; width 90px; float right; z-index 9999; class= title (.*?) /span , webpage, title , group= title ) Long lines policy There is a soft limit to keep lines of code under 80 characters long. This means it should be respected if possible and if it does not make readability and code maintenance worse. For example, you should never split long string literals like URLs or some other often copied entities over multiple lines to fit this limit Correct https //www.youtube.com/watch?v=FqZTN594JQw list=PLMYEtVRpaqY00V9W81Cwmzp6N6vZqfUKD4 Incorrect https //www.youtube.com/watch?v=FqZTN594JQw list= PLMYEtVRpaqY00V9W81Cwmzp6N6vZqfUKD4 Inline values Extracting variables is acceptable for reducing code duplication and improving readability of complex expressions. However, you should avoid extracting variables used only once and moving them to opposite parts of the extractor file, which makes reading the linear flow difficult. Example Correct title = self._html_search_regex(r title ([^ ]+) /title , webpage, title ) Incorrect TITLE_RE = r title ([^ ]+) /title # ...some lines of code... title = self._html_search_regex(TITLE_RE, webpage, title ) Collapse fallbacks Multiple fallback values can quickly become unwieldy. Collapse multiple fallback values into a single expression via a list of patterns. Example Good description = self._html_search_meta( [ og description , description , twitter description ], webpage, description , default=None) Unwieldy description = ( self._og_search_description(webpage, default=None) or self._html_search_meta( description , webpage, default=None) or self._html_search_meta( twitter description , webpage, default=None)) Methods supporting list of patterns are _search_regex, _html_search_regex, _og_search_property, _html_search_meta. Trailing parentheses Always move trailing parentheses after the last argument. Example Correct lambda x x[ ResultSet ][ Result ][0][ VideoUrlSet ][ VideoUrl ], list) Incorrect lambda x x[ ResultSet ][ Result ][0][ VideoUrlSet ][ VideoUrl ], list, ) Use convenience conversion and parsing functions Wrap all extracted numeric data into safe functions from youtube_dl/utils.py int_or_none, float_or_none. Use them for string to number conversions as well. Use url_or_none for safe URL processing. Use try_get for safe metadata extraction from parsed JSON. Use unified_strdate for uniform upload_date or any YYYYMMDD meta field extraction, unified_timestamp for uniform timestamp extraction, parse_filesize for filesize extraction, parse_count for count meta fields extraction, parse_resolution, parse_duration for duration extraction, parse_age_limit for age_limit extraction. Explore youtube_dl/utils.py for more useful convenience functions. More examples Safely extract optional description from parsed JSON description = try_get(response, lambda x x[ result ][ video ][0][ summary ], compat_str) Safely extract more optional metadata video = try_get(response, lambda x x[ result ][ video ][0], dict) or {} description = video.get( summary ) duration = float_or_none(video.get( durationMs ), scale=1000) view_count = int_or_none(video.get( views )) EMBEDDING YOUTUBE-DL youtube-dl makes the best effort to be a good command-line program, and thus should be callable from any programming language. If you encounter any problems parsing its output, feel free to create a report. From a Python program, you can embed youtube-dl in a more powerful fashion, like this from __future__ import unicode_literals import youtube_dl ydl_opts = {} with youtube_dl.YoutubeDL(ydl_opts) as ydl ydl.download([ https //www.youtube.com/watch?v=BaW_jenozKc ]) Most likely, you ll want to use various options. For a list of options available, have a look at youtube_dl/YoutubeDL.py. For a start, if you want to intercept youtube-dl s output, set a logger object. Here s a more complete example of a program that outputs only errors (and a short message after the download is finished), and downloads/converts the video to an mp3 file from __future__ import unicode_literals import youtube_dl class MyLogger(object) def debug(self, msg) pass def warning(self, msg) pass def error(self, msg) print(msg) def my_hook(d) if d[ status ] == finished print( Done downloading, now converting ... ) ydl_opts = { format bestaudio/best , postprocessors [{ key FFmpegExtractAudio , preferredcodec mp3 , preferredquality 192 , }], logger MyLogger(), progress_hooks [my_hook], } with youtube_dl.YoutubeDL(ydl_opts) as ydl ydl.download([ https //www.youtube.com/watch?v=BaW_jenozKc ]) BUGS Bugs and suggestions should be reported at https //github.com/ytdl-org/youtube-dl/issues. Unless you were prompted to or there is another pertinent reason (e.g. GitHub fails to accept the bug report), please do not send bug reports via personal email. For discussions, join us in the IRC channel #youtube-dl on freenode (webchat). Please include the full output of youtube-dl when run with -v, i.e. add -v flag to your command line, copy the whole output and post it in the issue body wrapped in ``` for better formatting. It should look similar to this $ youtube-dl -v your command line [debug] System config [] [debug] User config [] [debug] Command-line args [u -v , u https //www.youtube.com/watch?v=BaW_jenozKcj ] [debug] Encodings locale cp1251, fs mbcs, out cp866, pref cp1251 [debug] youtube-dl version 2015.12.06 [debug] Git HEAD 135392e [debug] Python version 2.6.6 - Windows-2003Server-5.2.3790-SP2 [debug] exe versions ffmpeg N-75573-g1d0487f, ffprobe N-75573-g1d0487f, rtmpdump 2.4 [debug] Proxy map {} ... Do not post screenshots of verbose logs; only plain text is acceptable. The output (including the first lines) contains important debugging information. Issues without the full output are often not reproducible and therefore do not get solved in short order, if ever. Please re-read your issue once again to avoid a couple of common mistakes (you can and should use this as a checklist) Is the description of the issue itself sufficient? We often get issue reports that we cannot really decipher. While in most cases we eventually get the required information after asking back multiple times, this poses an unnecessary drain on our resources. Many contributors, including myself, are also not native speakers, so we may misread some parts. So please elaborate on what feature you are requesting, or what bug you want to be fixed. Make sure that it s obvious What the problem is How it could be fixed How your proposed solution would look like If your report is shorter than two lines, it is almost certainly missing some of these, which makes it hard for us to respond to it. We re often too polite to close the issue outright, but the missing info makes misinterpretation likely. As a committer myself, I often get frustrated by these issues, since the only possible way for me to move forward on them is to ask for clarification over and over. For bug reports, this means that your report should contain the complete output of youtube-dl when called with the -v flag. The error message you get for (most) bugs even says so, but you would not believe how many of our bug reports do not contain this information. If your server has multiple IPs or you suspect censorship, adding --call-home may be a good idea to get more diagnostics. If the error is ERROR Unable to extract ... and you cannot reproduce it from multiple countries, add --dump-pages (warning this will yield a rather large output, redirect it to the file log.txt by adding log.txt 2 1 to your command-line) or upload the .dump files you get when you add --write-pages somewhere. Site support requests must contain an example URL. An example URL is a URL you might want to download, like https //www.youtube.com/watch?v=BaW_jenozKc. There should be an obvious video present. Except under very special circumstances, the main page of a video service (e.g. https //www.youtube.com/) is not an example URL. Are you using the latest version? Before reporting any issue, type youtube-dl -U. This should report that you re up-to-date. About 20% of the reports we receive are already fixed, but people are using outdated versions. This goes for feature requests as well. Is the issue already documented? Make sure that someone has not already opened the issue you re trying to open. Search at the top of the window or browse the GitHub Issues of this repository. If there is an issue, feel free to write something along the lines of "This affects me as well, with version 2015.01.01. Here is some more information on the issue ...". While some issues may be old, a new post into them often spurs rapid activity. Why are existing options not enough? Before requesting a new feature, please have a quick peek at the list of supported options. Many feature requests are for features that actually exist already! Please, absolutely do show off your work in the issue report and detail how the existing similar options do not solve your problem. Is there enough context in your bug report? People want to solve problems, and often think they do us a favor by breaking down their larger problems (e.g. wanting to skip already downloaded files) to a specific request (e.g. requesting us to look whether the file exists before downloading the info page). However, what often happens is that they break down the problem into two steps One simple, and one impossible (or extremely complicated one). We are then presented with a very complicated request when the original problem could be solved far easier, e.g. by recording the downloaded video IDs in a separate file. To avoid this, you must include the greater context where it is non-obvious. In particular, every feature request that does not consist of adding support for a new site should contain a use case scenario that explains in what situation the missing feature would be useful. Does the issue involve one problem, and one problem only? Some of our users seem to think there is a limit of issues they can or should open. There is no limit of issues they can or should open. While it may seem appealing to be able to dump all your issues into one ticket, that means that someone who solves one of your issues cannot mark the issue as closed. Typically, reporting a bunch of issues leads to the ticket lingering since nobody wants to attack that behemoth, until someone mercifully splits the issue into multiple ones. In particular, every site support request issue should only pertain to services at one site (generally under a common domain, but always using the same backend technology). Do not request support for vimeo user videos, White house podcasts, and Google Plus pages in the same issue. Also, make sure that you don t post bug reports alongside feature requests. As a rule of thumb, a feature request does not include outputs of youtube-dl that are not immediately related to the feature at hand. Do not post reports of a network error alongside the request for a new video service. Is anyone going to need the feature? Only post features that you (or an incapacitated friend you can personally talk to) require. Do not post features because they seem like a good idea. If they are really useful, they will be requested by someone who requires them. Is your question about youtube-dl? It may sound strange, but some bug reports we receive are completely unrelated to youtube-dl and relate to a different, or even the reporter s own, application. Please make sure that you are actually using youtube-dl. If you are using a UI for youtube-dl, report the bug to the maintainer of the actual application providing the UI. On the other hand, if your UI for youtube-dl fails in some way you believe is related to youtube-dl, by all means, go ahead and report the bug. COPYRIGHT youtube-dl is released into the public domain by the copyright holders. This README file was originally written by Daniel Bolton and is likewise released into the public domain.
https://w.atwiki.jp/oper/pages/1475.html
PREMIERE ACTE La campagne aux environs de Thêbes (Au fond des blés et des bleuets A gauche au premier plan la cabane d`Aristée surmontée de cette enseigne « Aristée, fabricant de miel, gros et détail, dépôt au Mont Hymene…» A droite, un premier plan, la cabane d`Orphée avec cette inscription «Orphée, directeur de l orphéon de Thèbes, leçons au mois et au cachet » Des sentiers travenient les blés et conduisent à un temple placé sur une petite colline au troisième plan à gauche ce plan est praticable. Au lever du le rideau le théâtre est vide des bergers et des bergères entrent par la gauche.) N° 1 Choeur des bergers et scène du conseil municipal LES BERGERES Voici la douzième heure, que chacun retourne en sa demeure. Allons, rentrons nos blancs moutons. LES BERGERS Voici la douzième heure, retournons en notre demeure. Allons, rentrons nos blancs moutons UN LICTEUR Place, place au conseil municipal qui casse, qui passe. TOUS Place, place! (Entrée du conseil municipal) LE CONSEIL Conseil municipal de la ville de Thébes, nous sommes les gardiens du bonheur pastoral, nous soignons les enfants, dirigeons les éphèbes, bref, nous sommes un bon conseil municipal. LE CHOEUR Honneur, honneur à nos doyens! Honneur, honneur à nos anciens! LE CONSEIL Merci, merci mes chers entants, vos anciens de vous sont contents. LE CHOEUR Honneur, honneur à nos doyens! Honneur, honneur à nos anciens! LE CONSEIL Vos anciens de vous etc. (L Opinion Publique paraît précède de licteurs. Elle est armée d un fouet) LE LICTEUR (annoncent) L Opinion Publique! L OPINION PUBLIQUE (sur une mélodée) Qui je suis? Du théâtre antique j ai perfectionné le chœur; je suis l Opinion Publique, un personnage symbolique, ce qu on appelle un raisonneur. La choeur antique an confidence se chargeait d expliquer aux gens ce qu ils avaient compris d avance quand ils étaient intelligents. Moi, je fais mieux j agis moi-même, et, prenant part à l action, de la palme ou de l anathème je fais la distribution. Que prenne garde à moi la femme qui voudrait tromper son époux, et que se garde aussi l époux qui ferait des traits à sa femme!. C est aux Personnages du drame que je parle, rassurez-vous! Voici venir notre Eurydice je pars… mais je suis toujours là, prêt à sortir de la coulisse comme un Deus ex machina. (L Opinion Publique suive de tout son cortège remonte vers le temple. Les veilllards l accompagnent en reprenant le chœur. Les bergers sortent par les côtés. Le théâtre reste vide. Seule, au milieu des blés, on aperçoit Eurydice qui cueille des fleurs et en fait une guirlande.) N° 2 Couplets du Berger Joli EURYDICE La femme dont le coeur rêve n a pas de sommeil chaque jour elle se lève avec le soleil. Le matin de fleurs plus belles les prés sont brodes. Mais ces fleurs pour qui sont-elles? Vous le demandez? Vous le demandez? Pour qui? Ah! ah! ah! ah! N en dites rien à mon mari, Car c est pour le berger joli qui loge ici. (Elle s approche avec inquiétude de la cabane d Aristée et suspend à sa porte une guirlande) Chaque jour ainsi j apporte au berger galant de beaux bleuets, qu à sa porte j accroche en tremblant, et mon pauvre coeur palpite à bonds saccadés; pour qui donc bat-il si vite? Vous le demandez ? Vous le demandez? Pour qui? Ah! ah! ah! ah! N en dites rien à mon mari, car c est pour le berger joli qui loge ici. (Elle entrouvre le porte de la cabane et regarde un innant a l intérieur pendant ce temps, Orphée paraît à gauche, prenant à la main son violon. Eurydice prend le reste des fleurs qu elle tient dans sa robe et les jette dans la cabane.) ORPHÉE Que vois-je? N est-ce pas la nymphe Maquilla, la belle nymphe que j adore? Seule?... Révélons ma présence par ce trait qu elle aime tant! (Il joue une phrase passionnée sur son violine. Eurydice se retourne) EURYDICE Mon mari! ORPHÉE Ma femme!... Imbécile!... Dépêchons-nous de crier avant elle!... Ah! je vous y prends, Madame... A qui donc jetiez-vous ces fleurs, s il vous plaît? EURYDICE Ces fleurs? Au vent! Et vous mon tendre ami, à qui jetiez vous ce chant passionne de votre… crin-crin? ORPHÉE Mon violon!... Ne touchez pas à cette corde, Madame! EURYDICE Il m ennuie comme vos vers votre violon!... Allez charmer de ses sons les bergères de troisième ordres dont vous raffolez. Quant à moi, j aime aujourd hui ce berger, il m aime, rien ne me séparera d Aristée! N° 3. Duo du Concerto ORPHÉE Ah! c est ainsi! EURYDICE Oui, mon ami. ORPHÉE Tu me trompes comme mari? EURYDICE Oui, mon ami! ORPHÉE Tu me dédaignes comme artiste? EURYDICE Oui, mon ami! ORPHÉE Tu n aimes pas le violoniste? EURYDICE Non, mon ami, Le violoniste me paraît triste; l instrumentiste est assommant, et l instrument me déplaît souverainement. ORPHÉE Ah! de ton insolence je dois tirer vengeance! EURYDICE Et comment, je vous prie? ORPHÉE Je vais ma tendre amie vous jouer aussitôt une œuvre de génie, mon dernier concerto! EURYDICE Grâce, grâce, je t en supplie! ORPHÉE Non, non, pas de retard, c est le comble de l art, il dure une heure un quart! EURYDICE Miséricorde, une heure un quart! ORPHÉE Une heure un quart, c est le comble de l art. EURYDICE Je n écouterai pas. ORPHÉE Si, tu m écouteras! EURYDICE Non, non, non, non, non! (Orphée joue sur son violon) Grâce, grâce, ah! C est déplorable, c est effroyable, c est assommant, c est irritant! ORPHÉE C est adorable, c est délectable, c est ravissant, c est entraînant. Ah! c est charmant, c est ravissant! Ecoutez encore ce motif, langoureux, expressif! EURYDICE La, la, la, la, la! C est assommant, c est irritant! La la la, la, la! Non, je ne veux rien entendre. ORPHÉE Ah ! c est doux, ah ! c est tendre! EURYDICE Non, non, non, non, c est horrible, c est terrible! ORPHÉE Quel trémolo! Presto, presto! Largo, largo! Pizzicato, pizzicato! Presto, presto! Amoroso! Agitato! EURYDICE C est terrible, c est terrible! Ah! Seigneur, quel supplice! C est fini, le voilà parti! O Vénus, sois-moi propice, délivre-moi de mon mari. A la bonne heure! Séparons-nous donc! ORPHÉE Je le ferais de bon cœur se cela ne devait pas nuire a ma considération. Je suis esclave de l opinion publique j ai besoin du monde, je ne veux pas le heurter. Mais je me suis mis en tête de pourfendre chacun de vos adorateurs. EURYDICE (riant) Avec votre archet? ORPHÉE Non, Madame, je crois inutile de vous apprendre le moyen que j ai choisi pour attraper le maraudeur. EURYDICE Le maraudeur! ORPHÉE Oui... cet espèce de berger d aventure. EURYDICE Aristée? ORPHÉE Précisément ! Eh bien, qu il vous suffise de savoir ceci je ne lui conseille pas de continuer à folâtrer dans les blés que voilà! EURYDICE Et qui l en empêchera? ORPHÉE Oui?... Certaine petite surprise que j ai semée à son intention dans ces blonds épis. (Il sort.) EURYDICE Que veut-il dire avec sa surprise? Et ses blonds épis ? C est que ce vilain homme est capable de tout… Quelque piège peut-être! Courons au-devant d Aristée!… Les autres. Cela m est égal, mais lui. Courons! (Elle sort à gauche. Le théâtre se remplit de bergers et de bergères qui dansent un ballet pastoral. Après le ballet, on entend le son d un chalumeau et tous les bergers s arrêtent suivant des yeux Aristée qui descend la colline.) N° 4. Ballet Pastoral N° 5 Chanson D Aristée ARISTÉE Moi; je suis Aristée. un berger d Arcadie, un fabricant de miel, ivre de mélodie, sachant se contenter des plaisirs innocents que les dieux ont permis â l habitant des champs. Voir voltiger sous les treilles entre terre et ciel les essaims de mes abeilles butinant leur miel, voir le lever de l aurore et chaque matin se dire je veux encore le revoir demain. Voilà la fête d une âme honnête, le vrai bonheur d un tendre coeur. Ah! Voir bondir dans la plaine les petits moutons, accrochant leur blanche laine â tous les buissons, voir sommeiller la bergère tandis qu à pas lents, le berger qu elle préfère vient et la surprend! Voilà la fête d une âme honnête, le vrai bonheur d un tendre coeur Ah! (Il regarde avec précaution avoir de lui.) Voilà ! Voilà ce que je dis pour inspirer de la confiance! Oui, je chante les petits moutons, mais si vous saviez qui je suis en réalité, et quels projets infernaux je médite! Je vous dirai cela tout à l heure. (Les bergers se retirent) N° 5 bis. Sortie des Bergers (Eurydice s approche) Voici la tendre Eurydice! N avons pas l air d avoir passé dans les blés! (Il remonte.) EURYDICE (entrant) Ah! Le voici! J arrive à temps! Aristée, mon beau berger, prends garde! Ne bouge pas! ARISTÉE Comment, ne bouge pas! (Il fait un pas vers les blés.) EURYDICE Aristée! Au nom de mon amour, n approche pas! ARISTÉE Comment? EURYDICE Mon mari sait tout! Il nous aura espionnés! Et il a semé des serpents dans ces blés, témoins ordinaires de nos innocentes amours… ARISTÉE (à part) Est-il bête, l animal! Il veut me surprendre et il me fast prévenir! Réparons sa maladresse… (haut) Allons donc ! Regarde comme je me moque de ses reptiles! Regarde! (Il trottine dans les blés.) EURYDICE Aristée! Ton amour et ton courage t emportent! Aristée! Tu cours â la Mort! ARISTÉE Il n y a pas de danger! EURYDICE Eh bien, alors, je veux mourir avec toi! ARISTÉE (à part) Allons donc! (Ils marchent dans les blés, à la rencontre l un de l autre Eurydice s arrête tout à coup, un pied en l air.) N° 5 ter Mélodrame EURYDICE Aie! ARISTÉE Crac! Çà y est! EURYDICE Je suis mordue!... ARISTÉE (tout bas) Et plus que tu ne crois! Complètement mordue! (Il la prend dans ses bras et la dépose sur le banc, à gauche.) Maintenant, Pluton, redeviens toi-même! Une, deux, trois! (Son costume de berger disparaît, il est vêtu en dieu des enfers. Il s adresse au public.) Pas berger du tout! Pluton, roi des Enfers! Voilà ce que le voulais vous dire tout a l heure. Et maintenant, désorganisons les éléments! (Il fait un signe de son bident. Tonnerre. La nuit arrive subitement. Le décor prend une couleur sinistre. Orage. Lorsque l orage est fini, il ajoute) Ici, voilà comment on désorganise les éléments. EURYDICE Dieux puissants! Est-ce que le vais mourir? ARISTÉE Entièrement! Lasciate ogni speranza! (Il rit d un rire strident.) EURYDICE Et cependant, je ne souffre pas. ARISTÉE (bas) Je t expliquerai pourquoi. EURYDICE Ah ! c est étrange ARISTÉE C est logique! N° 6 Invocation a la Mort EURYDICE La mort m apparaît souriante, qui vient me frapper près de toi... Elle m attire, elle me tente… Mon, je t appelle, emporte moi!... Mon ton ivresse me pénètre, ton froid ne me fait pas souffrir, il semble que je vais renaître, oui, renaître au bau de mourir! ARISTÉE (lui tâtant le pouls) Ça y est! Une larme, et partons! Ah! avant de partir, abusons de notre divinité pour jeter un dernier défi au mari! N° 6 bis Mélodrame (Aristée étends son bident sur la tête d Eurydice qui se réveille et se dresse comme dominée. Il lui donne et bident et montrent du geste la cabane d Orphée) Voilà une plume et tout ce qu il faut pour écrire! (Eurydice écrit sur la porte ces quatre vers qui se tracent en lettres de feu.) EURYDICE Je quitte la maison parce que je suis morte. Aristée est Pluton et le diable m emporte! ARISTÉE La rime n est pas riche... mais la richesse ne fait pas le bonheur! (Armé de son bident, i1 fascine Eurydice et la force à gagner le milieu du théâtre où elle s agenouille.) Le fakir! Le vrai fakir! J en fais ce que je veux! Et maintenant, aux sombres bords! (Ils disparaissent tous deux dans une trappe Orphée rentre par la droite. Il gagne sa maison et sur le point d entrer s arrête frappé par l inscription.) ORPHÉE Que vois-je ? L écriture de ma femme! (lisant) Je quitte la maison parce que je suis morte, Aristée est Pluton et le diable m emporte! Comment, elle est… Oh! Mais ce n est pas possible! (Il entre dans sa cabane et en ressort immédiatement.) Mais si! Elle est bien morte, puisqu elle le dit elle-même!… Ah! merci, merci, Jupin! N° 7 Final ORPHÉE Libre! ô bonheur ! ô joie extrême! Courons conter le fait à la nymphe que j aime! LE CHOEUR (en coulisse) Anathème, anathème, sur celui qui sans pitié, anathème, anathème, refuse une larme même à sa moitié. ORPHÉE Etranges cris ! Encore ces voix! De tous les côtés à la fois! Quel phénomène d acoustique! LE CHOEUR (en coulisse) Anathème, etc. (Orphée éperdu traverse les blés et gravit le sentier qui mène au temple. Les portes du temple s ouvrent et laissent voir l Opinion Publique. Elle descend, suivre de son cortège et du Conseil Municipal.) ORPHÉE Ciel! l Opinion Publique qui me poursuit déjà! LE CHOEUR Ciel! l Opinion Publique qui le poursuit déjà! L OPINION PUBLIQUE C est l Opinion Publique qui proclame qu elle sait qui peut dans un sentier oblique saisir la trace d un forait, qui dit à la main sacrilège dans le blé tu semas le piège! Halte là! Çà n peut pas s passer, non, ça n peut pas s passer comm ça! LE CHOEUR Halte la! Ça n peut pas s passer, non, ça n peut pas s passer comm çà! L OPINION PUBLIQUE Epoux indigne, ma colère te suivra de toutes façons, je veux te mettre en la misère, te faire perdre tes leçons et du crépuscule à l aurore troublant tes nuits, crier encore Halte là! etc. LE CHOEUR Halte là! Etc. L OPINION PUBLIQUE Viens! à l Opinion c est en vain qu on résiste! LE CHOEUR Pars! À l Opinion c est en vain qu on résiste! ORPHÉE Grâce! L OPINION PUBLIQUE Pour te soustraire à ma sévérité et pour servir d exemple à la postérité, un seul moyen te reste! ORPHÉE Et lequel, dis? L OPINION PUBLIQUE Bédane, c est de courir après ta femme! ORPHÉE Mais ne je l aime pas! L OPINION PUBLIQUE L exemple à tous yeux n en sera que plus glorieux! ORPHÉE Fut-il jamais un sort plus triste! L OPINION PUBLIQUE Cours, cours après ta femme! LE CHOEUR Cours, cours après ta femme! ORPHÉE A ton implacable voix il faut céder, je le vois. Mais avant d être l époux, je suis orphéoniste, à mes élèves studieux permets qu au moins je fasse mes adieux! L OPINION PUBLIQUE C est un bon sentiment, il ne peut que me plaire. ORPHÉE Dans un petit moment, j aurai fait mon affaire. A moi, mes amis ! Ecoutez un peu! Votre professeur veut vous dire adieu! (Les élèves d Orphée entrent et préludent sur leurs violons.) Quelle attention délicate! C est ma dernière cantate! L OPINION PUBLIQUE Ah! ces adieux sont vraiment touchants, et ce sont là de charmants enfants! La la la la... LE CHOEUR Ces adieux sont vraiment touchants, il avait là de charmants enfants! La la la la, etc. ORPHÉE Adieu, mes chers enfants, adieu jeunes élèves, les destins sont vraiment changeants, je pars pour le pays des rêves on ne fait pas toujours ce qu on veut et voilà! Quand vous vous marierez, vous comprendrez cela. LES ENFANTS Adieu, Maestro, partez donc presto! Adieu, Maestro, le temps est très beau, le temps est beau, n allez pas là-haut oublier Toto, Lolo ni Coco. Oui, partez donc presto! O grand Maestro! ORPHÉE Ah ! mes enfants, mes chers enfants! LES ENFANTS Adieu, Maestro, etc. L OPINION PUBLIQUE Allons! c est le moment! Trêve a l attendrissement! ORPHÉE C est le moment! LE CHOEUR, LES ENFANTS C est le moment! L OPINION PUBLIQUE Viens! c est l honneur qui t appelle, et l honneur passe avant l amour… Viens! Je serai ton compagnon fidèle pendant l aller et le retour! TOUS Va! C est l honneur qui t appelle, et l honneur passe avant l amour… Bénis donc le guide fidèle qui te suivra jusqu au retour. Va! C est l honneur, etc. PREMIERE ACTE La campagne aux environs de Thêbes (Au fond des blés et des bleuets A gauche au premier plan la cabane d`Aristée surmontée de cette enseigne « Aristée, fabricant de miel, gros et détail, dépôt au Mont Hymene…» A droite, un premier plan, la cabane d`Orphée avec cette inscription «Orphée, directeur de l orphéon de Thèbes, leçons au mois et au cachet » Des sentiers travenient les blés et conduisent à un temple placé sur une petite colline au troisième plan à gauche ce plan est praticable. Au lever du le rideau le théâtre est vide des bergers et des bergères entrent par la gauche.) N° 1 Choeur des bergers et scène du conseil municipal LES BERGERES Voici la douzième heure, que chacun retourne en sa demeure. Allons, rentrons nos blancs moutons. LES BERGERS Voici la douzième heure, retournons en notre demeure. Allons, rentrons nos blancs moutons UN LICTEUR Place, place au conseil municipal qui casse, qui passe. TOUS Place, place! (Entrée du conseil municipal) LE CONSEIL Conseil municipal de la ville de Thébes, nous sommes les gardiens du bonheur pastoral, nous soignons les enfants, dirigeons les éphèbes, bref, nous sommes un bon conseil municipal. LE CHOEUR Honneur, honneur à nos doyens! Honneur, honneur à nos anciens! LE CONSEIL Merci, merci mes chers entants, vos anciens de vous sont contents. LE CHOEUR Honneur, honneur à nos doyens! Honneur, honneur à nos anciens! LE CONSEIL Vos anciens de vous etc. (L Opinion Publique paraît précède de licteurs. Elle est armée d un fouet) LE LICTEUR (annoncent) L Opinion Publique! L OPINION PUBLIQUE (sur une mélodée) Qui je suis? Du théâtre antique j ai perfectionné le chœur; je suis l Opinion Publique, un personnage symbolique, ce qu on appelle un raisonneur. La choeur antique an confidence se chargeait d expliquer aux gens ce qu ils avaient compris d avance quand ils étaient intelligents. Moi, je fais mieux j agis moi-même, et, prenant part à l action, de la palme ou de l anathème je fais la distribution. Que prenne garde à moi la femme qui voudrait tromper son époux, et que se garde aussi l époux qui ferait des traits à sa femme!. C est aux Personnages du drame que je parle, rassurez-vous! Voici venir notre Eurydice je pars… mais je suis toujours là, prêt à sortir de la coulisse comme un Deus ex machina. (L Opinion Publique suive de tout son cortège remonte vers le temple. Les veilllards l accompagnent en reprenant le chœur. Les bergers sortent par les côtés. Le théâtre reste vide. Seule, au milieu des blés, on aperçoit Eurydice qui cueille des fleurs et en fait une guirlande.) N° 2 Couplets du Berger Joli EURYDICE La femme dont le coeur rêve n a pas de sommeil chaque jour elle se lève avec le soleil. Le matin de fleurs plus belles les prés sont brodes. Mais ces fleurs pour qui sont-elles? Vous le demandez? Vous le demandez? Pour qui? Ah! ah! ah! ah! N en dites rien à mon mari, Car c est pour le berger joli qui loge ici. (Elle s approche avec inquiétude de la cabane d Aristée et suspend à sa porte une guirlande) Chaque jour ainsi j apporte au berger galant de beaux bleuets, qu à sa porte j accroche en tremblant, et mon pauvre coeur palpite à bonds saccadés; pour qui donc bat-il si vite? Vous le demandez ? Vous le demandez? Pour qui? Ah! ah! ah! ah! N en dites rien à mon mari, car c est pour le berger joli qui loge ici. (Elle entrouvre le porte de la cabane et regarde un innant a l intérieur pendant ce temps, Orphée paraît à gauche, prenant à la main son violon. Eurydice prend le reste des fleurs qu elle tient dans sa robe et les jette dans la cabane.) ORPHÉE Que vois-je? N est-ce pas la nymphe Maquilla, la belle nymphe que j adore? Seule?... Révélons ma présence par ce trait qu elle aime tant! (Il joue une phrase passionnée sur son violine. Eurydice se retourne) EURYDICE Mon mari! ORPHÉE Ma femme!... Imbécile!... Dépêchons-nous de crier avant elle!... Ah! je vous y prends, Madame... A qui donc jetiez-vous ces fleurs, s il vous plaît? EURYDICE Ces fleurs? Au vent! Et vous mon tendre ami, à qui jetiez vous ce chant passionne de votre… crin-crin? ORPHÉE Mon violon!... Ne touchez pas à cette corde, Madame! EURYDICE Il m ennuie comme vos vers votre violon!... Allez charmer de ses sons les bergères de troisième ordres dont vous raffolez. Quant à moi, j aime aujourd hui ce berger, il m aime, rien ne me séparera d Aristée! N° 3. Duo du Concerto ORPHÉE Ah! c est ainsi! EURYDICE Oui, mon ami. ORPHÉE Tu me trompes comme mari? EURYDICE Oui, mon ami! ORPHÉE Tu me dédaignes comme artiste? EURYDICE Oui, mon ami! ORPHÉE Tu n aimes pas le violoniste? EURYDICE Non, mon ami, Le violoniste me paraît triste; l instrumentiste est assommant, et l instrument me déplaît souverainement. ORPHÉE Ah! de ton insolence je dois tirer vengeance! EURYDICE Et comment, je vous prie? ORPHÉE Je vais ma tendre amie vous jouer aussitôt une œuvre de génie, mon dernier concerto! EURYDICE Grâce, grâce, je t en supplie! ORPHÉE Non, non, pas de retard, c est le comble de l art, il dure une heure un quart! EURYDICE Miséricorde, une heure un quart! ORPHÉE Une heure un quart, c est le comble de l art. EURYDICE Je n écouterai pas. ORPHÉE Si, tu m écouteras! EURYDICE Non, non, non, non, non! (Orphée joue sur son violon) Grâce, grâce, ah! C est déplorable, c est effroyable, c est assommant, c est irritant! ORPHÉE C est adorable, c est délectable, c est ravissant, c est entraînant. Ah! c est charmant, c est ravissant! Ecoutez encore ce motif, langoureux, expressif! EURYDICE La, la, la, la, la! C est assommant, c est irritant! La la la, la, la! Non, je ne veux rien entendre. ORPHÉE Ah ! c est doux, ah ! c est tendre! EURYDICE Non, non, non, non, c est horrible, c est terrible! ORPHÉE Quel trémolo! Presto, presto! Largo, largo! Pizzicato, pizzicato! Presto, presto! Amoroso! Agitato! EURYDICE C est terrible, c est terrible! Ah! Seigneur, quel supplice! C est fini, le voilà parti! O Vénus, sois-moi propice, délivre-moi de mon mari. A la bonne heure! Séparons-nous donc! ORPHÉE Je le ferais de bon cœur se cela ne devait pas nuire a ma considération. Je suis esclave de l opinion publique j ai besoin du monde, je ne veux pas le heurter. Mais je me suis mis en tête de pourfendre chacun de vos adorateurs. EURYDICE (riant) Avec votre archet? ORPHÉE Non, Madame, je crois inutile de vous apprendre le moyen que j ai choisi pour attraper le maraudeur. EURYDICE Le maraudeur! ORPHÉE Oui... cet espèce de berger d aventure. EURYDICE Aristée? ORPHÉE Précisément ! Eh bien, qu il vous suffise de savoir ceci je ne lui conseille pas de continuer à folâtrer dans les blés que voilà! EURYDICE Et qui l en empêchera? ORPHÉE Oui?... Certaine petite surprise que j ai semée à son intention dans ces blonds épis. (Il sort.) EURYDICE Que veut-il dire avec sa surprise? Et ses blonds épis ? C est que ce vilain homme est capable de tout… Quelque piège peut-être! Courons au-devant d Aristée!… Les autres. Cela m est égal, mais lui. Courons! (Elle sort à gauche. Le théâtre se remplit de bergers et de bergères qui dansent un ballet pastoral. Après le ballet, on entend le son d un chalumeau et tous les bergers s arrêtent suivant des yeux Aristée qui descend la colline.) N° 4. Ballet Pastoral N° 5 Chanson D Aristée ARISTÉE Moi; je suis Aristée. un berger d Arcadie, un fabricant de miel, ivre de mélodie, sachant se contenter des plaisirs innocents que les dieux ont permis â l habitant des champs. Voir voltiger sous les treilles entre terre et ciel les essaims de mes abeilles butinant leur miel, voir le lever de l aurore et chaque matin se dire je veux encore le revoir demain. Voilà la fête d une âme honnête, le vrai bonheur d un tendre coeur. Ah! Voir bondir dans la plaine les petits moutons, accrochant leur blanche laine â tous les buissons, voir sommeiller la bergère tandis qu à pas lents, le berger qu elle préfère vient et la surprend! Voilà la fête d une âme honnête, le vrai bonheur d un tendre coeur Ah! (Il regarde avec précaution avoir de lui.) Voilà ! Voilà ce que je dis pour inspirer de la confiance! Oui, je chante les petits moutons, mais si vous saviez qui je suis en réalité, et quels projets infernaux je médite! Je vous dirai cela tout à l heure. (Les bergers se retirent) N° 5 bis. Sortie des Bergers (Eurydice s approche) Voici la tendre Eurydice! N avons pas l air d avoir passé dans les blés! (Il remonte.) EURYDICE (entrant) Ah! Le voici! J arrive à temps! Aristée, mon beau berger, prends garde! Ne bouge pas! ARISTÉE Comment, ne bouge pas! (Il fait un pas vers les blés.) EURYDICE Aristée! Au nom de mon amour, n approche pas! ARISTÉE Comment? EURYDICE Mon mari sait tout! Il nous aura espionnés! Et il a semé des serpents dans ces blés, témoins ordinaires de nos innocentes amours… ARISTÉE (à part) Est-il bête, l animal! Il veut me surprendre et il me fast prévenir! Réparons sa maladresse… (haut) Allons donc ! Regarde comme je me moque de ses reptiles! Regarde! (Il trottine dans les blés.) EURYDICE Aristée! Ton amour et ton courage t emportent! Aristée! Tu cours â la Mort! ARISTÉE Il n y a pas de danger! EURYDICE Eh bien, alors, je veux mourir avec toi! ARISTÉE (à part) Allons donc! (Ils marchent dans les blés, à la rencontre l un de l autre Eurydice s arrête tout à coup, un pied en l air.) N° 5 ter Mélodrame EURYDICE Aie! ARISTÉE Crac! Çà y est! EURYDICE Je suis mordue!... ARISTÉE (tout bas) Et plus que tu ne crois! Complètement mordue! (Il la prend dans ses bras et la dépose sur le banc, à gauche.) Maintenant, Pluton, redeviens toi-même! Une, deux, trois! (Son costume de berger disparaît, il est vêtu en dieu des enfers. Il s adresse au public.) Pas berger du tout! Pluton, roi des Enfers! Voilà ce que le voulais vous dire tout a l heure. Et maintenant, désorganisons les éléments! (Il fait un signe de son bident. Tonnerre. La nuit arrive subitement. Le décor prend une couleur sinistre. Orage. Lorsque l orage est fini, il ajoute) Ici, voilà comment on désorganise les éléments. EURYDICE Dieux puissants! Est-ce que le vais mourir? ARISTÉE Entièrement! Lasciate ogni speranza! (Il rit d un rire strident.) EURYDICE Et cependant, je ne souffre pas. ARISTÉE (bas) Je t expliquerai pourquoi. EURYDICE Ah ! c est étrange ARISTÉE C est logique! N° 6 Invocation a la Mort EURYDICE La mort m apparaît souriante, qui vient me frapper près de toi... Elle m attire, elle me tente… Mon, je t appelle, emporte moi!... Mon ton ivresse me pénètre, ton froid ne me fait pas souffrir, il semble que je vais renaître, oui, renaître au bau de mourir! ARISTÉE (lui tâtant le pouls) Ça y est! Une larme, et partons! Ah! avant de partir, abusons de notre divinité pour jeter un dernier défi au mari! N° 6 bis Mélodrame (Aristée étends son bident sur la tête d Eurydice qui se réveille et se dresse comme dominée. Il lui donne et bident et montrent du geste la cabane d Orphée) Voilà une plume et tout ce qu il faut pour écrire! (Eurydice écrit sur la porte ces quatre vers qui se tracent en lettres de feu.) EURYDICE Je quitte la maison parce que je suis morte. Aristée est Pluton et le diable m emporte! ARISTÉE La rime n est pas riche... mais la richesse ne fait pas le bonheur! (Armé de son bident, i1 fascine Eurydice et la force à gagner le milieu du théâtre où elle s agenouille.) Le fakir! Le vrai fakir! J en fais ce que je veux! Et maintenant, aux sombres bords! (Ils disparaissent tous deux dans une trappe Orphée rentre par la droite. Il gagne sa maison et sur le point d entrer s arrête frappé par l inscription.) ORPHÉE Que vois-je ? L écriture de ma femme! (lisant) Je quitte la maison parce que je suis morte, Aristée est Pluton et le diable m emporte! Comment, elle est… Oh! Mais ce n est pas possible! (Il entre dans sa cabane et en ressort immédiatement.) Mais si! Elle est bien morte, puisqu elle le dit elle-même!… Ah! merci, merci, Jupin! N° 7 Final ORPHÉE Libre! ô bonheur ! ô joie extrême! Courons conter le fait à la nymphe que j aime! LE CHOEUR (en coulisse) Anathème, anathème, sur celui qui sans pitié, anathème, anathème, refuse une larme même à sa moitié. ORPHÉE Etranges cris ! Encore ces voix! De tous les côtés à la fois! Quel phénomène d acoustique! LE CHOEUR (en coulisse) Anathème, etc. (Orphée éperdu traverse les blés et gravit le sentier qui mène au temple. Les portes du temple s ouvrent et laissent voir l Opinion Publique. Elle descend, suivre de son cortège et du Conseil Municipal.) ORPHÉE Ciel! l Opinion Publique qui me poursuit déjà! LE CHOEUR Ciel! l Opinion Publique qui le poursuit déjà! L OPINION PUBLIQUE C est l Opinion Publique qui proclame qu elle sait qui peut dans un sentier oblique saisir la trace d un forait, qui dit à la main sacrilège dans le blé tu semas le piège! Halte là! Çà n peut pas s passer, non, ça n peut pas s passer comm ça! LE CHOEUR Halte la! Ça n peut pas s passer, non, ça n peut pas s passer comm çà! L OPINION PUBLIQUE Epoux indigne, ma colère te suivra de toutes façons, je veux te mettre en la misère, te faire perdre tes leçons et du crépuscule à l aurore troublant tes nuits, crier encore Halte là! etc. LE CHOEUR Halte là! Etc. L OPINION PUBLIQUE Viens! à l Opinion c est en vain qu on résiste! LE CHOEUR Pars! À l Opinion c est en vain qu on résiste! ORPHÉE Grâce! L OPINION PUBLIQUE Pour te soustraire à ma sévérité et pour servir d exemple à la postérité, un seul moyen te reste! ORPHÉE Et lequel, dis? L OPINION PUBLIQUE Bédane, c est de courir après ta femme! ORPHÉE Mais ne je l aime pas! L OPINION PUBLIQUE L exemple à tous yeux n en sera que plus glorieux! ORPHÉE Fut-il jamais un sort plus triste! L OPINION PUBLIQUE Cours, cours après ta femme! LE CHOEUR Cours, cours après ta femme! ORPHÉE A ton implacable voix il faut céder, je le vois. Mais avant d être l époux, je suis orphéoniste, à mes élèves studieux permets qu au moins je fasse mes adieux! L OPINION PUBLIQUE C est un bon sentiment, il ne peut que me plaire. ORPHÉE Dans un petit moment, j aurai fait mon affaire. A moi, mes amis ! Ecoutez un peu! Votre professeur veut vous dire adieu! (Les élèves d Orphée entrent et préludent sur leurs violons.) Quelle attention délicate! C est ma dernière cantate! L OPINION PUBLIQUE Ah! ces adieux sont vraiment touchants, et ce sont là de charmants enfants! La la la la... LE CHOEUR Ces adieux sont vraiment touchants, il avait là de charmants enfants! La la la la, etc. ORPHÉE Adieu, mes chers enfants, adieu jeunes élèves, les destins sont vraiment changeants, je pars pour le pays des rêves on ne fait pas toujours ce qu on veut et voilà! Quand vous vous marierez, vous comprendrez cela. LES ENFANTS Adieu, Maestro, partez donc presto! Adieu, Maestro, le temps est très beau, le temps est beau, n allez pas là-haut oublier Toto, Lolo ni Coco. Oui, partez donc presto! O grand Maestro! ORPHÉE Ah ! mes enfants, mes chers enfants! LES ENFANTS Adieu, Maestro, etc. L OPINION PUBLIQUE Allons! c est le moment! Trêve a l attendrissement! ORPHÉE C est le moment! LE CHOEUR, LES ENFANTS C est le moment! L OPINION PUBLIQUE Viens! c est l honneur qui t appelle, et l honneur passe avant l amour… Viens! Je serai ton compagnon fidèle pendant l aller et le retour! TOUS Va! C est l honneur qui t appelle, et l honneur passe avant l amour… Bénis donc le guide fidèle qui te suivra jusqu au retour. Va! C est l honneur, etc. Offenbach,Jacques/Orpheé aux Enfers/II